Bruno Fert (1971) - Chez Altaher. Jungle de Calais. France. 2016






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
REFUGE
Bruno FERT (Born in 1971)
Chez Altaher. Jungle de Calais. France. 2016
Fine Art print on Hahnemühle Ultrasmooth paper, title and date inscribed, signed in pencil in the margin
32 x 25.5 cm (40 x 50 cm)
These images tell what exile and migration are. These interiors draw the mental universe of those who are on the road: their traditions, their aspirations, their personalities. They are no longer simply migrants, but merchants, young adults barely out of childhood, or mystical artists. Before the photographer's lens, the “migrants” or “refugees” – generic terms that make us lose sight of their identity – are no longer silhouettes walking in the mud among the tents, but faces looking back at us... Above all, these shots speak of the astonishing capacity of humanity, whether nomadic or sedentary, to inhabit the place where one lives, even for a short time, even a shack or a tent in Calais.
Bruno Fert — Documentary photographer
Bruno Fert develops a deeply humanist body of work devoted to exile, to migrations and to the traversed territories. From vanished Palestinian villages to the precarious refuges of migrants, he photographs less the event than its traces. With Passages, he continues this work along the routes of exile, revealing in the landscapes the marks left by those who try to reach Europe. A precise and silent photography, where the landscape becomes a bearer of memory.
Seller's Story
REFUGE
Bruno FERT (Born in 1971)
Chez Altaher. Jungle de Calais. France. 2016
Fine Art print on Hahnemühle Ultrasmooth paper, title and date inscribed, signed in pencil in the margin
32 x 25.5 cm (40 x 50 cm)
These images tell what exile and migration are. These interiors draw the mental universe of those who are on the road: their traditions, their aspirations, their personalities. They are no longer simply migrants, but merchants, young adults barely out of childhood, or mystical artists. Before the photographer's lens, the “migrants” or “refugees” – generic terms that make us lose sight of their identity – are no longer silhouettes walking in the mud among the tents, but faces looking back at us... Above all, these shots speak of the astonishing capacity of humanity, whether nomadic or sedentary, to inhabit the place where one lives, even for a short time, even a shack or a tent in Calais.
Bruno Fert — Documentary photographer
Bruno Fert develops a deeply humanist body of work devoted to exile, to migrations and to the traversed territories. From vanished Palestinian villages to the precarious refuges of migrants, he photographs less the event than its traces. With Passages, he continues this work along the routes of exile, revealing in the landscapes the marks left by those who try to reach Europe. A precise and silent photography, where the landscape becomes a bearer of memory.
