Georges Seurat - A Sunday Afternoon on the Island of La Grande Jatte, 1886 - Artprint - 50 x 70 cm

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Juan Antonio Rodríguez
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Selected by Juan Antonio Rodríguez

Eight years experience valuing posters, previously valuer at Balclis, Barcelona.

Estimate  € 150 - € 200
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Description from the seller

- Unframed work offered -

Beautiful, expressive fine art print by Georges Seurat in the 50 x 70 cm format with the title Sunday Afternoon on the Island of La Grande Jatte. The work is a high-quality print on stiff paper and in very good condition.

Artist: Georges Seurat
Title: Sunday Afternoon on the Island of La Grande Jatte
Type: Fine art print
Technique: Print on stiff paper
Originality: Reproduction
Sheet size: 50 x 70 cm
Condition: New
Origin: Art publishing house
Period: Pointillism
Nationality: French Art

Georges Seurat:
Georges Seurat, a leading figure of Pointillism and one of the pioneers of Neo-Impressionism, revolutionized painting through his scientific approach to color and light. Seurat developed the technique of Pointillism, where small, point-like dabs of color are placed on the canvas to form, from a distance, a living, harmonious whole. His masterpiece “A Sunday Afternoon on the Island of La Grande Jatte” is a prime example of this method and is regarded as one of the most important works of the late 19th century.

Seurat's approach was strongly influenced by scientific theories of color mixing, particularly the work of chemist Michel-Eugène Chevreul and physicist Ogden Rood, who studied the optical mixing of colors. This scientific grounding of his painting style sets Seurat apart from the Impressionists, although he shared their interest in light and color. While Claude Monet and Pierre-Auguste Renoir captured the fleeting effects of light with loose brushwork, Seurat proceeded in a systematic and methodical manner to create a more structured and durable image.

Seurat's pointillist technique and his precise planning of composition are closely linked to the works of Paul Signac, another leading representative of Neo-Impressionism, who adopted and further developed Seurat's techniques. Both artists shared the conviction that art should be based on scientific principles to achieve maximum visual impact.

In his approach to composition, Seurat shows an affinity with old masters such as Piero della Francesca and Nicolas Poussin, whose works are characterized by clear, structured compositions and harmonious proportions. This classical rigor in composition merges with a modern color theory, giving his paintings a timeless quality that rests on both tradition and innovation.

Seurat's influence extends far beyond his own time and inspired later artists such as Henri Matisse and the Fauves, who continued his color theories but with a freer and more emotional approach. Other artists such as Piet Mondrian and Wassily Kandinsky, who dealt with the abstract qualities of color and form, were in an indirect dialogue with Seurat's scientifically grounded yet poetic approach.

Georges Seurat remains a key figure in modern art, whose methodical yet innovative handling of color and light set the direction for 20th-century art. His works demonstrate how science and art can merge into a new visual language that is both analytical and aesthetically appealing.

Related artists thematically:
Paul Signac, Camille Pissarro, Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Vincent van Gogh, Henri-Edmond Cross, Maximilien Luce, Henri Matisse, Henri de Toulouse-Lautrec, Édouard Manet, Alfred Sisley, Berthe Morisot, Gustave Caillebotte, Félix Vallotton, Odilon Redon, Charles Angrand, Lucien Pissarro, Paul Gauguin, Paul Cézanne, Théo van Rysselberghe, Georges Lemmen, Émile Bernard, Aristide Maillol, Pierre Bonnard, Paul Sérusier, Maurice Denis, Henri Rousseau, Robert Delaunay, Raoul Dufy.

Shipping information:
We roll prints onto stiff cardboard tubes, wrap them with cardboard and ship them in sturdy cartons. Shipping is with a tracking number for package tracking.

Seller's Story

We have been operating several online shops in the art trade for over 20 years. On the one hand, we specialize in rare art prints, exhibition posters and collectible reproductions, and on the other hand, we trade in art editions and originals by well-known contemporary artists. The works we offer all come from the respective publishers, art galleries and institutions such as museums that published them in close cooperation with the artists. The works you find with us are often several decades old, in perfect or good condition and without a previous private owner. We place particular emphasis on professional packaging. Nothing is more annoying than purchasing a rare print that arrives damaged due to poor or inadequate packaging. If you have any questions about the works on offer, we are always happy to help you!
Translated by Google Translate

- Unframed work offered -

Beautiful, expressive fine art print by Georges Seurat in the 50 x 70 cm format with the title Sunday Afternoon on the Island of La Grande Jatte. The work is a high-quality print on stiff paper and in very good condition.

