Nush Menna - LE FLAMBEAU VIVANT
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NUSH Menna presents Le Flambeau vivant, an oil on canvas original, unique painting (42 × 30 cm) from the artist’s Italy-based studio, signed by hand in 2025 and provided with a certificate of authenticity in excellent condition.
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Description from the seller
THE LIVING FLAMBEAU
NUSH Menna — 2026
Artist: NUSH Menna
Title: The Living Flambeau
Year of creation: 2026
Technique: oil on canvas
Dimensions: 30 × 40 cm
Work: original painting, unique piece
Provenance: directly from the artist's studio
Finish: final protective varnish
Authenticity: certificate of authenticity signed by the artist
Pictorial project: Spleen et Idéal — Les Fleurs du mal
DESCRIPTION OF THE WORK
The Living Flambeau is an original oil-on-canvas painting created by NUSH Menna in 2026, conceived as an autonomous pictorial study for the project Spleen et Idéal, inspired by Les Fleurs du mal by Charles Baudelaire.
The portrait features a contemporary young female figure, captured in an expression suspended between vulnerability and determination.
The face occupies almost the entire pictorial surface, emerging from a dark background through a warm light that models the forehead, cheekbones, nose, and lips.
The green-gold eyes constitute the emotional and visual center of the composition. The luminous reflections in the irises contrast with the deep shadows surrounding the gaze, creating a particular expressive intensity.
The small gold nose ring, the glossy lips, and the hair falling over the face place the figure in the present, while the chiaroscuro construction recalls the great painting tradition of the seventeenth century.
Beauty is not presented as mere aesthetic perfection, but as a complex presence in which fragility, desire, and a quiet form of resistance coexist.
CRITICAL NOTE — THE LIVING FLAMBEAU
The title is inspired by Baudelaire’s eponymous poem, contained in the Spleen et Idéal section of Les Fleurs du mal.
In the poem, the beloved’s eyes become living torches: sources of light that guide the poet through darkness and transform the gaze into a force capable of directing desire.
In NUSH Menna’s pictorial interpretation, this poetic image is translated into a contemporary face.
The eyes are not merely anatomical detail, but the fulcrum of the entire composition. The light seems to concentrate in the irises, while the rest of the face oscillates between revelation and shadow.
The figure looks directly at the viewer, establishing a silent confrontation in which it is no longer clear who is watching and who is being watched.
The contrast between the almost photographic precision of the details and the depth of the chiaroscuro produces a tension between physical presence and interiority.
As in Baudelaire’s poetry, light does not erase darkness: it exists through it.
PAINTING TECHNIQUE
The work is entirely handmade with oil paints on canvas.
The pictorial construction proceeds through successive color layers, subtle glazes, and detailing with exceptionally fine brushes.
Particular attention is given to rendering the transparency of the skin, the color variations of the complexion, the irises’ reflections, and the lips’ luminosity.
The hair is defined with delicate brushstrokes that overlap illuminated areas and shadows.
The surface preserves the matter and texture of the canvas, keeping the painting’s painterly nature recognizable even in the most precise passages.
The figurative language merges a search rooted in hyperrealism with Caravaggian-inspired chiaroscuro.
The work is finished with a final protective varnish.
THE PICTORIAL PROJECT — SPLEEN ET IDÉAL
Spleen et Idéal is a pictorial project by NUSH Menna currently in development, inspired by Charles Baudelaire’s poems gathered in Les Fleurs du mal (The Flowers of Evil).
The research stems from a desire to translate Baudelairean poetic sensibility into a series of contemporary portraits, through the medium of oil painting.
Each work originates from a poem, without claiming to be its literal illustration.
Faces become sites of confrontation between beauty and restlessness, desire and solitude, light and darkness.
The contemporary aesthetics of the subjects intertwine with the traditional portrait painting, in particular with the dramatic use of chiaroscuro.
The small-format paintings constitute preliminary studies for a future series of larger works, dedicated to archetypes and contradictions of the modern human being.
These works represent the first nucleus of the research, yet each maintains its own artistic identity.
Each painting is an original, unique, autonomous work.
AUTHENTICITY AND PROVENANCE
The Living Flambeau is an original and unique work by NUSH Menna, created in 2026.
The painting comes directly from the artist’s studio and is accompanied by a signed certificate of authenticity.
It is not a print, reproduction, or work created by digital processes.
FRAMING, PACKAGING, AND SHIPPING
The work is offered without a frame.
To ensure greater protection during transport, the painting will be carefully packaged and shipped rolled inside a rigid protective tube, using materials suitable for the conservation and shipment of paintings.
