Flaxman / Piroli - Atlante Dantesco - 1822





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John Flaxman and Tommaso Piroli’s *Atlante Dantesco* is an illustrated bilingual Italian–French first edition in this format, published in Milan in 1822 with 120 plates.
Description from the seller
Rare first bilingual edition of this fascinating atlas, in which the sculptor and illustrator John Flaxman interpreted scenes from the Divine Comedy according to Neoclassical principles. Each illustration depicts a line from Dante’s work, with a quotation identifying the scene shown in Italian and French.
John Flaxman, *Dantean Atlas Suitable for Any Edition of the Divine Comedy, That Is, the Inferno, Purgatorio and Paradiso*, composed by Mr. Giovanni Flaxman and previously engraved by Mr. Tommaso Piroli, now re-engraved by Mr. Filippo Pistrucci with the addition of new engravings, Milan, Batelli and Fanfani, 1822.
Pages: (XII), 1 engraved title page + 120 plates, (IV). COMPLETE.
Copy with leaves in generally good condition, showing the usual signs of use and age. Scattered foxing.
Contemporary half-leather binding, with a loss to the spine and wear and losses to the edges, but sturdy and in generally fairly good condition. Blank endpapers.
Seller's Story
Rare first bilingual edition of this fascinating atlas, in which the sculptor and illustrator John Flaxman interpreted scenes from the Divine Comedy according to Neoclassical principles. Each illustration depicts a line from Dante’s work, with a quotation identifying the scene shown in Italian and French.
John Flaxman, *Dantean Atlas Suitable for Any Edition of the Divine Comedy, That Is, the Inferno, Purgatorio and Paradiso*, composed by Mr. Giovanni Flaxman and previously engraved by Mr. Tommaso Piroli, now re-engraved by Mr. Filippo Pistrucci with the addition of new engravings, Milan, Batelli and Fanfani, 1822.
Pages: (XII), 1 engraved title page + 120 plates, (IV). COMPLETE.
Copy with leaves in generally good condition, showing the usual signs of use and age. Scattered foxing.
Contemporary half-leather binding, with a loss to the spine and wear and losses to the edges, but sturdy and in generally fairly good condition. Blank endpapers.