Artist: Georges Seurat
Title: Sunday Afternoon on the Island of La Grande Jatte
Type: Fine art print
Technique: Print on stiff paper
Originality: Reproduction
Sheet size: 50 x 70 cm
Condition: New
Origin: Art publishing house
Period: Pointillism
Nationality: French Art

Georges Seurat:
Georges Seurat, a leading figure of Pointillism and one of the pioneers of Neo-Impressionism, revolutionized painting through his scientific approach to color and light. Seurat developed the technique of Pointillism, where small, point-like dabs of color are placed on the canvas to form, from a distance, a living, harmonious whole. His masterpiece “A Sunday Afternoon on the Island of La Grande Jatte” is a prime example of this method and is regarded as one of the most important works of the late 19th century.

Seurat's approach was strongly influenced by scientific theories of color mixing, particularly the work of chemist Michel-Eugène Chevreul and physicist Ogden Rood, who studied the optical mixing of colors. This scientific grounding of his painting style sets Seurat apart from the Impressionists, although he shared their interest in light and color. While Claude Monet and Pierre-Auguste Renoir captured the fleeting effects of light with loose brushwork, Seurat proceeded in a systematic and methodical manner to create a more structured and durable image.

Seurat's pointillist technique and his precise planning of composition are closely linked to the works of Paul Signac, another leading representative of Neo-Impressionism, who adopted and further developed Seurat's techniques. Both artists shared the conviction that art should be based on scientific principles to achieve maximum visual impact.

In his approach to composition, Seurat shows an affinity with old masters such as Piero della Francesca and Nicolas Poussin, whose works are characterized by clear, structured compositions and harmonious proportions. This classical rigor in composition merges with a modern color theory, giving his paintings a timeless quality that rests on both tradition and innovation.

Seurat's influence extends far beyond his own time and inspired later artists such as Henri Matisse and the Fauves, who continued his color theories but with a freer and more emotional approach. Other artists such as Piet Mondrian and Wassily Kandinsky, who dealt with the abstract qualities of color and form, were in an indirect dialogue with Seurat's scientifically grounded yet poetic approach.

Georges Seurat remains a key figure in modern art, whose methodical yet innovative handling of color and light set the direction for 20th-century art. His works demonstrate how science and art can merge into a new visual language that is both analytical and aesthetically appealing.

Related artists thematically:
Paul Signac, Camille Pissarro, Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Vincent van Gogh, Henri-Edmond Cross, Maximilien Luce, Henri Matisse, Henri de Toulouse-Lautrec, Édouard Manet, Alfred Sisley, Berthe Morisot, Gustave Caillebotte, Félix Vallotton, Odilon Redon, Charles Angrand, Lucien Pissarro, Paul Gauguin, Paul Cézanne, Théo van Rysselberghe, Georges Lemmen, Émile Bernard, Aristide Maillol, Pierre Bonnard, Paul Sérusier, Maurice Denis, Henri Rousseau, Robert Delaunay, Raoul Dufy.

Shipping information:
We roll prints onto stiff cardboard tubes, wrap them with cardboard and ship them in sturdy cartons. Shipping is with a tracking number for package tracking.

Seller's Story

We have been operating several online shops in the art trade for over 20 years. On the one hand, we specialize in rare art prints, exhibition posters and collectible reproductions, and on the other hand, we trade in art editions and originals by well-known contemporary artists. The works we offer all come from the respective publishers, art galleries and institutions such as museums that published them in close cooperation with the artists. The works you find with us are often several decades old, in perfect or good condition and without a previous private owner. We place particular emphasis on professional packaging. Nothing is more annoying than purchasing a rare print that arrives damaged due to poor or inadequate packaging. If you have any questions about the works on offer, we are always happy to help you!
Translated by Google Translate

Details

Artist
Georges Seurat
Title of artwork
A Sunday Afternoon on the Island of La Grande Jatte, 1886 - Artprint - 50 x 70 cm
Technique
Offset print
Signature
Plate signed
Country of origin
Germany
Year
1886
Condition
Excellent condition
Height
50 cm
Width
70 cm
Style
Neo-Impressionism
Sold with frame
No
Sold by
GermanyVerified
3948
Objects sold
100%
protop

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