Italian school (XVIII) - Pietà






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Description from the seller
This oil painting on canvas depicts the Descent/Compianto on Christ dead (or Pietà), a traditional iconographic theme of Christian sacred art that shows the body of Jesus laid down from the cross, surrounded by the Madonna and grieving figures. The work presents stylistic traits typical of figurative painting of a European school (common in production between the 17th and 18th centuries), with the presence of the Instruments of the Passion (nails, pincers and the ladder) in the foreground at the foot of the Calvary. Subject: The lamentation and preparation of Christ's body for burial with the Virgin Mary, the holy women and John the Evangelist or related figures. Iconography: The composition highlights the dramatic pathos typical of Baroque or late Baroque painting, emphasized by the dark colors of the landscape and the draped garments of the figures. Symbolic elements: At the bottom one can note the crown of thorns, the nails and the pincers resting on the shroud. Frame and structure: The frame is equipped with a central vertical and horizontal crossbar in the shape of a cross to ensure stability and prevent warping or sagging of the canvas. Markings and conservation: On the left upright there are numeric and inventory inscriptions written in block capitals typical of art galleries, auction houses or historic museum deposits.
This oil painting on canvas depicts the Descent/Compianto on Christ dead (or Pietà), a traditional iconographic theme of Christian sacred art that shows the body of Jesus laid down from the cross, surrounded by the Madonna and grieving figures. The work presents stylistic traits typical of figurative painting of a European school (common in production between the 17th and 18th centuries), with the presence of the Instruments of the Passion (nails, pincers and the ladder) in the foreground at the foot of the Calvary. Subject: The lamentation and preparation of Christ's body for burial with the Virgin Mary, the holy women and John the Evangelist or related figures. Iconography: The composition highlights the dramatic pathos typical of Baroque or late Baroque painting, emphasized by the dark colors of the landscape and the draped garments of the figures. Symbolic elements: At the bottom one can note the crown of thorns, the nails and the pincers resting on the shroud. Frame and structure: The frame is equipped with a central vertical and horizontal crossbar in the shape of a cross to ensure stability and prevent warping or sagging of the canvas. Markings and conservation: On the left upright there are numeric and inventory inscriptions written in block capitals typical of art galleries, auction houses or historic museum deposits.