If the final sale price significantly exceeds the reserve price, the artist may offer a simple frame, selected in harmony with the painting, as a complimentary gift. In this case, the work will be shipped already framed, with appropriate packaging.
Where possible, recycled, reused, or recyclable materials will be favored, in keeping with a greater environmental awareness.
Any frames and settings shown in photographs are illustrative only and are not included in the sale, except for the potential complimentary frame mentioned above.
PHOTOGRAPH NOTES
The photographs strive to accurately reproduce the colors and characteristics of the original painting.
Small color differences may depend on the lighting used during shooting, the camera, and the device settings on which the images are viewed.
Any staged photographs are illustrative simulations, intended to suggest possible placements of the work in domestic or exhibition settings.
The painting’s proportions in the settings may differ slightly from the real ones.
The actual dimensions of the work are 30 × 40 cm.
⸻
NUSH Menna — 2026
The Living Flambeau
Oil on canvas — 30 × 40 cm
Original unique work
Project Spleen et Idéal — Les Fleurs du mal
Certificate of authenticity included
Seller's Story
My painting is born from the desire to explore the human being in contemporary time, between identity, symbols, and inner transformations. I do not simply paint what I see, but what I perceive behind the image: emotions, fragility, tensions, and contradictions that belong to our era.
My work develops through a layered and slow oil technique, where every detail has a meaning and every element contributes to the narrative of the piece. The figures I paint do not represent merely individuals, but universal conditions: vulnerability, strength, loneliness, and the longing for connection.
For me painting is an act of research and authenticity, a way to restore depth in a world dominated by speed and superficial image. Through color, light, and composition I seek to create works capable of maintaining a living relationship with those who observe them over time.
My works are present in international private collections and are mainly created in oil on canvas, with a constant production and an artistic research in continual evolution.
"ZEITGEISTTEPERAMENTLOS [SPIRITO - DEL - TEMPO - SENZA - SPIRITO]
Riflesso di un attento "studium" travestito da distratto "punctum" - raccolta di ritratti senza identità - costellazione claustrofobica di tribù urbane - moltitudini solitarie - selfie ugualmente di sé massificati per te distratto - istantanee di un passato presente - colori forti per spiriti fragili - profonda superficialità - spirito - del - tempo - senza - spirito."
Translated by Google TranslateTHE LIVING FLAMBEAU
NUSH Menna — 2026
Artist: NUSH Menna
Title: The Living Flambeau
Year of creation: 2026
Technique: oil on canvas
Dimensions: 30 × 40 cm
Work: original painting, unique piece
Provenance: directly from the artist's studio
Finish: final protective varnish
Authenticity: certificate of authenticity signed by the artist
Pictorial project: Spleen et Idéal — Les Fleurs du mal
DESCRIPTION OF THE WORK
The Living Flambeau is an original oil-on-canvas painting created by NUSH Menna in 2026, conceived as an autonomous pictorial study for the project Spleen et Idéal, inspired by Les Fleurs du mal by Charles Baudelaire.
The portrait features a contemporary young female figure, captured in an expression suspended between vulnerability and determination.
The face occupies almost the entire pictorial surface, emerging from a dark background through a warm light that models the forehead, cheekbones, nose, and lips.
The green-gold eyes constitute the emotional and visual center of the composition. The luminous reflections in the irises contrast with the deep shadows surrounding the gaze, creating a particular expressive intensity.
The small gold nose ring, the glossy lips, and the hair falling over the face place the figure in the present, while the chiaroscuro construction recalls the great painting tradition of the seventeenth century.
Beauty is not presented as mere aesthetic perfection, but as a complex presence in which fragility, desire, and a quiet form of resistance coexist.
CRITICAL NOTE — THE LIVING FLAMBEAU
The title is inspired by Baudelaire’s eponymous poem, contained in the Spleen et Idéal section of Les Fleurs du mal.
In the poem, the beloved’s eyes become living torches: sources of light that guide the poet through darkness and transform the gaze into a force capable of directing desire.
In NUSH Menna’s pictorial interpretation, this poetic image is translated into a contemporary face.
The eyes are not merely anatomical detail, but the fulcrum of the entire composition. The light seems to concentrate in the irises, while the rest of the face oscillates between revelation and shadow.
The figure looks directly at the viewer, establishing a silent confrontation in which it is no longer clear who is watching and who is being watched.
The contrast between the almost photographic precision of the details and the depth of the chiaroscuro produces a tension between physical presence and interiority.
As in Baudelaire’s poetry, light does not erase darkness: it exists through it.
