Michael Joseph (1941-) - Sandwich board man, Blue Tone Print

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Kai Brückner
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Selected by Kai Brückner

Over 35 years' experience; former gallery owner and Museum Folkwang curator.

Estimate  € 700 - € 850
FR
€1

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Michael Joseph, Sandwich board man, Blue Tone Print, a unique vintage gelatin-silver print dated 1967, hand-signed and in original state.

AI-assisted summary

Description from the seller

The End Is Nigh – East End Sandwich Board Man

Michael Joseph | London | Original Blue-Toned Photographic Print

An extraordinary slice of London street life, where eccentricity, humour and the everyday theatre of the city collide.

Standing defiantly in the middle of a busy London street, an elderly sandwich board man announces “THE END IS NIGH” and “PREPARE TO MEET THY DOOM”, while the world carries on around him, seemingly oblivious to his apocalyptic warning.

Behind him, pedestrians hurry past, a vintage car waits at the kerb, and the unmistakable atmosphere of London's East End unfolds in all its wonderfully chaotic glory.

Captured by celebrated British photographer Michael Joseph, this striking street photograph combines documentary observation with the theatrical composition for which he became renowned.

The beautiful, cool blue tonality lends the image an almost cinematic quality, transforming an ordinary London street scene into a timeless piece of photographic storytelling.

A Distinctive Collector's Piece

Presented in an impressive 70 × 50 cm silver-coloured mount, this generously sized photograph makes a striking statement, particularly suited to collectors of vintage London imagery, British street photography and unusual twentieth-century photographic art.

The photograph bears handwritten inscriptions along its lower border, including the title East End Sandwich Board Man and Michael Joseph's signature.

The reverse of the mount retains an intriguing piece of Michael Joseph studio archive material, offering an additional connection to the photographer's working history.

Details

Photographer: Michael Joseph (born 1941)

Title: East End Sandwich Board Man – The End Is Nigh

Location: London, England

Technique: Blue-toned photographic print

Image dimensions: 42 × 32 cm

Mount dimensions: 70 × 50 cm

Presentation: Silver-coloured mount

Inscriptions: Handwritten title and signature on the lower photographic border

Provenance: Directly from the Michael Joseph family archive

A wonderfully eccentric and atmospheric photograph, capturing a disappearing London and a character who seems to have stepped straight out of another age.

One man predicts the end of the world, yet London barely notices. An immortalised instant: an unforgettable image, full of humour, humanity and British character.

#MichaelJoseph #TheEndIsNigh #LondonPhotography #StreetPhotography #BritishPhotography #VintageLondon #EastEndLondon #FineArtPhotography #PhotographyCollectors #BlueTonedPhotography #PhotographicArt #LondonHistory #SignedPhotography #VintagePhotography #Catawiki

