Reinaldo Ortega Sardiñas XXI España - Serie: STURM UND DRANG 2.0, la rebelión continúa (2026). titulo: Utopías del Pop surrealista Ortega
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Selected by Catherine Mikolajczak
Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
Gallery Estimate € 600 - € 750
 | €7 | |
|---|---|---|
 | €6 | |
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Original edition by Reinaldo Ortega Sardiñas, 2016; digital collage printed on canvas, hand-intervened with acrylic paint and varnish, 63 x 100 cm, signed by the artist, in excellent condition.
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Description from the seller
Author: Reinaldo Ortega Sardiñas 1977 - XXI Spain.
Series: STURM UND DRANG 2.0, the rebellion continues (2026)
Title: Utopias of Ortega's Pop Surrealism with Akira Kurosawa, Charles Bukowski, and the Bee Gees in the Land of Isabel la Católica - XL format - Pop surrealism
Digital collage printed on canvas, hand-intervened with acrylic paint and varnish.
Dimensions: 63 x 100 cm.
Artwork hand-signed by the artist.
In excellent condition. New.
Unique original edition in this format and with this particular composition of characters.
Shipping does not include a frame or wooden stretcher.
Will be tracked via the UPS or FedEx website.
Statement:
As the transgressor of contemporary pop-surrealism, I develop a body of work that subverts the codes of art and popular culture. Through vibrant graphics and the imagery of Pop Art, I appropriate iconic referents to disarm them, contextualize them, and return them to the present as an uncomfortable reflection of our reality.
I deliberately ignore any ideological or cultural legacy of the past, because I do not seek to pay homage, but to question, provoke, and rewrite their meanings.
I turn to collage as a starting point, not only as a visual technique but as a declaration of rupture. It is in that initial pause that a rich aesthetic emerges—rich in materials, technical solutions, and unexpected combinations—that, without needing to answer to an established order, give form to a spontaneous, irreverent, and profoundly contemporary visual language.
My work intrudes upon symbols, dismantles the sacred, and turns the recognizable into objects of reflection, irony, or contradiction. I do not seek answers; I generate frictions. For in the clash between the iconic and the absurd, between the revered and the banal, the distorted mirror of our time emerges. My collages are aimed at those who have made freedom a form of resistance and who still recognize themselves in the dreams, excesses, contradictions, and cultural conquests of the decades that transformed the twentieth century. It is also a homage to those who survived the pandemic without giving up their identity, their memory, or their desire to live life to the fullest.
Author: Reinaldo Ortega Sardiñas 1977 - XXI Spain.
Series: STURM UND DRANG 2.0, the rebellion continues (2026)
Title: Utopias of Ortega's Pop Surrealism with Akira Kurosawa, Charles Bukowski, and the Bee Gees in the Land of Isabel la Católica - XL format - Pop surrealism
Digital collage printed on canvas, hand-intervened with acrylic paint and varnish.
Dimensions: 63 x 100 cm.
Artwork hand-signed by the artist.
In excellent condition. New.
Unique original edition in this format and with this particular composition of characters.
Shipping does not include a frame or wooden stretcher.
Will be tracked via the UPS or FedEx website.
Statement:
As the transgressor of contemporary pop-surrealism, I develop a body of work that subverts the codes of art and popular culture. Through vibrant graphics and the imagery of Pop Art, I appropriate iconic referents to disarm them, contextualize them, and return them to the present as an uncomfortable reflection of our reality.
I deliberately ignore any ideological or cultural legacy of the past, because I do not seek to pay homage, but to question, provoke, and rewrite their meanings.
I turn to collage as a starting point, not only as a visual technique but as a declaration of rupture. It is in that initial pause that a rich aesthetic emerges—rich in materials, technical solutions, and unexpected combinations—that, without needing to answer to an established order, give form to a spontaneous, irreverent, and profoundly contemporary visual language.
My work intrudes upon symbols, dismantles the sacred, and turns the recognizable into objects of reflection, irony, or contradiction. I do not seek answers; I generate frictions. For in the clash between the iconic and the absurd, between the revered and the banal, the distorted mirror of our time emerges. My collages are aimed at those who have made freedom a form of resistance and who still recognize themselves in the dreams, excesses, contradictions, and cultural conquests of the decades that transformed the twentieth century. It is also a homage to those who survived the pandemic without giving up their identity, their memory, or their desire to live life to the fullest.
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