Plate - Arita Igezara , Uwataki Kiln - Porcelain - Three Friends of Winter





€32 | ||
|---|---|---|
€25 | ||
€25 | ||
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Vintage blue-and-white porcelain plate from Japan dating to the 1920s–1930s, decorated with the Three Friends of Winter motif and bearing a hand-incised mark suggesting Arita Igezara, Uwataki Kiln, in excellent condition.
Description from the seller
This is an elegant Japanese blue-and-white porcelain plate imbued with the timeless charm of East Asian aesthetics. The plate is decorated in traditional blue-and-white style with a classic and deeply symbolic motif from Chinese culture known as “The Three Friends of Winter”: pine, bamboo and plum blossom. These three plants retain their vitality even in the depths of winter and have long symbolised resilience, integrity, purity of character and perseverance. They also embody enduring ideals of virtue, moral strength and auspicious wishes.
A hand-incised mark can be seen on the base of the plate, suggesting that the piece may have been produced by Arita Igezara , Uwataki Kiln. Its understated blue-and-white decoration and carefully balanced composition reflect the elegance of traditional East Asian aesthetics, bringing together natural imagery and cultural symbolism. The strength of the pine, the upright grace of the bamboo and the delicate beauty of the plum blossom harmonise through subtle variations in the blue tones, creating a serene and timeless artistic effect.
This is an elegant Japanese blue-and-white porcelain plate imbued with the timeless charm of East Asian aesthetics. The plate is decorated in traditional blue-and-white style with a classic and deeply symbolic motif from Chinese culture known as “The Three Friends of Winter”: pine, bamboo and plum blossom. These three plants retain their vitality even in the depths of winter and have long symbolised resilience, integrity, purity of character and perseverance. They also embody enduring ideals of virtue, moral strength and auspicious wishes.
A hand-incised mark can be seen on the base of the plate, suggesting that the piece may have been produced by Arita Igezara , Uwataki Kiln. Its understated blue-and-white decoration and carefully balanced composition reflect the elegance of traditional East Asian aesthetics, bringing together natural imagery and cultural symbolism. The strength of the pine, the upright grace of the bamboo and the delicate beauty of the plum blossom harmonise through subtle variations in the blue tones, creating a serene and timeless artistic effect.

