Slasky - Lidl Haute Couture
04
days
02
hours
45
minutes
16
seconds
Current bid
€ 55
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Slasky Lidl Haute Couture is a unique 32×45 cm kraft paper shopper artwork, manually interventioned and hand-signed, created in 2026 in Italy, edition 1/1.
AI-assisted summary
Description from the seller
Slasky, Lidl Haute Couture – No. 1/1
Manual intervention on a kraft paper shopper, 2026*
A Lidl shopper, an anonymous object, serial and intended to be thrown away, becomes a one-of-a-kind piece. Slasky intervenes by hand with a repeated stamp, a "S" in Gothic characters accompanied by the brand's signature, which runs along the edges like monograms of the great houses. In the center the Lidl logo remains intact, still visible and the ironic target of the operation.
The work short-circuits discounting and high fashion: the monogram, a historic symbol of status, is imprinted on a cheap and ephemeral support. The ink’s imperfections and the folds of the paper claim the piece’s uniqueness against the industrial perfection of mass production. What makes luxury is not the price, but the attribution, the gesture, and the rarity.
A single exemplar, signed and unrepeatable, born from an object that exists in millions: Haute Couture, but from a supermarket.
*The photographic frame is purely demonstrative.*
NON INCORNICIATA
« Art is not about representing new things, but about representing them with novelty »
Slasky is a renowned Italian artist whose works have been shown in solo and group exhibitions internationally
Institutional highlight: Long Live Rembrandt, Rijksmuseum, Amsterdam, 2026. Work selected by the museum
jury from thousands of international submissions for exhibition within the museum's permanent collection
spaces. 15 July — 15 September 2019.
2026
* CI-AO
30 April - 28 May 2026
Via Del Vantaggio 28, Rome
Piazza del Popolo
* FACE2FACE
Laundry Studios · 5 – 9 March 2026
⸻
2025
* Tokyo Open Art | Art on Loop Exhibition
Tokyo · 12 – 16 September 2025
* Art Parallax
London · 15 – 16 February 2025
⸻
2024
* Waterloo — Solo Exhibition
Limassol · 10 – 20 December 2024
* ARTLAB 2024
Munich · 13 – 22 June 2024
* Must Be — Solo Exhibition
Anemi, Limassol · 3 – 10 February 2024
* Contemporary Venice 2024 — 13th Edition — Solo Exhibition
Venice · 12 – 15 January 2024
⸻
2023
* Time Is An Illusion / Le temps est une illusion
Kramfors · 2 – 23 October 2023
⸻
2022
* (UN)FAIR — (UN)DISCOVERED ART
Superstudio Maxi, Milan · 8 – 10 April 2022
⸻
2021
* MIA Fair 2021
Superstudio Maxi, Milan · 7 – 10 October 2021
* Lausanne Art Fair
Lausanne · 30 September – 3 October 2021
* Lille Art Up!
Lille Grand Palais · 24 – 27 June 2021
* Works on Paper
Antibes · 18 March – 21 April 2021
⸻
2020
* StreetArt // UrbanArt
Tozzo Atelier · 8 – 30 October 2020
* Work on Paper
Stockholm · 18 March – 21 April 2020
⸻
2019
* Long Live Rembrandt ★ — Jury Selection
Rijksmuseum, Amsterdam · 15 July – 15 September 2019
* Wopart Art Fair
Lugano · 19 – 22 September 2019
* Andy Warhol Exhibition — Group Show
· 14 April – 23 September 2019
⸻
2018
* Neo Urban Classic — Solo Exhibition
MGallery by Sofitel, Kaluga · 16 March 2018
* Anti Donald Trump
Creative Debuts, London · 12 – 18 July 2018
⸻
2016
* Arte Firenze — Sandro Botticelli International Contemporary Art Prize
Florence · 18 – 20 November 2016
* Twitter Art Exhibition
Trygve Lie Gallery · 31 March – 21 April 2016
⸻
2015
* HUMAN RIGHTS? — La Casa della Pace
Fondazione Opera Campana dei Caduti, Rovereto · 31 May – 30 August 2015
Seller's Story
Slasky once again begins to crack open the barriers of time with a work that acts as a refined visual and conceptual short circuit. At the center of the composition emerges the magnetic and indissoluble gaze of a classical feminine portrait, imbued with the meticulous realism typical of the great northern European painting tradition of the Seventeenth Century. The austere dignity of the noblewoman, framed by a lavish frilled white lace collar, is however intercepted, severed, and partially concealed by a geometric pattern of white and black diagonal stripes.
This graphic intervention is not a mere aesthetic overlay, but a powerful statement of urban poetics. Slasky introduces a pattern that immediately evokes the visual codes of contemporary road signage, Optical Art, and modern street graphics. The geometric crossbar acts as a barrier or censoring filter that fragments the face: one half remains faithful to its museum and historical dimension, while the other half dissolves into the cold rationality of the abstract code.
The work thus interrogates the perception of identity in the digital age. The face of the past, guardian of an intimate and solemn historical memory, is reactivated and compelled to dialogue with the syncopated rhythms and the brazen geometries of contemporary culture. To underscore this dichotomy, the choice of frame is decisive: a sumptuous black Baroque profile in relief that envelops the work, transforming the jarring pop contrast into a sacred object of museum-design.
With his unmistakable technical and editorial deftness, Slasky does not destroy the antique, but re-encodes it, proving that classical art belongs not only to the past, but is a living matter, ready to be traversed and re-signified by the symbols of our present.
