Giovanni Paolo Pannini (1691 – 1765), Circle of - Capriccio architettonico - NO RESERVE
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Selected by Caterina Maffeis
Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
Estimate € 1,000 - € 1,200
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The 18th-century oil painting *Architectural Capriccio* is attributed to the circle of Giovanni Paolo Pannini, originates from Italy and is sold with an antique gilt frame; it measures 85 × 40 cm overall.
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Description from the seller
Circle of Giovanni Paolo Pannini (Piacenza 1691 – Rome 1765).
Architectural capriccio with Roman ruins, a fountain, and figures.
Oil on canvas, 18th century.
Beneath a sky traversed by soft, tactile-looking cumulus clouds, a theater of Roman memories unfolds. Two wings of ruins, an arch with fluted Corinthian columns, and a massive archway framing the horizon immortalize a clearing crossed by courteous wayfarers. At the center, an altar topped with a monumental vase gives rhythm to the space; in the background, a pedimented temple and a fortified wall fade into the cerulean haze. Two figures in the foreground, engaged in conversation, provide a human point of reference against the grandeur of a glorious past now mourned.
The luminous painting presented here belongs to the great tradition of the ruin capriccio, a genre for which Pannini is its most celebrated exponent, and which spread through Rome, Naples, and Venice thanks to Grand Tour travelers in search of a fragment of Antiquity. The work also recalls the style of Leonardo Coccorante and Marco Ricci, within the tradition of capriccio painters in Pannini’s circle: its theatrical composition, built around lateral wings with an elegant focal opening, and its taste for vegetation creeping between the masonry blocks.
The brushwork is loose and fluent, and the palette plays on the contrast between the deep blue of the sky and the warm ochre and brown tones of the weathered marble. The figures, sketched in with quick strokes, animate the scene with remarkable liveliness.
The work can be attributed to a painter active in the Master’s circle, attentive to translating his repertoire into a decorative idiom. The elongated horizontal format suggests that it was intended as an overdoor painting, a dessus-de-porte, for a patrician interior.
The surface preserves the fascinating texture of the canvas, while the ancient craquelure lends the whole a warm, velvety amber patina.
The painting was relined and remounted on a stretcher in the last century.
As a complimentary addition, the work comes with a fine antique gold-leaf frame.
Canvas measurements: 76 cm x 31 cm.
Overall dimensions: 85 cm x 40 cm.
Circle of Giovanni Paolo Pannini (Piacenza 1691 – Rome 1765).
Architectural capriccio with Roman ruins, a fountain, and figures.
Oil on canvas, 18th century.
Beneath a sky traversed by soft, tactile-looking cumulus clouds, a theater of Roman memories unfolds. Two wings of ruins, an arch with fluted Corinthian columns, and a massive archway framing the horizon immortalize a clearing crossed by courteous wayfarers. At the center, an altar topped with a monumental vase gives rhythm to the space; in the background, a pedimented temple and a fortified wall fade into the cerulean haze. Two figures in the foreground, engaged in conversation, provide a human point of reference against the grandeur of a glorious past now mourned.
The luminous painting presented here belongs to the great tradition of the ruin capriccio, a genre for which Pannini is its most celebrated exponent, and which spread through Rome, Naples, and Venice thanks to Grand Tour travelers in search of a fragment of Antiquity. The work also recalls the style of Leonardo Coccorante and Marco Ricci, within the tradition of capriccio painters in Pannini’s circle: its theatrical composition, built around lateral wings with an elegant focal opening, and its taste for vegetation creeping between the masonry blocks.
The brushwork is loose and fluent, and the palette plays on the contrast between the deep blue of the sky and the warm ochre and brown tones of the weathered marble. The figures, sketched in with quick strokes, animate the scene with remarkable liveliness.
The work can be attributed to a painter active in the Master’s circle, attentive to translating his repertoire into a decorative idiom. The elongated horizontal format suggests that it was intended as an overdoor painting, a dessus-de-porte, for a patrician interior.
The surface preserves the fascinating texture of the canvas, while the ancient craquelure lends the whole a warm, velvety amber patina.
The painting was relined and remounted on a stretcher in the last century.
As a complimentary addition, the work comes with a fine antique gold-leaf frame.
Canvas measurements: 76 cm x 31 cm.
Overall dimensions: 85 cm x 40 cm.
Details
Sold with frame
Yes
Sold by
Owner or reseller
Attribution
Circle of
Artist
Giovanni Paolo Pannini (1691 – 1765)
Title of artwork
Capriccio architettonico - NO RESERVE
Technique
Oil painting
Signature
Not signed
Country of origin
Italy
Condition
Good condition
Height
85 cm
Width
40 cm
Period
18th century
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