PANCHO PORTO (1988) - BAD DOG






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
€175 | ||
|---|---|---|
€120 | ||
€110 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 143856 reviews
Rated Excellent on Trustpilot.
Pancho Porto’s BAD DOG is a bronze patinated sculpture in a limited edition of 22–25, dated 2024, measuring 20 cm wide, 10 cm high and 10 cm deep, weighing 2 kg, hand-signed and numbered with a certificate of authenticity, in excellent condition and made in Spain.
Description from the seller
Limited edition sculpture in a series of 25 copies in bronze and corten steel by the Spanish sculptor Pancho Porto.
The sculpture is delivered hand-signed and numbered, accompanied by its respective certificate of authenticity.
The sculpture is in new condition; shipping is carried out within a maximum of 2 days, and the sculpture is delivered perfectly packaged.
Pancho Porto (Santiago de Compostela, 1988) began his training in the specialty of artistic carpentry at the Antonio Failde center in Ourense. At this school he had his first contact with disciplines such as carving, drawing, or modeling, and, more importantly, with workshop work.
Later he enrolled in the Mestre Mateo School of Arts and Crafts in Santiago de Compostela, where he studied what would later be his main discipline: sculpture. It is at this school that he began working with materials that would be basic in his work, such as steel or clay. In parallel, Porto continued his personal training and explored other materials such as bronze or resins and their multiple uses and finishes, opting for bronze and steel as the definitive materials for his works.
After this initial training phase, he decided to establish his studio on the banks of the Sarela river, very close to the place where he was born. It is here that he begins his particular theoretical and practical investigation of the relationship between the materials used in each work and the message they convey. This leads him to seek new proposals for communicating and narrating his story. Since then, this has been the regular tone of his works, adding complexity and background to the entire body of his work, with themes that touch both the social sphere and his personal experiences.
Exhibitions:
Group exhibitions kaleidoscope (2012-2013)
- Auditorio Cangas do Morrazo.
- Casa da Cultura de Porto do Son
- Liceo de Noia
- Auditorio Lalín
Individual exhibitions 2017
- Exposición No Solo Historias, Santiago de Compostela (Galería Campus Stellae)
Public art
Pies fin del Camino, Plaza da Quintana, Santiago de Compostela.
Limited edition sculpture in a series of 25 copies in bronze and corten steel by the Spanish sculptor Pancho Porto.
The sculpture is delivered hand-signed and numbered, accompanied by its respective certificate of authenticity.
The sculpture is in new condition; shipping is carried out within a maximum of 2 days, and the sculpture is delivered perfectly packaged.
Pancho Porto (Santiago de Compostela, 1988) began his training in the specialty of artistic carpentry at the Antonio Failde center in Ourense. At this school he had his first contact with disciplines such as carving, drawing, or modeling, and, more importantly, with workshop work.
Later he enrolled in the Mestre Mateo School of Arts and Crafts in Santiago de Compostela, where he studied what would later be his main discipline: sculpture. It is at this school that he began working with materials that would be basic in his work, such as steel or clay. In parallel, Porto continued his personal training and explored other materials such as bronze or resins and their multiple uses and finishes, opting for bronze and steel as the definitive materials for his works.
After this initial training phase, he decided to establish his studio on the banks of the Sarela river, very close to the place where he was born. It is here that he begins his particular theoretical and practical investigation of the relationship between the materials used in each work and the message they convey. This leads him to seek new proposals for communicating and narrating his story. Since then, this has been the regular tone of his works, adding complexity and background to the entire body of his work, with themes that touch both the social sphere and his personal experiences.
Exhibitions:
Group exhibitions kaleidoscope (2012-2013)
- Auditorio Cangas do Morrazo.
- Casa da Cultura de Porto do Son
- Liceo de Noia
- Auditorio Lalín
Individual exhibitions 2017
- Exposición No Solo Historias, Santiago de Compostela (Galería Campus Stellae)
Public art
Pies fin del Camino, Plaza da Quintana, Santiago de Compostela.