Seller's Story

My father, Michael Joseph, was a London-based advertising photographer from the 1960s to the early 1990s, perhaps best known for his iconic photographs for the Rolling Stones’ Beggars Banquet album. Such was Michael’s extraordinary talent for orchestrating elaborate group scenes, often bringing together large numbers of people and animals in seemingly effortless harmony, that these wonderfully theatrical compositions became known within the advertising industry simply as “a Michael Joseph” - a style so distinctive that his name became a description in its own right. Our continuing mission is to share what we affectionately call “the other photographs”: lesser-known treasures from his remarkable archive, including original vintage darkroom prints, experimental test prints, alternative images from major shoots, celebrated group compositions and more intimate, personal photographs. Among our most exciting discoveries is Michael’s extraordinary 1964 Vietnam archive, photographed when he was just 23. Many of these powerful images have never previously been exhibited or offered for sale, revealing a fascinating, lesser-known side of his career. There is also a wonderfully poetic quality to much of his work: unexpected encounters, fleeting moments and what we like to call “immortalised instants” - those unrepeatable fragments of everyday life that might otherwise have gone unnoticed. All beautifully summed up in Michael’s favourite adage: “Always keep a camera handy, every minute of your living day.” A philosophy he certainly lived by, leaving us an extraordinary collection that we are still discovering today. Alongside Michael’s authentic vintage prints, we are introducing new interpretations of his work: striking photographic prints on aluminium and handmade cyanotypes, created from his original negatives and transparencies using the Dordogne sunshine. Some are produced on vintage papers from Michael’s own photographic library, giving these historic materials a wonderful new lease of life. Together, these works celebrate photographic history and contemporary creativity - from unique prints made by Michael himself to imaginative new interpretations of his archive. We hope you enjoy discovering these photographs as much as we enjoy bringing them to light! A Small Note About the Presentation Photographs Some of our in situ illustrations showing artworks displayed in interiors have been created using artificial intelligence (AI). These are intended simply to help you imagine how a piece might look in a home, office or gallery. Although we aim for faithful representations, proportions and scale may occasionally vary. Please refer to the actual artwork photographs and stated dimensions for an accurate representation of your purchase. A Personal Note About Packaging We prepare and pack every artwork ourselves, taking great care to protect each piece with several layers of suitable materials. To keep costs down and minimise waste, we reuse and upcycle packaging wherever possible. Your parcel may therefore contain recycled cardboard, protective sleeves, old photographic boxes or envelopes - occasionally even materials from Michael’s own photographic library! And please don't be surprised if the outside looks rather plain, or even a little unattractive. This is often deliberate! We prefer valuable or irreplaceable artworks to travel as inconspicuously as possible. One small favour: please unwrap your parcel slowly and carefully. We sometimes use several layers of cardboard, paper and protective wrapping, secured with tape. Please take particular care when using scissors or a blade, as tape can occasionally catch on adjoining layers or items inside. We would rather spend a little extra time protecting your purchase than risk damage in transit, and hope you will forgive our occasionally unconventional packaging! After all, it's what's inside that matters, not the wrapping! Every purchase helps us preserve, explore and share Michael’s remarkable photographic archive, while giving these images a new home and another chapter in their history. For US Buyers Customs duties and applicable import charges are paid at source and included in the shipping cost. No additional charges should normally be payable upon delivery, subject to changes in customs regulations.

The End Is Nigh – East End Sandwich Board Man

Michael Joseph | London | Original Blue-Toned Photographic Print

An extraordinary slice of London street life, where eccentricity, humour and the everyday theatre of the city collide.

Standing defiantly in the middle of a busy London street, an elderly sandwich board man announces “THE END IS NIGH” and “PREPARE TO MEET THY DOOM”, while the world carries on around him, seemingly oblivious to his apocalyptic warning.

Behind him, pedestrians hurry past, a vintage car waits at the kerb, and the unmistakable atmosphere of London's East End unfolds in all its wonderfully chaotic glory.

Captured by celebrated British photographer Michael Joseph, this striking street photograph combines documentary observation with the theatrical composition for which he became renowned.

The beautiful, cool blue tonality lends the image an almost cinematic quality, transforming an ordinary London street scene into a timeless piece of photographic storytelling.

A Distinctive Collector's Piece

Presented in an impressive 70 × 50 cm silver-coloured mount, this generously sized photograph makes a striking statement, particularly suited to collectors of vintage London imagery, British street photography and unusual twentieth-century photographic art.

The photograph bears handwritten inscriptions along its lower border, including the title East End Sandwich Board Man and Michael Joseph's signature.

The reverse of the mount retains an intriguing piece of Michael Joseph studio archive material, offering an additional connection to the photographer's working history.

Details

Photographer: Michael Joseph (born 1941)

Title: East End Sandwich Board Man – The End Is Nigh

Location: London, England

Technique: Blue-toned photographic print

Image dimensions: 42 × 32 cm

Mount dimensions: 70 × 50 cm

Presentation: Silver-coloured mount

Inscriptions: Handwritten title and signature on the lower photographic border

Provenance: Directly from the Michael Joseph family archive

A wonderfully eccentric and atmospheric photograph, capturing a disappearing London and a character who seems to have stepped straight out of another age.

One man predicts the end of the world, yet London barely notices. An immortalised instant: an unforgettable image, full of humour, humanity and British character.

