René Sautin (1881-1968) - La Seine au Val Saint Martin






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La Seine au Val Saint Martin is a 1931 oil on paper marouflé on canvas painting by René Sautin (1881-1968) from France, in a Fauvist style, an original edition, signed, with a frame, measuring 29 × 39 cm with frame.
Description from the seller
René SAUTIN (1881-1968)
The Seine at Val Saint Martin
Oil on marouflaged paper on canvas
Dimensions of the work: 25.5 x 36.5 cm
Signed and dated bottom left.
Provenance:
- Art en Seine Gallery, Le Havre
- Private collection, Normandy
In perfect condition.
Oak frame.
As the frame is offered, it cannot be covered by insurance during transport.
Dimensions with frame: 29 x 39 cm
This painting will be listed in the artist's catalogue raisonné currently in preparation by Robert and Thierry Tuffier.
Original work delivered with invoice and certificate of authenticity.
Fast, careful, and insured shipping.
Buy with total confidence!
Born in 1881 in Montfort-sur-Risle, René Sautin belongs to that generation of Norman painters who made their native land a true laboratory of light and modernity. Trained at the Beaux-Arts of Rouen in Philippe Zacharie's studio, then in Paris with Gabriel Ferrier, he early received encouragement from Albert Lebourg, a compatriot and major figure of Norman Impressionism.
Settled from 1911 in Les Andelys, Sautin finds on the banks of the Seine his most intimate realm of inspiration: Château-Gaillard, the quays of Petit-Andely, the barges gliding on the water… So many motifs that he revisits tirelessly, with a vibrant sensibility and a singular expressive force. He then frequents the sons of Pissarro, Signac, Luce, Derain, or Lebasque, who come to paint in the region — a bustling artistic circle that feeds his stylistic evolution.
Around 1923, Sautin abandons the impressionistic approach to affirm a calm and reasoned fauvism, made of bold colors, generous impasto, and definitive strokes. “To paint is to spread pâte,” he said, claiming a powerful, sensual, deeply incarnate painting. This stylistic maturity, reached as early as the 1920s, fully blossomed in the 1950s, where his work gained in intensity and monumentality.
Proud, sensitive artist, sometimes misunderstood in his time, René Sautin leaves today a body of work of great coherence, where Normandy appears transfigured by color and emotion. His landscapes, of rare strength, bear witness to a deeply personal vision — a vision that continues to move collectors and art lovers.
Some images are generated by AI to show what the object may look like in context.
Please refer to the original photos and the product description for exact details. #AIContextView
Seller's Story
René SAUTIN (1881-1968)
The Seine at Val Saint Martin
Oil on marouflaged paper on canvas
Dimensions of the work: 25.5 x 36.5 cm
Signed and dated bottom left.
Provenance:
- Art en Seine Gallery, Le Havre
- Private collection, Normandy
In perfect condition.
Oak frame.
As the frame is offered, it cannot be covered by insurance during transport.
Dimensions with frame: 29 x 39 cm
This painting will be listed in the artist's catalogue raisonné currently in preparation by Robert and Thierry Tuffier.
Original work delivered with invoice and certificate of authenticity.
Fast, careful, and insured shipping.
Buy with total confidence!
Born in 1881 in Montfort-sur-Risle, René Sautin belongs to that generation of Norman painters who made their native land a true laboratory of light and modernity. Trained at the Beaux-Arts of Rouen in Philippe Zacharie's studio, then in Paris with Gabriel Ferrier, he early received encouragement from Albert Lebourg, a compatriot and major figure of Norman Impressionism.
Settled from 1911 in Les Andelys, Sautin finds on the banks of the Seine his most intimate realm of inspiration: Château-Gaillard, the quays of Petit-Andely, the barges gliding on the water… So many motifs that he revisits tirelessly, with a vibrant sensibility and a singular expressive force. He then frequents the sons of Pissarro, Signac, Luce, Derain, or Lebasque, who come to paint in the region — a bustling artistic circle that feeds his stylistic evolution.
Around 1923, Sautin abandons the impressionistic approach to affirm a calm and reasoned fauvism, made of bold colors, generous impasto, and definitive strokes. “To paint is to spread pâte,” he said, claiming a powerful, sensual, deeply incarnate painting. This stylistic maturity, reached as early as the 1920s, fully blossomed in the 1950s, where his work gained in intensity and monumentality.
Proud, sensitive artist, sometimes misunderstood in his time, René Sautin leaves today a body of work of great coherence, where Normandy appears transfigured by color and emotion. His landscapes, of rare strength, bear witness to a deeply personal vision — a vision that continues to move collectors and art lovers.
Some images are generated by AI to show what the object may look like in context.
Please refer to the original photos and the product description for exact details. #AIContextView
