Vhils (1987) - Impression






Holds a master’s in art history with over 10 years in auctions and galleries.
€600 | ||
|---|---|---|
€500 | ||
€1 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 143727 reviews
Rated Excellent on Trustpilot.
Vhils (Alexandre Farto), Impression, a six-colour lithograph on BFK Rives 250 g/m2 hand-cut paper (70 × 50 cm), hand signed and numbered, created in 2022 using mixed technique and printed on a Marinoni press at Idem Studio, Paris as a limited edition from Portugal in excellent condition.
Description from the seller
Vhils - Alexandre Farto
Impression
- Hand signed - Limited Edition
Six-colour lithograph on paper, Quink ink and acid
Printed on a Marinoni press at Idem Studio, Paris
Hand finished, signed and numbered by Vhils
BFK Rives 250 g/m2 hand-cut paper
70 × 50 cm
2022
Vhils (Alexandre Farto) is a Portuguese street artist who has redefined urban art through his concept of "creative destruction." While icons like Banksy use stencils and spray paint to deliver sharp social commentary, and Invader pieces together pixelated ceramic mosaics, Vhils takes a radically opposite approach: he carves into the city itself. Using jackhammers, chisels, and even explosives, he strips away layers of plaster and brick to reveal striking, poetic portraits hidden within weathered walls. Alongside Banksy and Invader, Vhils transforms public spaces into open-air galleries, but his unique technique turns the literal decay of our cities into a powerful celebration of human identity.
Vhils - Alexandre Farto
Impression
- Hand signed - Limited Edition
Six-colour lithograph on paper, Quink ink and acid
Printed on a Marinoni press at Idem Studio, Paris
Hand finished, signed and numbered by Vhils
BFK Rives 250 g/m2 hand-cut paper
70 × 50 cm
2022
Vhils (Alexandre Farto) is a Portuguese street artist who has redefined urban art through his concept of "creative destruction." While icons like Banksy use stencils and spray paint to deliver sharp social commentary, and Invader pieces together pixelated ceramic mosaics, Vhils takes a radically opposite approach: he carves into the city itself. Using jackhammers, chisels, and even explosives, he strips away layers of plaster and brick to reveal striking, poetic portraits hidden within weathered walls. Alongside Banksy and Invader, Vhils transforms public spaces into open-air galleries, but his unique technique turns the literal decay of our cities into a powerful celebration of human identity.
