Reuge - Music box - Switzerland - 1950-1960 - Carillon Reuge

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Current bid
€ 41
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Elena Napoleone
Expert
Selected by Elena Napoleone

Holds a bachelor's degree in history of art and architecture, with 12 years of experience in decorative arts.

Estimate  € 130 - € 200
FR
€41
AT
€32
IT
€27

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Carousel cigarette holder in composite and onyx, by Reuge, manufactured in Switzerland, estimated period 1950–1960.

AI-assisted summary

Description from the seller

This carousel cigarette holder fits the economic, social, and lifestyle climate of post-war Europe (between the 1950s and 1970s), a period characterized by the economic boom and the desire to redefine domestic luxury.

Its birth and diffusion stem from a historic link between Italian artistic craftsmanship and Swiss mechanical excellence:
The vast majority of these objects were the fruit of a cross-border collaboration:
• External structure (Italy): Italian foundries and artisan workshops (especially Tuscan and Lombard) produced the outer shell. They drew on the local abundance of noble materials such as onyx and marble, pairing them with brass or bronze alloys that recalled the splendors of European historical styles (Baroque, Rococo, Empire).
• The mechanical heart (Switzerland): The inner carillons were imported from Switzerland, an undisputed homeland of precision micro-mechanisms. Enduring companies like Reuge (founded in Sainte-Croix in 1865) or Lador supplied the small lamellar metal cylinders capable of reproducing popular melodies of the era (from film soundtracks to famous waltzes).
By the mid-20th century, smoking was not regarded as a harmful vice as it is today, but rather as a symbol of emancipation, elegance, and social status.
• Welcoming guests with a cigarette was part of the etiquette of good society.
• These mechanical "carousels" were designed to astonish: the act of offering tobacco became a small theatrical spectacle in which music accompanied the choreographed opening of automated doors.
With the progressive decline of smoking in domestic settings toward the end of the century, many of these objects were repurposed or converted. The internal compartments (originally sized for unfiltered cigarettes of the era) proved perfect for holding lipstick tubes or small jewelry. For this reason, today in antiques and collectibles catalogs they are often described interchangeably in both ways.
The carillon, once wound, plays music, while the movement is in need of repair, and there is damage to the upper arc as shown in the photo.
Photos are an integral part of the description.
We guarantee shipping with proper packaging, prompt delivery, and tracking."

This carousel cigarette holder fits the economic, social, and lifestyle climate of post-war Europe (between the 1950s and 1970s), a period characterized by the economic boom and the desire to redefine domestic luxury.

Its birth and diffusion stem from a historic link between Italian artistic craftsmanship and Swiss mechanical excellence:
The vast majority of these objects were the fruit of a cross-border collaboration:
• External structure (Italy): Italian foundries and artisan workshops (especially Tuscan and Lombard) produced the outer shell. They drew on the local abundance of noble materials such as onyx and marble, pairing them with brass or bronze alloys that recalled the splendors of European historical styles (Baroque, Rococo, Empire).
• The mechanical heart (Switzerland): The inner carillons were imported from Switzerland, an undisputed homeland of precision micro-mechanisms. Enduring companies like Reuge (founded in Sainte-Croix in 1865) or Lador supplied the small lamellar metal cylinders capable of reproducing popular melodies of the era (from film soundtracks to famous waltzes).
By the mid-20th century, smoking was not regarded as a harmful vice as it is today, but rather as a symbol of emancipation, elegance, and social status.
• Welcoming guests with a cigarette was part of the etiquette of good society.
• These mechanical "carousels" were designed to astonish: the act of offering tobacco became a small theatrical spectacle in which music accompanied the choreographed opening of automated doors.
With the progressive decline of smoking in domestic settings toward the end of the century, many of these objects were repurposed or converted. The internal compartments (originally sized for unfiltered cigarettes of the era) proved perfect for holding lipstick tubes or small jewelry. For this reason, today in antiques and collectibles catalogs they are often described interchangeably in both ways.
The carillon, once wound, plays music, while the movement is in need of repair, and there is damage to the upper arc as shown in the photo.
Photos are an integral part of the description.
We guarantee shipping with proper packaging, prompt delivery, and tracking."

Details

Era
1900-2000
Number of objects
1
Country of manufacturer
Switzerland
Material
Composite, Onyx
Brand
Reuge
Year of manufacture
1960
Condition
Fair
Includes
No extra's
Height
36 cm
Width
18 cm
Depth
18 cm
Weight
2 kg
Functional condition
Not tested
Title additional information
Carillon Reuge
Estimated period
1950-1960
ItalyVerified
76
Objects sold
Private

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