Luis Feito (1929-2021) - Untitled






Holds a master’s in art history with over 10 years in auctions and galleries.
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Luis Feito’s Untitled is an original, hand-signed acrylic painting from 1996, sold with a frame.
Description from the seller
Luis Feito (Madrid, 1929 – Rascafría, Madrid, 2021)
-Untitled,
-Acrylic on paper.
-Dimensions: 54.6 x 73.7 cm (21.5 x 29 inches); 66 x 85.1 cm (26 x 33.5 inches) with frame.
-Year: 1996
Luis Feito is a key figure in Spanish Abstract Expressionism and one of the principal representatives of the informalist movement that emerged in Spain during the 1950s. In 1957, he became a founding member of El Paso, the Madrid-based collective that played a fundamental role in the renewal of Spanish avant-garde art through its emphasis on expressive freedom, material experimentation, and the rejection of traditional academic conventions. Feito's early figurative period came to an end in the early 1950s, when his encounter with Cubism led him towards abstraction. In 1956, a French government grant enabled him to move to Paris, where he encountered new artistic approaches, including Art Brut and the expressive possibilities of unconventional materials and processes. These experiences contributed to the development of a distinctive pictorial language in which the physical presence of paint, the expressive force of gesture, and the tension between order and spontaneity became fundamental elements.
During the late 1950s, Feito explored the material possibilities of oil paint, sometimes incorporating sand into its surface and working with a restricted palette dominated by black, white, and ochre. From the early 1960s onwards, red gradually assumed a more prominent role, introducing a powerful chromatic counterpoint and contributing to the progressive development of more structured compositions. Although his work evolved towards greater formal definition over the following decades, the tension between material density, expressive gesture, and compositional balance remained central to his artistic research.
Executed in acrylic on paper, the present work belongs to Feito's broader exploration of abstraction and the expressive potential of works on paper. The medium allowed the artist to investigate the relationship between colour, gesture, and surface through a more immediate and direct process of execution. Further analysis of the composition, palette, and handling of the paint, together with any available signature, provenance, and documentary references, would help establish a more precise chronology and situate the work within the evolution of Feito's artistic language.
Seller's Story
Luis Feito (Madrid, 1929 – Rascafría, Madrid, 2021)
-Untitled,
-Acrylic on paper.
-Dimensions: 54.6 x 73.7 cm (21.5 x 29 inches); 66 x 85.1 cm (26 x 33.5 inches) with frame.
-Year: 1996
Luis Feito is a key figure in Spanish Abstract Expressionism and one of the principal representatives of the informalist movement that emerged in Spain during the 1950s. In 1957, he became a founding member of El Paso, the Madrid-based collective that played a fundamental role in the renewal of Spanish avant-garde art through its emphasis on expressive freedom, material experimentation, and the rejection of traditional academic conventions. Feito's early figurative period came to an end in the early 1950s, when his encounter with Cubism led him towards abstraction. In 1956, a French government grant enabled him to move to Paris, where he encountered new artistic approaches, including Art Brut and the expressive possibilities of unconventional materials and processes. These experiences contributed to the development of a distinctive pictorial language in which the physical presence of paint, the expressive force of gesture, and the tension between order and spontaneity became fundamental elements.
During the late 1950s, Feito explored the material possibilities of oil paint, sometimes incorporating sand into its surface and working with a restricted palette dominated by black, white, and ochre. From the early 1960s onwards, red gradually assumed a more prominent role, introducing a powerful chromatic counterpoint and contributing to the progressive development of more structured compositions. Although his work evolved towards greater formal definition over the following decades, the tension between material density, expressive gesture, and compositional balance remained central to his artistic research.
Executed in acrylic on paper, the present work belongs to Feito's broader exploration of abstraction and the expressive potential of works on paper. The medium allowed the artist to investigate the relationship between colour, gesture, and surface through a more immediate and direct process of execution. Further analysis of the composition, palette, and handling of the paint, together with any available signature, provenance, and documentary references, would help establish a more precise chronology and situate the work within the evolution of Feito's artistic language.
