Héctor Correra (XXI) - Iluminación barroca

Work created on professional canvas using the giclée printing technique. Digital art that uses contemporary media and artificial intelligence.
Artwork by Hector Correra, made with giclée printing on high-quality professional 100% cotton canvas, highly resistant to handling and external agents from the Eco Canvas Roma Glossy brand, satin finish.
We guarantee a durable product with visual quality.
Dimension of 65 x 70 cm of painting with 5 cm depth.
Limited edition 1/10 hand-signed on the front.
On the back of the piece you will find the data about the work.
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The artwork will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.

The series “Chromatic Renaissance” by Héctor Correra is a striking reinterpretation of the aristocratic portrait, where the past is violently intervened by the energy of color and contemporary texture. These works not only challenge the pictorial tradition of the 16th and 17th centuries, but also recontextualize Baroque opulence within a modern discourse of visual and symbolic deconstruction.

Between the Sublime and Violence: The use of color in this series is undoubtedly its greatest visual impact. The paint splashes are not mere overlapping decorations but a metaphor for the transience of power and the fragility of the aristocratic image. Primary colors such as blue, red, and yellow burst into the portraits with an expressiveness reminiscent of Jackson Pollock’s drip painting, but with the precision of a controlled digital brushstroke. In contrast, metallic tones and ochers in some pieces evoke a sense of decadence and transformation, suggesting a critical rereading of history and its icons.

Correra plays with the physicality of painting as a disruptive element. Instead of orderly application, color matter flows, drips, and explodes across the faces of the characters, transforming their rigidity into a space of visual tension. This technique creates a powerful contradiction: the static luxury of aristocratic portraits is intervened by a layer of expressive modernity that breaks the solemnity of the figures.

The compositions evoke classical portraits of monarchs and nobles, with their elaborate garments, jewelry, and authoritative poses. However, the disruptive painting gesture suggests a subversive message: the untouchability of power is an illusion, an image that can be deformed, rewritten, and re-signified. There is an echo of the French Revolution in these works, a questioning of the monarch’s divinity, now subjected to a chromatic flood that erases his features and strips him of his symbolic immortality.

Each work suggests a different story within this same narrative of destruction and renewal. The colors seem to merge with the portrait’s skin, as if royalty were being absorbed into a new identity. It reflects the duplicity of nobility, its beauty and fragility at once, while confronting us with a pictorial explosion that blinds and fragments the face of power.

Correra not only proposes a visual intervention on Baroque aesthetics but also invites us to reflect on the permanence of the image and its relationship with history. In a world where narratives of power have been built up and destroyed repeatedly, “Chromatic Renaissance” presents itself as a pictorial manifesto that exposes the vulnerability of aristocratic representation and the infinite possibility of rewriting history through art.