Translated by Google TranslateSlasky, Lidl Haute Couture – No. 1/1
Manual intervention on a kraft paper shopper, 2026*
A Lidl shopper, an anonymous object, serial and intended to be thrown away, becomes a one-of-a-kind piece. Slasky intervenes by hand with a repeated stamp, a "S" in Gothic characters accompanied by the brand's signature, which runs along the edges like monograms of the great houses. In the center the Lidl logo remains intact, still visible and the ironic target of the operation.
The work short-circuits discounting and high fashion: the monogram, a historic symbol of status, is imprinted on a cheap and ephemeral support. The ink’s imperfections and the folds of the paper claim the piece’s uniqueness against the industrial perfection of mass production. What makes luxury is not the price, but the attribution, the gesture, and the rarity.
A single exemplar, signed and unrepeatable, born from an object that exists in millions: Haute Couture, but from a supermarket.
*The photographic frame is purely demonstrative.*
NON INCORNICIATA
« Art is not about representing new things, but about representing them with novelty »
Slasky is a renowned Italian artist whose works have been shown in solo and group exhibitions internationally
Institutional highlight: Long Live Rembrandt, Rijksmuseum, Amsterdam, 2026. Work selected by the museum
jury from thousands of international submissions for exhibition within the museum's permanent collection
spaces. 15 July — 15 September 2019.
2026
* CI-AO
30 April - 28 May 2026
Via Del Vantaggio 28, Rome
Piazza del Popolo
* FACE2FACE
Laundry Studios · 5 – 9 March 2026
⸻
2025
* Tokyo Open Art | Art on Loop Exhibition
Tokyo · 12 – 16 September 2025
* Art Parallax
London · 15 – 16 February 2025
⸻
2024
* Waterloo — Solo Exhibition
Limassol · 10 – 20 December 2024
* ARTLAB 2024
Munich · 13 – 22 June 2024
* Must Be — Solo Exhibition
Anemi, Limassol · 3 – 10 February 2024
* Contemporary Venice 2024 — 13th Edition — Solo Exhibition
Venice · 12 – 15 January 2024
⸻
2023
* Time Is An Illusion / Le temps est une illusion
Kramfors · 2 – 23 October 2023
⸻
2022
* (UN)FAIR — (UN)DISCOVERED ART
Superstudio Maxi, Milan · 8 – 10 April 2022
⸻
2021
* MIA Fair 2021
Superstudio Maxi, Milan · 7 – 10 October 2021
* Lausanne Art Fair
Lausanne · 30 September – 3 October 2021
* Lille Art Up!
Lille Grand Palais · 24 – 27 June 2021
* Works on Paper
Antibes · 18 March – 21 April 2021
⸻
2020
* StreetArt // UrbanArt
Tozzo Atelier · 8 – 30 October 2020
* Work on Paper
Stockholm · 18 March – 21 April 2020
⸻
2019
* Long Live Rembrandt ★ — Jury Selection
Rijksmuseum, Amsterdam · 15 July – 15 September 2019
* Wopart Art Fair
Lugano · 19 – 22 September 2019
* Andy Warhol Exhibition — Group Show
· 14 April – 23 September 2019
⸻
2018
* Neo Urban Classic — Solo Exhibition
MGallery by Sofitel, Kaluga · 16 March 2018
* Anti Donald Trump
Creative Debuts, London · 12 – 18 July 2018
⸻
2016
* Arte Firenze — Sandro Botticelli International Contemporary Art Prize
Florence · 18 – 20 November 2016
* Twitter Art Exhibition
Trygve Lie Gallery · 31 March – 21 April 2016
⸻
2015
* HUMAN RIGHTS? — La Casa della Pace
Fondazione Opera Campana dei Caduti, Rovereto · 31 May – 30 August 2015
Seller's Story
Slasky once again begins to crack open the barriers of time with a work that acts as a refined visual and conceptual short circuit. At the center of the composition emerges the magnetic and indissoluble gaze of a classical feminine portrait, imbued with the meticulous realism typical of the great northern European painting tradition of the Seventeenth Century. The austere dignity of the noblewoman, framed by a lavish frilled white lace collar, is however intercepted, severed, and partially concealed by a geometric pattern of white and black diagonal stripes.
This graphic intervention is not a mere aesthetic overlay, but a powerful statement of urban poetics. Slasky introduces a pattern that immediately evokes the visual codes of contemporary road signage, Optical Art, and modern street graphics. The geometric crossbar acts as a barrier or censoring filter that fragments the face: one half remains faithful to its museum and historical dimension, while the other half dissolves into the cold rationality of the abstract code.
The work thus interrogates the perception of identity in the digital age. The face of the past, guardian of an intimate and solemn historical memory, is reactivated and compelled to dialogue with the syncopated rhythms and the brazen geometries of contemporary culture. To underscore this dichotomy, the choice of frame is decisive: a sumptuous black Baroque profile in relief that envelops the work, transforming the jarring pop contrast into a sacred object of museum-design.
With his unmistakable technical and editorial deftness, Slasky does not destroy the antique, but re-encodes it, proving that classical art belongs not only to the past, but is a living matter, ready to be traversed and re-signified by the symbols of our present.
Translated by Google TranslateDetails
Era
After 2000
Manufacturer/brand
slasky
Sold by
Agent
Country of origin
Italy
Style
Pop Art
Material
Paper
Artist
Slasky
Title of artwork
Lidl Haute Couture
Signature
Hand signed
Edition
1/1
Year
2026
Condition
Excellent condition
Height
45 cm
Width
32 cm
Depth
0.1 cm
