Shepard Fairey (OBEY) (1970) - Wetland Powers





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Shepard Fairey (OBEY) presents Wetland Powers as a 2023 hand-signed, limited edition silkscreen print, 18 by 24 inches, on 80# cream Speckletone paper, in excellent condition.
Description from the seller
Wetland Powers
- perfect condition
- 18 x 24 inches
- screen print on 80# Cream Speckletone paper
- signed by Shepard Fairey
- numbered edition
About
This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of “common assets”… that resources like air and water are owned by no one and need to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices. A portion of proceeds from this print go to Greenpeace USA‘s efforts to fight for responsible environmental policies. Thanks for caring!
–Shepard
Frank Shepard Fairey (born February 15, 1970) is an American contemporary artist, activist and founder of OBEY Clothing who emerged from the skateboarding scene. In 1989, he designed the "Andre the Giant Has a Posse" (...OBEY...) sticker campaign while attending the Rhode Island School of Design.
Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston, has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian; the Los Angeles County Museum of Art; the Museum of Modern Art in New York City; the Museum of Contemporary Art San Diego; the National Portrait Gallery in Washington, D.C.; the Virginia Museum of Fine Arts in Richmond; and the Victoria and Albert Museum in London.
His style has been described as a "bold iconic style that is based on styling and idealizing images.
Wetland Powers
- perfect condition
- 18 x 24 inches
- screen print on 80# Cream Speckletone paper
- signed by Shepard Fairey
- numbered edition
About
This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of “common assets”… that resources like air and water are owned by no one and need to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices. A portion of proceeds from this print go to Greenpeace USA‘s efforts to fight for responsible environmental policies. Thanks for caring!
–Shepard
Frank Shepard Fairey (born February 15, 1970) is an American contemporary artist, activist and founder of OBEY Clothing who emerged from the skateboarding scene. In 1989, he designed the "Andre the Giant Has a Posse" (...OBEY...) sticker campaign while attending the Rhode Island School of Design.
Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston, has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian; the Los Angeles County Museum of Art; the Museum of Modern Art in New York City; the Museum of Contemporary Art San Diego; the National Portrait Gallery in Washington, D.C.; the Virginia Museum of Fine Arts in Richmond; and the Victoria and Albert Museum in London.
His style has been described as a "bold iconic style that is based on styling and idealizing images.

