Francien Krieg - An Unfinished Likeness
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Selected by Heiko Neitzel
Holds a master’s in art and culture mediation with extensive gallery assistant experience.
Gallery Estimate € 1,300 - € 1,600
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Francien Krieg, An Unfinished Likeness, an original 2026 portrait executed as a woodcut with digital print, giclée and AI techniques, hand-signed, 35 × 45 cm, Netherlands, in excellent condition, sold directly from the artist.
AI-assisted summary
Description from the seller
This work is a woodcut with an irregular, cut-out contour. Through the use of trompe-l’œil — literally “to deceive the eye” — parts of the face and the frame appear to lie at different depths. Shadows, edges and overlaps give the impression of protruding fragments and recessed surfaces. In this way the portrait takes on the character of a spatial wall object.
The image refers to classical European portrait painting, but it breaks its unity. The face and the frame seem to slide apart. What normally holds a portrait together becomes here part of the estrangement.
With these works I explore how the image of women is formed by beauty ideals and expectations. The frame also stands for the context within which someone is expected to fit. The face does not fully conform to it: it remains present, but is not easily fixed.
Francien Krieg
Seller's Story
Francien Krieg (b. 1973) is a distinguished Dutch artist renowned for her compelling explorations of the human form, particularly focusing on themes of aging and vulnerability. A graduate of the Royal Academy of Art in The Hague, she initially engaged in conceptual installations, utilizing materials like meat and rubber to create thought-provoking pieces that delve into human fragility.
Transitioning to painting at The Free Academy in The Hague, Francien developed a distinctive style characterized by unconventional perspectives and a raw portrayal of the human body. Her works challenge societal norms, celebrating the beauty found in imperfection and the passage of time.
Her art has been featured in prestigious exhibitions worldwide, including the Scope Basel art fair, Realisme Amsterdam, and esteemed galleries such as Robert Lange Studios in Charleston and the Zhou B Art Center in Chicago. Notably, she participated in the Women Painting Women [r]evolution exhibition at Townsend Atelier in Tennessee and the Strak Realisme show at Gallery Beinart, alongside artists Effie Pryer and Ville Lopponen.
Francien's accolades include multiple nominations for the Dutch Portrait Award and being shortlisted for the Figurativas at MEAM in Barcelona in 2017, 2019, and 2020. Her work has been extensively featured in publications like Beautiful Bizarre Magazine, Realisme Today, The Guide Artists, Boldbrush, and Poets and Artists. In 2018, she published a comprehensive book detailing her artistic journey and exploration of the human condition.
Her paintings are highly sought after by collectors, with pieces held in significant Dutch collections, including the ING Collection and the former Scheringa Collection. Her collaboration with Gallery Mokum in Amsterdam has further solidified her status in the art market, positioning her among the leading figures in contemporary realism.
Francien Krieg continues to captivate audiences with her unflinching portrayal of humanity, inviting viewers to confront and appreciate the profound beauty inherent in imperfection and aging.
Translated by Google TranslateThis work is a woodcut with an irregular, cut-out contour. Through the use of trompe-l’œil — literally “to deceive the eye” — parts of the face and the frame appear to lie at different depths. Shadows, edges and overlaps give the impression of protruding fragments and recessed surfaces. In this way the portrait takes on the character of a spatial wall object.
The image refers to classical European portrait painting, but it breaks its unity. The face and the frame seem to slide apart. What normally holds a portrait together becomes here part of the estrangement.
With these works I explore how the image of women is formed by beauty ideals and expectations. The frame also stands for the context within which someone is expected to fit. The face does not fully conform to it: it remains present, but is not easily fixed.
Francien Krieg
Seller's Story
Francien Krieg (b. 1973) is a distinguished Dutch artist renowned for her compelling explorations of the human form, particularly focusing on themes of aging and vulnerability. A graduate of the Royal Academy of Art in The Hague, she initially engaged in conceptual installations, utilizing materials like meat and rubber to create thought-provoking pieces that delve into human fragility.
Transitioning to painting at The Free Academy in The Hague, Francien developed a distinctive style characterized by unconventional perspectives and a raw portrayal of the human body. Her works challenge societal norms, celebrating the beauty found in imperfection and the passage of time.
Her art has been featured in prestigious exhibitions worldwide, including the Scope Basel art fair, Realisme Amsterdam, and esteemed galleries such as Robert Lange Studios in Charleston and the Zhou B Art Center in Chicago. Notably, she participated in the Women Painting Women [r]evolution exhibition at Townsend Atelier in Tennessee and the Strak Realisme show at Gallery Beinart, alongside artists Effie Pryer and Ville Lopponen.
Francien's accolades include multiple nominations for the Dutch Portrait Award and being shortlisted for the Figurativas at MEAM in Barcelona in 2017, 2019, and 2020. Her work has been extensively featured in publications like Beautiful Bizarre Magazine, Realisme Today, The Guide Artists, Boldbrush, and Poets and Artists. In 2018, she published a comprehensive book detailing her artistic journey and exploration of the human condition.
Her paintings are highly sought after by collectors, with pieces held in significant Dutch collections, including the ING Collection and the former Scheringa Collection. Her collaboration with Gallery Mokum in Amsterdam has further solidified her status in the art market, positioning her among the leading figures in contemporary realism.
Francien Krieg continues to captivate audiences with her unflinching portrayal of humanity, inviting viewers to confront and appreciate the profound beauty inherent in imperfection and aging.
Translated by Google TranslateDetails
Sold by
Direct from the artist
Edition
Original
Artist
Francien Krieg
Title of artwork
An Unfinished Likeness
Technique
AI, Digital print, Giclée, Woodcut print
Signature
Hand signed
Country of origin
Netherlands
Year
2026
Condition
Excellent condition
Height
35 cm
Width
45 cm
Depiction/theme
Portrait
Style
Surrealism
Sold with frame
No
Period
2020+
Sold by
