Reinaldo Ortega Sardiñas 1977 - XXI España. - Utopías de Akira Kurosawa con Jenny Saville y Charles Bukowski en Tierra de Isabel la Católica III -





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Artist Reinaldo Ortega Sardiñas (1977) presents Utopías de Akira Kurosawa con Jenny Saville y Charles Bukowski en Tierra de Isabel la Católica III, a 100 × 66 cm original XL collage on canvas with acrylic painting, signed by hand in 2026, in excellent condition.
Description from the seller
Author: Reinaldo Ortega Sardiñas 1977 - XXI Spain.
Series: Cocaína para Isabel la Católica (2025-2026)
Title: Utopías de Akira Kurosawa with Jenny Saville and Charles Bukowski in Tierra de Isabel la Católica III - XL format - Pop surrealism
Digital collage printed on canvas, hand-intervened with acrylic paint and varnish.
Dimensions: 100 x 66 cm.
Work hand-signed by the Artist.
In excellent condition. New.
Unique original edition in this format and with this specific composition of characters.
Shipping does not include frame or wooden stretcher.
Will be tracked via the UPS or FedEx website.
Statement:
As the transgressor of contemporary pop-surrealism, I develop work that subverts the codes of art and popular culture. Through a vibrant graphic style and the imagery of Pop Art, I appropriate iconic references to disarm them, decontextualize them and return them to the present as an uncomfortable reflection of our reality.
I deliberately ignore any ideological or cultural legacy of the past, because I do not seek to pay homage, but to question, provoke and rewrite their meanings.
I turn to collage as a starting point, not only as a visual technique but as a declaration of rupture. It is in that initial pause that a rich aesthetic of materials, technical solutions and unexpected combinations is born, which, without needing to answer to an established order, gives shape to a spontaneous, irreverent and deeply contemporary visual language.
My work erupts into symbols, dismantles the sacred and turns the recognizable into objects of reflection, irony or contradiction. I do not seek answers; I generate frictions. Because in the clash between the iconic and the absurd, between the revered and the banal, the distorted mirror of our time emerges. My collages are aimed at those who made freedom a form of resistance and still recognize themselves in the dreams, excesses, contradictions, and cultural conquests of the decades that transformed the 20th century. It is also a tribute to those who survived the pandemic without renouncing their identity, their memory, or their desire to live fully.
Author: Reinaldo Ortega Sardiñas 1977 - XXI Spain.
Series: Cocaína para Isabel la Católica (2025-2026)
Title: Utopías de Akira Kurosawa with Jenny Saville and Charles Bukowski in Tierra de Isabel la Católica III - XL format - Pop surrealism
Digital collage printed on canvas, hand-intervened with acrylic paint and varnish.
Dimensions: 100 x 66 cm.
Work hand-signed by the Artist.
In excellent condition. New.
Unique original edition in this format and with this specific composition of characters.
Shipping does not include frame or wooden stretcher.
Will be tracked via the UPS or FedEx website.
Statement:
As the transgressor of contemporary pop-surrealism, I develop work that subverts the codes of art and popular culture. Through a vibrant graphic style and the imagery of Pop Art, I appropriate iconic references to disarm them, decontextualize them and return them to the present as an uncomfortable reflection of our reality.
I deliberately ignore any ideological or cultural legacy of the past, because I do not seek to pay homage, but to question, provoke and rewrite their meanings.
I turn to collage as a starting point, not only as a visual technique but as a declaration of rupture. It is in that initial pause that a rich aesthetic of materials, technical solutions and unexpected combinations is born, which, without needing to answer to an established order, gives shape to a spontaneous, irreverent and deeply contemporary visual language.
My work erupts into symbols, dismantles the sacred and turns the recognizable into objects of reflection, irony or contradiction. I do not seek answers; I generate frictions. Because in the clash between the iconic and the absurd, between the revered and the banal, the distorted mirror of our time emerges. My collages are aimed at those who made freedom a form of resistance and still recognize themselves in the dreams, excesses, contradictions, and cultural conquests of the decades that transformed the 20th century. It is also a tribute to those who survived the pandemic without renouncing their identity, their memory, or their desire to live fully.

