Tijs Dragtsma (1992) - Joplin Scratched From Night

Out of a field of pure black, a laugh breaks loose. Janis Joplin is caught mid note, head thrown back, mouth wide open, the kind of laugh that comes from the chest and not from a pose. In Joplin Scratched From Night that laugh becomes the brightest place in the work, a dense field of fine scratches where her teeth, her round glasses and the line of her cheekbones catch and hold the light.

Her hair is where the work breathes differently. The wild, untamed curls are not filled in, they are suggested through scattered individual marks that thin and scatter toward the edges, letting the black surface take over again. The result is a halo that feels alive rather than drawn, closer to static electricity than to hair.

Lower in the composition, the ringed hand and the bottle she holds emerge only partially, a few confident scratches rather than a full account. The torso dissolves almost entirely into the surrounding dark, loose marks hinting at fabric and shoulder before the image lets go completely. What the work chooses to leave in shadow says as much about Joplin as what it chooses to illuminate.

No paint. No print. No ink. The image is scratched into the surface of the acrylic glass, present at all times, not waiting for a spotlight to exist. Light does not create the image, it sharpens it. Under direct light the scratches catch and reflect and the contrast deepens, while from a distance the work settles into something monumental, a face suspended in black. Up close it dissolves into a field of individual marks, proof that the portrait was built by taking away rather than adding on.

Janis Joplin remains one of the few voices that sounded exactly as unfiltered as she lived, and this piece treats her the same way, stripped to light, dark and the one unguarded expression that outlived everything else. It continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. This work is unique.

"A visual language where damage is not destruction, but structure."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

This listing contains AI-generated visualisations. Please refer to the original photographs to assess the actual condition of the object.