(after), Joan Miró - L’oiseau au regard calme les agiles en flammes - Offset lithograph - 90x70 - Achenbach licensed

Offset lithography after Joan Miró (*)
Reproduction of the work “L’oiseau au regard calme les ales en flammes,” a piece created by Miró in 1952 and part of the Staatsgalerie Stuttgart collection.
Printed on Fine Art board (200 g).
Published by Achenbach Art Edition, Düsseldorf.
Authorized print with copyright and legal serial number.
Large format.

*** LAST REMAINING COPIES ***

- Sheet dimensions: 70.5 x 90 cm
- Year: 1988
- Condition: Excellent (this work has never been framed or exhibited, always stored in a professional art portfolio, and therefore remains in perfect condition).
- Provenance: Private collection.

The work will be carefully handled and packed in reinforced cardboard packaging. Shipping will be tracked with a tracking number.

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Joan Miró (1893-1983) was born in Barcelona, but his emotional landscapes, which shaped him as a person and artist, are essentially Mont-roig, Paris, Mallorca, and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would contrast with the intellectual turmoil he experienced in Paris in the twenties alongside the surrealist poets, and with the stimulus of abstract expressionism he discovered in New York in the forties. Later, during World War II, Joan Miró would leave his exile in France and settle in Palma de Mallorca, a space of refuge and work, where his friend Josep Lluís Sert would design the studio he had always dreamed of.
Rooted in the Mont-roig landscape first and then in Mallorca, this would prove decisive in his work. The bond with the land and an interest in everyday objects and the surrounding natural environment would form the backdrop to some of his technical and formal explorations. Miró escaped academicism in his constant search for a global and pure work, not affiliated with any particular movement. Content in the forms and in public manifestations, it is through the plastic fact that Joan Miró reveals his rebellion and a great sensitivity to the political and social events around him. This clash of forces led him to create a unique and highly personal language that places him among the most influential artists of the 20th century.