#MichaelJoseph #TheEndIsNigh #LondonPhotography #StreetPhotography #BritishPhotography #VintageLondon #EastEndLondon #FineArtPhotography #PhotographyCollectors #BlueTonedPhotography #PhotographicArt #LondonHistory #SignedPhotography #VintagePhotography #Catawiki

Seller's Story

My father, Michael Joseph, was a London-based advertising photographer from the 1960s to the early 1990s, perhaps best known for his iconic photographs for the Rolling Stones’ Beggars Banquet album. Such was Michael’s extraordinary talent for orchestrating elaborate group scenes, often bringing together large numbers of people and animals in seemingly effortless harmony, that these wonderfully theatrical compositions became known within the advertising industry simply as “a Michael Joseph” - a style so distinctive that his name became a description in its own right. Our continuing mission is to share what we affectionately call “the other photographs”: lesser-known treasures from his remarkable archive, including original vintage darkroom prints, experimental test prints, alternative images from major shoots, celebrated group compositions and more intimate, personal photographs. Among our most exciting discoveries is Michael’s extraordinary 1964 Vietnam archive, photographed when he was just 23. Many of these powerful images have never previously been exhibited or offered for sale, revealing a fascinating, lesser-known side of his career. There is also a wonderfully poetic quality to much of his work: unexpected encounters, fleeting moments and what we like to call “immortalised instants” - those unrepeatable fragments of everyday life that might otherwise have gone unnoticed. All beautifully summed up in Michael’s favourite adage: “Always keep a camera handy, every minute of your living day.” A philosophy he certainly lived by, leaving us an extraordinary collection that we are still discovering today. Alongside Michael’s authentic vintage prints, we are introducing new interpretations of his work: striking photographic prints on aluminium and handmade cyanotypes, created from his original negatives and transparencies using the Dordogne sunshine. Some are produced on vintage papers from Michael’s own photographic library, giving these historic materials a wonderful new lease of life. Together, these works celebrate photographic history and contemporary creativity - from unique prints made by Michael himself to imaginative new interpretations of his archive. We hope you enjoy discovering these photographs as much as we enjoy bringing them to light! A Small Note About the Presentation Photographs Some of our in situ illustrations showing artworks displayed in interiors have been created using artificial intelligence (AI). These are intended simply to help you imagine how a piece might look in a home, office or gallery. Although we aim for faithful representations, proportions and scale may occasionally vary. Please refer to the actual artwork photographs and stated dimensions for an accurate representation of your purchase. A Personal Note About Packaging We prepare and pack every artwork ourselves, taking great care to protect each piece with several layers of suitable materials. To keep costs down and minimise waste, we reuse and upcycle packaging wherever possible. Your parcel may therefore contain recycled cardboard, protective sleeves, old photographic boxes or envelopes - occasionally even materials from Michael’s own photographic library! And please don't be surprised if the outside looks rather plain, or even a little unattractive. This is often deliberate! We prefer valuable or irreplaceable artworks to travel as inconspicuously as possible. One small favour: please unwrap your parcel slowly and carefully. We sometimes use several layers of cardboard, paper and protective wrapping, secured with tape. Please take particular care when using scissors or a blade, as tape can occasionally catch on adjoining layers or items inside. We would rather spend a little extra time protecting your purchase than risk damage in transit, and hope you will forgive our occasionally unconventional packaging! After all, it's what's inside that matters, not the wrapping! Every purchase helps us preserve, explore and share Michael’s remarkable photographic archive, while giving these images a new home and another chapter in their history. For US Buyers Customs duties and applicable import charges are paid at source and included in the shipping cost. No additional charges should normally be payable upon delivery, subject to changes in customs regulations.

Details

Date of print
1967
Artist
Michael Joseph (1941-)
Sold by
Owner or reseller
Title of artwork
Sandwich board man, Blue Tone Print
Condition
Original State
Technique
Gelatin-silver print
Height
32 cm
Edition
Unique Vintage edition
Width
42 cm
Signature
Hand signed
Genre
Fine art photography
FranceVerified
613
Objects sold
100%
Privatetop

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