Pinton (1977) - Il colpo perfetto





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Il colpo perfetto is an original oil painting depicting a portrait by Pinton (1977), from 2020 onwards, made in Italy.
Description from the seller
The Perfect Heist
In this painting by Pinton, executed in acrylic on burlap canvas in the 50 × 50 cm format, the Lupin III universe takes shape in a lively composition, where comic-book imagery meets an urban, tactile painting. A brilliant yellow car dominates the foreground, projecting toward the viewer with a stage presence that suggests the movement of an adventurous getaway.
At the center of the scene, Lupin displays a large diamond, accompanying the gesture with his mocking smile. The red jacket, set against the blue shirt and yellow tie, creates an intense chromatic focal point, in dialogue with the car’s bodywork. Beside him, Fujiko, with long brown hair and the pink dress, introduces a note of elegance and complicity. Jigen and Goemon occupy the cabin, while on the left Inspector Zenigata appears engaged in the pursuit, adding to the narrative an ironic and dynamic accent.
The urban backdrop is built through essential architectural profiles, traced with dark lines and transparent patches. Blues, grays and whites delineate a suspended city, crossed by splashes, drips and signs in red, yellow and pink. These free interventions animate the surface and amplify the energy of the scene, contrasting with the black, decisive outlines of the characters.
The burlap weave, left visible in multiple passages, actively participates in the painting effect: its natural color surfaces between the layers and gives depth to the overlaps. The irregularities of the background, the brushstrokes and the highlights on the car render a rich surface, in which the figurative narrative preserves an evident handmade imprint.
The work combines humor, adventure and visual memory in an image of immediate recognizability. The double frame enhances its presence on the wall and allows for display without a frame, keeping fully visible the tactile character of the composition.
The Perfect Heist
In this painting by Pinton, executed in acrylic on burlap canvas in the 50 × 50 cm format, the Lupin III universe takes shape in a lively composition, where comic-book imagery meets an urban, tactile painting. A brilliant yellow car dominates the foreground, projecting toward the viewer with a stage presence that suggests the movement of an adventurous getaway.
At the center of the scene, Lupin displays a large diamond, accompanying the gesture with his mocking smile. The red jacket, set against the blue shirt and yellow tie, creates an intense chromatic focal point, in dialogue with the car’s bodywork. Beside him, Fujiko, with long brown hair and the pink dress, introduces a note of elegance and complicity. Jigen and Goemon occupy the cabin, while on the left Inspector Zenigata appears engaged in the pursuit, adding to the narrative an ironic and dynamic accent.
The urban backdrop is built through essential architectural profiles, traced with dark lines and transparent patches. Blues, grays and whites delineate a suspended city, crossed by splashes, drips and signs in red, yellow and pink. These free interventions animate the surface and amplify the energy of the scene, contrasting with the black, decisive outlines of the characters.
The burlap weave, left visible in multiple passages, actively participates in the painting effect: its natural color surfaces between the layers and gives depth to the overlaps. The irregularities of the background, the brushstrokes and the highlights on the car render a rich surface, in which the figurative narrative preserves an evident handmade imprint.
The work combines humor, adventure and visual memory in an image of immediate recognizability. The double frame enhances its presence on the wall and allows for display without a frame, keeping fully visible the tactile character of the composition.