PAINTING TECHNIQUE
The work is entirely handmade with oil paints on canvas.
The pictorial construction proceeds through successive color layers, subtle glazes, and detailing with exceptionally fine brushes.
Particular attention is given to rendering the transparency of the skin, the color variations of the complexion, the irises’ reflections, and the lips’ luminosity.
The hair is defined with delicate brushstrokes that overlap illuminated areas and shadows.
The surface preserves the matter and texture of the canvas, keeping the painting’s painterly nature recognizable even in the most precise passages.
The figurative language merges a search rooted in hyperrealism with Caravaggian-inspired chiaroscuro.
The work is finished with a final protective varnish.
THE PICTORIAL PROJECT — SPLEEN ET IDÉAL
Spleen et Idéal is a pictorial project by NUSH Menna currently in development, inspired by Charles Baudelaire’s poems gathered in Les Fleurs du mal (The Flowers of Evil).
The research stems from a desire to translate Baudelairean poetic sensibility into a series of contemporary portraits, through the medium of oil painting.
Each work originates from a poem, without claiming to be its literal illustration.
Faces become sites of confrontation between beauty and restlessness, desire and solitude, light and darkness.
The contemporary aesthetics of the subjects intertwine with the traditional portrait painting, in particular with the dramatic use of chiaroscuro.
The small-format paintings constitute preliminary studies for a future series of larger works, dedicated to archetypes and contradictions of the modern human being.
These works represent the first nucleus of the research, yet each maintains its own artistic identity.
Each painting is an original, unique, autonomous work.
AUTHENTICITY AND PROVENANCE
The Living Flambeau is an original and unique work by NUSH Menna, created in 2026.
The painting comes directly from the artist’s studio and is accompanied by a signed certificate of authenticity.
It is not a print, reproduction, or work created by digital processes.
FRAMING, PACKAGING, AND SHIPPING
The work is offered without a frame.
To ensure greater protection during transport, the painting will be carefully packaged and shipped rolled inside a rigid protective tube, using materials suitable for the conservation and shipment of paintings.
If the final sale price significantly exceeds the reserve price, the artist may offer a simple frame, selected in harmony with the painting, as a complimentary gift. In this case, the work will be shipped already framed, with appropriate packaging.
Where possible, recycled, reused, or recyclable materials will be favored, in keeping with a greater environmental awareness.
Any frames and settings shown in photographs are illustrative only and are not included in the sale, except for the potential complimentary frame mentioned above.
PHOTOGRAPH NOTES
The photographs strive to accurately reproduce the colors and characteristics of the original painting.
Small color differences may depend on the lighting used during shooting, the camera, and the device settings on which the images are viewed.
Any staged photographs are illustrative simulations, intended to suggest possible placements of the work in domestic or exhibition settings.
The painting’s proportions in the settings may differ slightly from the real ones.
The actual dimensions of the work are 30 × 40 cm.
⸻
NUSH Menna — 2026
The Living Flambeau
Oil on canvas — 30 × 40 cm
Original unique work
Project Spleen et Idéal — Les Fleurs du mal
Certificate of authenticity included
Seller's Story
My painting is born from the desire to explore the human being in contemporary time, between identity, symbols, and inner transformations. I do not simply paint what I see, but what I perceive behind the image: emotions, fragility, tensions, and contradictions that belong to our era.
My work develops through a layered and slow oil technique, where every detail has a meaning and every element contributes to the narrative of the piece. The figures I paint do not represent merely individuals, but universal conditions: vulnerability, strength, loneliness, and the longing for connection.
For me painting is an act of research and authenticity, a way to restore depth in a world dominated by speed and superficial image. Through color, light, and composition I seek to create works capable of maintaining a living relationship with those who observe them over time.
My works are present in international private collections and are mainly created in oil on canvas, with a constant production and an artistic research in continual evolution.
"ZEITGEISTTEPERAMENTLOS [SPIRITO - DEL - TEMPO - SENZA - SPIRITO]
Riflesso di un attento "studium" travestito da distratto "punctum" - raccolta di ritratti senza identità - costellazione claustrofobica di tribù urbane - moltitudini solitarie - selfie ugualmente di sé massificati per te distratto - istantanee di un passato presente - colori forti per spiriti fragili - profonda superficialità - spirito - del - tempo - senza - spirito."
Translated by Google TranslateDetails
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
Nush Menna
Title of artwork
LE FLAMBEAU VIVANT
Technique
Oil painting
Signature
Hand signed
Country of origin
Italy
Year
2025
Condition
Excellent condition
Height
42 cm
Width
30 cm
Style
Contemporary
Period
2020+
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