Hiroki Hayakawa Studio Ceramic Hanaire Vase – Pebble Form, Black Glaze and Rust-Brown Crust, 20 cm - Ceramic - Hiroki Hayakawa - Japan - Shōwa period (1926-1989)
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Original Hiroki Hayakawa Hanaire vase in pebble form, ceramic with satin black glaze and rust-brown patches, 20 cm wide, 14 cm high, 12 cm deep, made in Japan during the Shōwa period by Hiroki Hayakawa, in excellent original condition.
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Description from the seller
Hiroki Hayakawa, Pebble-Form Ceramic Hanaire Flower Vase, Black and Rust-Brown, 20 cm
– Organic pebble form with a waisted, peanut-shaped mouth set into the top
– Satin black glaze with raised, granular rust-brown patches and orange-red around the foot
– A Japanese flower vase with a quiet sculptural presence
※The stand shown in the photo is not included.
A river pebble at first glance; a vessel at the second. This Japanese ceramic hanaire, or flower vase, by Hiroki Hayakawa (早川比呂紀) has the low, broad presence of a stone smoothed by water. It measures approximately 20 cm wide, 12 cm deep and 14 cm high.
Its asymmetrical oval body holds a small surprise. The top dips into a recessed black area, where an elongated opening narrows at the centre into a peanut shape. Seen from different angles, the form seems to shift between something found in nature and something deliberately made.
Across the satin-black glaze, raised patches of rough, granular rust-brown texture suggest weathered bark or lichen on rock. Their irregular, slightly lifted edges catch the light, while smooth black channels lie between them. Towards the base, the black shades into glossy orange-red: a warm glow that recalls embers. The interior is black, and the unglazed foot reveals pale grey-buff clay with an incised mark.
One might imagine the maker seeking a meeting point between the smooth and the rugged, allowing a flower to rise from a surface that feels almost geological. That imagined intention leaves room for your own reading. The vase's date is unknown, and its precise making and firing methods have not been verified.
Records place Hayakawa in Aichi Prefecture, where Chiryu City documented a ceramic sculpture under his name in its 2003–2004 outdoor exhibition. This vase is associated with the kiln name 神田窯; the kiln's precise location remains unconfirmed.
Aichi's wider ceramic heritage includes Seto's blue-and-white decoration, Tokoname's red shudei wares and Kariya's historic Igaya kilns, which produced ash-glazed ceramics and later unglazed bowls and dishes. These offer regional context; a direct connection to Hayakawa's work has not been established.
As a hanaire, the vase suits a spare arrangement: a single branch, a few grasses or one seasonal flower rising from its narrow mouth. Its low, wide profile also gives it presence on its own, on a sideboard, low table or shelf, where the changing textures reward a closer look.
There are some small scratches, and the vase is generally in good condition. A tiny pale fleck can be seen at the edge of one patch, with a small dark speck near the foot. Please view the images closely for the overall condition. Please note that the black display stand shown in the photographs is not included.
A little more of this vase's story awaits its new owner.
This listing contains AI Visualisations. Please refer to the original photographs for the actual object condition.
Shipping & Handling
We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility.
Seller Guarantee
We specialise in authentic Japanese ceramics and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.
1844
Seller's Story
Hello, and thank you for visiting my page. I primarily handle Japanese antiques, as well as Western antiques, art pieces, and pre-loved items that have been cherished in Japan. Growing up in a family of historians—my grandfather was a historian and my father was an archaeologist—I have always been captivated by the eras and stories these historic objects and works of art carry with them.
My listings feature collections from both Japan and the West, pieces that have stood the test of time and remained beloved through the ages. Through these rare treasures, I hope to share with you the delight of ownership and discovery. As a professional, I strive for honest and sincere transactions to ensure customer satisfaction, always leveraging my experience and eye for quality.
I strongly believe in not letting buyers down, so I describe items as accurately and thoroughly as possible, prioritizing secure and careful packaging. If you have any questions or concerns, please feel free to reach out. It would be my pleasure to help enrich your collecting experience.
