Kenji Kato, Shinsho Kiln Turquoise Glaze Hanaire, Rounded Flower Vase, 14 cm - Porcelain - Kenji Kato - Japan - Shōwa period (1926-1989)
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Original Kenji Kato Shinsho kiln turquoise glaze rounded flower vase in porcelain from Japan, about 14 cm high and 11.5 cm wide, dating to the Shōwa period, in excellent condition.
AI-assisted summary
Description from the seller
Turquoise as the Subject: A Rounded Flower Vase by Kenji Kato of the Shinsho Kiln
– A Japanese studio pottery flower vase attributed to Kenji Kato of the Shinsho kiln
– Vivid turquoise-blue glaze broken by deeper blue-grey passages, over a warm reddish clay foot
– Approximately 14 cm high and 11.5 cm wide
Summary: A Japanese studio pottery vase attributed to Kenji Kato of the Shinsho kiln, built around a single bold idea: colour. It measures approximately 14 cm in height and 11.5 cm in width. A near-spherical body narrows to a small round mouth, and the whole surface is covered in a luminous turquoise-blue glaze, interrupted by darker blue-grey areas that form an irregular, abstract pattern. At the foot, the warm reddish clay is left visible.
Turquoise is the heart of this piece. The glaze moves from bright, almost jewel-like blue to deeper, cloudier tones, so that no two sides look quite alike. The darker passages read like shadows or weathered patches on stone, giving the surface real depth and a sense of movement, while the reddish clay at the base adds an earthy counterpoint to all that colour.
The form is deliberately simple, leaving the glaze to do the talking. The body swells into a full, rounded volume before drawing in to a small opening, so the eye is led upwards to the mouth. It is a compact shape with a pleasing weight of presence, small enough for a shelf yet strong enough to hold attention on its own.
As a flower vessel, the narrow mouth suits a restrained arrangement: a single branch, a few stems of blossom or a seasonal flower set against the blue. Bright white or soft yellow flowers would make the turquoise sing; a bare twig would bring out its calm. Without flowers, it works just as well as a small ceramic sculpture.
Japanese studio pottery often explores the meeting of a controlled form with the less predictable effects of glaze and firing. This vase shows that relationship in a very direct way, relying on strong colour rather than elaborate ornament for its identity.
The vase is in good condition, with no major damage noted. Natural variations in the glaze are part of its handmade character. Please view the images closely for the overall condition.
A vivid and characterful piece of Japanese studio pottery for lovers of turquoise glazes.
This listing contains AI Visualisations. Please refer to the original photographs for the actual object condition.
Shipping & Handling
We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility.
Seller Guarantee
We specialise in authentic Japanese ceramics and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.
1820
Seller's Story
Hello, and thank you for visiting my page. I primarily handle Japanese antiques, as well as Western antiques, art pieces, and pre-loved items that have been cherished in Japan. Growing up in a family of historians—my grandfather was a historian and my father was an archaeologist—I have always been captivated by the eras and stories these historic objects and works of art carry with them.
My listings feature collections from both Japan and the West, pieces that have stood the test of time and remained beloved through the ages. Through these rare treasures, I hope to share with you the delight of ownership and discovery. As a professional, I strive for honest and sincere transactions to ensure customer satisfaction, always leveraging my experience and eye for quality.
I strongly believe in not letting buyers down, so I describe items as accurately and thoroughly as possible, prioritizing secure and careful packaging. If you have any questions or concerns, please feel free to reach out. It would be my pleasure to help enrich your collecting experience.
Thank you for your interest, and I look forward to doing business with you.
Turquoise as the Subject: A Rounded Flower Vase by Kenji Kato of the Shinsho Kiln
– A Japanese studio pottery flower vase attributed to Kenji Kato of the Shinsho kiln
– Vivid turquoise-blue glaze broken by deeper blue-grey passages, over a warm reddish clay foot
– Approximately 14 cm high and 11.5 cm wide
Summary: A Japanese studio pottery vase attributed to Kenji Kato of the Shinsho kiln, built around a single bold idea: colour. It measures approximately 14 cm in height and 11.5 cm in width. A near-spherical body narrows to a small round mouth, and the whole surface is covered in a luminous turquoise-blue glaze, interrupted by darker blue-grey areas that form an irregular, abstract pattern. At the foot, the warm reddish clay is left visible.
Turquoise is the heart of this piece. The glaze moves from bright, almost jewel-like blue to deeper, cloudier tones, so that no two sides look quite alike. The darker passages read like shadows or weathered patches on stone, giving the surface real depth and a sense of movement, while the reddish clay at the base adds an earthy counterpoint to all that colour.
The form is deliberately simple, leaving the glaze to do the talking. The body swells into a full, rounded volume before drawing in to a small opening, so the eye is led upwards to the mouth. It is a compact shape with a pleasing weight of presence, small enough for a shelf yet strong enough to hold attention on its own.
As a flower vessel, the narrow mouth suits a restrained arrangement: a single branch, a few stems of blossom or a seasonal flower set against the blue. Bright white or soft yellow flowers would make the turquoise sing; a bare twig would bring out its calm. Without flowers, it works just as well as a small ceramic sculpture.
Japanese studio pottery often explores the meeting of a controlled form with the less predictable effects of glaze and firing. This vase shows that relationship in a very direct way, relying on strong colour rather than elaborate ornament for its identity.
The vase is in good condition, with no major damage noted. Natural variations in the glaze are part of its handmade character. Please view the images closely for the overall condition.
A vivid and characterful piece of Japanese studio pottery for lovers of turquoise glazes.
This listing contains AI Visualisations. Please refer to the original photographs for the actual object condition.
Shipping & Handling
We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility.
Seller Guarantee
We specialise in authentic Japanese ceramics and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.
1820
Seller's Story
Hello, and thank you for visiting my page. I primarily handle Japanese antiques, as well as Western antiques, art pieces, and pre-loved items that have been cherished in Japan. Growing up in a family of historians—my grandfather was a historian and my father was an archaeologist—I have always been captivated by the eras and stories these historic objects and works of art carry with them.
My listings feature collections from both Japan and the West, pieces that have stood the test of time and remained beloved through the ages. Through these rare treasures, I hope to share with you the delight of ownership and discovery. As a professional, I strive for honest and sincere transactions to ensure customer satisfaction, always leveraging my experience and eye for quality.
I strongly believe in not letting buyers down, so I describe items as accurately and thoroughly as possible, prioritizing secure and careful packaging. If you have any questions or concerns, please feel free to reach out. It would be my pleasure to help enrich your collecting experience.
Thank you for your interest, and I look forward to doing business with you.
Details
Dynastic Style/Period
Shōwa period (1926-1989)
Number of objects
1
Artist
Kenji Kato
Country of Origin
Japan
Material
Porcelain
Height
14 cm
Width
11.5 cm
Title of artwork
Kenji Kato, Shinsho Kiln Turquoise Glaze Hanaire, Rounded Flower Vase, 14 cm
Condition
Excellent condition
Authenticity
Original/official
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