Enrico Sacchetti (1877-1967) - Profilo di donna con cappello






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Description from the seller
Enrico Sacchetti (Rome 1877 - Settignano 1967)
Profile of a woman with hat
Gouache on paper
Signed at bottom right
On the back dedication and author's signature
Dimensions with frame: 42x33 cm with frame
Painting: 37.5x28.5 cm
Enrico Sacchetti was born in Rome to a Tuscan family, son of Giuseppe, a state official and painter by passion, friend of Telemaco Signorini, and of Isolina Cecchini.
He was introduced into the artistic environment of the city of Florence from a young age. After completing technical studies, pursued to satisfy his father's work expectations, he returned to Florence, where he became best friends with Libero Andreotti.
In 1901 he collaborated with Vamba, at Bruscolo, then undertook caricaturist activity with Umberto Notari, which led him to success.
Enrico Sacchetti is indeed considered one of the most famous Italian caricaturists of the twentieth century.
He was a friend of Filippo Tommaso Marinetti, whose poetry magazine I illustrated, and he became one of the most famous advertising illustrators, thanks to the successful series of Bitter Campari and the invigorating Proton syrup. In 1908 he moved to Argentina, where in Buenos Aires he collaborated for El Diario, the capital's daily, but disappointed by the South American experience, he returned to Europe where, for a short period, he stayed in Paris.
From 1912 he began to collaborate assiduously with La Lettura, the illustrated monthly of the Corriere della Sera, for which he drew many of the color covers and the interior black-and-white illustrations that accompanied short stories and novels.
His style visually defined the magazine for about 25 years (just as Achille Beltrame and Walter Molino defined La Domenica del Corriere). During World War I, enlisted in the ranks of the Royal Army, he contributed to La Tradotta, the famous magazine of the III Army.
After the Cassibile armistice he joined the Italian Social Republic and in painting work he also had occasional collaboration with the "Corriere" as an elzevirist.
AUTOR RICERCATO DAI COLLEZIONISTI E OPERA RARA E UNICA!!
Spedizione assicurata
Opera autentica e in buono stato di conservazione
La cornice mostrata nelle foto viene fornita senza costi aggiuntivi affinché l'opera possa essere subito esposta appena arrivata. Essa viene inclusa a titolo di cortesia e non è considerata parte integrante dell'opera d'arte. Pertanto qualsiasi potenziale danno alla cornice che non influisca sull'opera d'arte stessa non costituirà valido motivo per aprire un reclamo o richiedere l'annullamento dell'ordine
Enrico Sacchetti (Rome 1877 - Settignano 1967)
Profile of a woman with hat
Gouache on paper
Signed at bottom right
On the back dedication and author's signature
Dimensions with frame: 42x33 cm with frame
Painting: 37.5x28.5 cm
Enrico Sacchetti was born in Rome to a Tuscan family, son of Giuseppe, a state official and painter by passion, friend of Telemaco Signorini, and of Isolina Cecchini.
He was introduced into the artistic environment of the city of Florence from a young age. After completing technical studies, pursued to satisfy his father's work expectations, he returned to Florence, where he became best friends with Libero Andreotti.
In 1901 he collaborated with Vamba, at Bruscolo, then undertook caricaturist activity with Umberto Notari, which led him to success.
Enrico Sacchetti is indeed considered one of the most famous Italian caricaturists of the twentieth century.
He was a friend of Filippo Tommaso Marinetti, whose poetry magazine I illustrated, and he became one of the most famous advertising illustrators, thanks to the successful series of Bitter Campari and the invigorating Proton syrup. In 1908 he moved to Argentina, where in Buenos Aires he collaborated for El Diario, the capital's daily, but disappointed by the South American experience, he returned to Europe where, for a short period, he stayed in Paris.
From 1912 he began to collaborate assiduously with La Lettura, the illustrated monthly of the Corriere della Sera, for which he drew many of the color covers and the interior black-and-white illustrations that accompanied short stories and novels.
His style visually defined the magazine for about 25 years (just as Achille Beltrame and Walter Molino defined La Domenica del Corriere). During World War I, enlisted in the ranks of the Royal Army, he contributed to La Tradotta, the famous magazine of the III Army.
After the Cassibile armistice he joined the Italian Social Republic and in painting work he also had occasional collaboration with the "Corriere" as an elzevirist.
AUTOR RICERCATO DAI COLLEZIONISTI E OPERA RARA E UNICA!!
Spedizione assicurata
Opera autentica e in buono stato di conservazione
La cornice mostrata nelle foto viene fornita senza costi aggiuntivi affinché l'opera possa essere subito esposta appena arrivata. Essa viene inclusa a titolo di cortesia e non è considerata parte integrante dell'opera d'arte. Pertanto qualsiasi potenziale danno alla cornice che non influisca sull'opera d'arte stessa non costituirà valido motivo per aprire un reclamo o richiedere l'annullamento dell'ordine
