Andy Warhol (after) - Debbie Harry - Offset lithograph - licensed print

High-quality offset lithograph by Andy Warhol (* )
Reproduction of the work “Debbie Harry,” a screen print made by Warhol in 1982.
Luxury edition on 250 g/m² coated art paper
Printing authorized by the “Andy Warhol Foundation for the Visual Arts, Inc.” with copyright.

- Sheet dimensions: 30 x 30 cm
- Year: 2013
- Condition: Excellent (this work has never been framed or exhibited and has always been kept in a professional art portfolio, so it remains in perfect condition).
- Provenance: Private collection.

The work will be handled carefully and packed in reinforced cardboard packaging. The shipment will be registered and include a tracking number.

The shipment will also include transport insurance for the final value of the work, with a full refund in case of loss or damage, at no cost to the buyer.

(*) Andrew Warhola (Pittsburgh; August 6, 1928 – New York; February 22, 1987), commonly known as Andy Warhol, was an American visual artist and filmmaker who played a crucial role in the birth and development of pop art. After a successful career as a professional illustrator, Warhol achieved worldwide fame for his work in painting, avant-garde film, and literature, a reputation reinforced by his skillful relationship with the media and his role as a guru of modernity. Warhol acted as a link between artists and intellectuals, but also between aristocrats, gay men, Hollywood celebrities, drug addicts, models, bohemians, and colorful urban characters. His influences included Marcel Duchamp, Jasper Johns, Roy Lichtenstein, Truman Capote, Ben Shahn, Tom of Finland, and Jack Smith.
Warhol used various media to create his works, such as hand drawing, painting, printmaking, photography, screen printing, sculpture, film, and music. The Andy Warhol Museum in his hometown of Pittsburgh, Pennsylvania, houses an extensive permanent art collection. It is the largest museum in the United States dedicated to a single artist.
He was a controversial figure during his lifetime—some critics described his works as pretentious or elaborate jokes—and since his death in 1987, he has been the subject of numerous retrospective exhibitions, analyses, books, and documentaries. Beyond his fame and the controversy, he is considered one of the most influential artists of the 20th century because of his revolutionary works.