Thank you for your interest, and I look forward to doing business with you.
Hiroki Hayakawa, Pebble-Form Ceramic Hanaire Flower Vase, Black and Rust-Brown, 20 cm
– Organic pebble form with a waisted, peanut-shaped mouth set into the top
– Satin black glaze with raised, granular rust-brown patches and orange-red around the foot
– A Japanese flower vase with a quiet sculptural presence
※The stand shown in the photo is not included.
A river pebble at first glance; a vessel at the second. This Japanese ceramic hanaire, or flower vase, by Hiroki Hayakawa (早川比呂紀) has the low, broad presence of a stone smoothed by water. It measures approximately 20 cm wide, 12 cm deep and 14 cm high.
Its asymmetrical oval body holds a small surprise. The top dips into a recessed black area, where an elongated opening narrows at the centre into a peanut shape. Seen from different angles, the form seems to shift between something found in nature and something deliberately made.
Across the satin-black glaze, raised patches of rough, granular rust-brown texture suggest weathered bark or lichen on rock. Their irregular, slightly lifted edges catch the light, while smooth black channels lie between them. Towards the base, the black shades into glossy orange-red: a warm glow that recalls embers. The interior is black, and the unglazed foot reveals pale grey-buff clay with an incised mark.
One might imagine the maker seeking a meeting point between the smooth and the rugged, allowing a flower to rise from a surface that feels almost geological. That imagined intention leaves room for your own reading. The vase's date is unknown, and its precise making and firing methods have not been verified.
Records place Hayakawa in Aichi Prefecture, where Chiryu City documented a ceramic sculpture under his name in its 2003–2004 outdoor exhibition. This vase is associated with the kiln name 神田窯; the kiln's precise location remains unconfirmed.
Aichi's wider ceramic heritage includes Seto's blue-and-white decoration, Tokoname's red shudei wares and Kariya's historic Igaya kilns, which produced ash-glazed ceramics and later unglazed bowls and dishes. These offer regional context; a direct connection to Hayakawa's work has not been established.
As a hanaire, the vase suits a spare arrangement: a single branch, a few grasses or one seasonal flower rising from its narrow mouth. Its low, wide profile also gives it presence on its own, on a sideboard, low table or shelf, where the changing textures reward a closer look.
There are some small scratches, and the vase is generally in good condition. A tiny pale fleck can be seen at the edge of one patch, with a small dark speck near the foot. Please view the images closely for the overall condition. Please note that the black display stand shown in the photographs is not included.
A little more of this vase's story awaits its new owner.
This listing contains AI Visualisations. Please refer to the original photographs for the actual object condition.
Shipping & Handling
We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility.
Seller Guarantee
We specialise in authentic Japanese ceramics and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.
1844
Seller's Story
Hello, and thank you for visiting my page. I primarily handle Japanese antiques, as well as Western antiques, art pieces, and pre-loved items that have been cherished in Japan. Growing up in a family of historians—my grandfather was a historian and my father was an archaeologist—I have always been captivated by the eras and stories these historic objects and works of art carry with them.
My listings feature collections from both Japan and the West, pieces that have stood the test of time and remained beloved through the ages. Through these rare treasures, I hope to share with you the delight of ownership and discovery. As a professional, I strive for honest and sincere transactions to ensure customer satisfaction, always leveraging my experience and eye for quality.
I strongly believe in not letting buyers down, so I describe items as accurately and thoroughly as possible, prioritizing secure and careful packaging. If you have any questions or concerns, please feel free to reach out. It would be my pleasure to help enrich your collecting experience.
Thank you for your interest, and I look forward to doing business with you.
Details
Dynastic Style/Period
Shōwa period (1926-1989)
Number of objects
1
Artist
Hiroki Hayakawa
Country of Origin
Japan
Material
Ceramic
Height
14 cm
Width
20 cm
Title of artwork
Hiroki Hayakawa Studio Ceramic Hanaire Vase – Pebble Form, Black Glaze and Rust-Brown Crust, 20 cm
Depth
12 cm
Condition
Excellent condition
Authenticity
Original/official
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