Fernand Cormon (1845-1924) - Scène orientaliste
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€ 100
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Selected by Caroline Bokobza
Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.
Estimate € 600 - € 800
 | €100 | |
|---|---|---|
| €10 | |
| €9 | |
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Fernand Cormon’s *Scène orientaliste* is an unsigned 19th-century oil painting on a parqueted wooden panel, originating in France.
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Description from the seller
Fernand Cormon (1845-1924)
Woman and children — Orientalist scene, late 19th century
Oil on parqueted wooden panel.
Dimensions: 35 × 22.5 cm.
Beautiful and expressive Orientalist study depicting a woman in traditional dress accompanied by two young children, in a landscape bathed in soft light.
This intimate composition belongs to the great tradition of French Orientalism in the second half of the 19th century, an artistic current fascinated by costumes, landscapes, figures and scenes of daily life in territories then designated under the term “Orient.”
The female figure, majestic despite the simplicity of the scene, is the center of the composition. Adorned with an imposing traditional headdress, she wears a loose light tunic, a dark garment decorated with colorful motifs and a bright red textile that strongly animates the whole. She holds a young child in her arms while a second child, barefoot, presses against her.
The painter pays particular attention to chromatic contrasts: the brilliant reds of the fabrics, the warm browns of the skin tones, and the deep blues of the garment stand out against a luminous sky and a landscape with ochre and purplish tones.
The execution, particularly free, reveals a true painter’s temperament. The quick, visible brushstrokes, the generously worked material and the synthetic rendering of the figures give this study a remarkable spontaneity, distant from the smooth finish of large academic compositions.
The depiction of this Oriental maternity thus combines the ethnographic interest inherent to 19th-century Orientalism with a more intimate sensibility, privileging the humanity of the characters and the expressive force of color.
Fernand Cormon (1845-1924)
Important figure in late 19th-century French painting, Fernand Cormon was notably a pupil of Alexandre Cabanel and Eugène Fromentin, the latter being one of the great representatives of French Orientalism.
Painter of history, portraitist and influential professor, Cormon developed a body of work marked by a taste for historical subjects, ancient civilizations and representations of exotic figures. His teaching exerted a considerable influence on several generations of artists.
History
The reverse of the panel preserves an old label from the Parisian auction house Binoche and Godeau, bearing the handwritten note “F. Cormon.”
This label constitutes an interesting element of the work’s history and testifies to its old attribution to the painter.
Technique and condition
Oil on panel of wood showing substantial old paneling on the back.
Fernand Cormon (1845-1924)
Woman and children — Orientalist scene, late 19th century
Oil on parqueted wooden panel.
Dimensions: 35 × 22.5 cm.
Beautiful and expressive Orientalist study depicting a woman in traditional dress accompanied by two young children, in a landscape bathed in soft light.
This intimate composition belongs to the great tradition of French Orientalism in the second half of the 19th century, an artistic current fascinated by costumes, landscapes, figures and scenes of daily life in territories then designated under the term “Orient.”
The female figure, majestic despite the simplicity of the scene, is the center of the composition. Adorned with an imposing traditional headdress, she wears a loose light tunic, a dark garment decorated with colorful motifs and a bright red textile that strongly animates the whole. She holds a young child in her arms while a second child, barefoot, presses against her.
The painter pays particular attention to chromatic contrasts: the brilliant reds of the fabrics, the warm browns of the skin tones, and the deep blues of the garment stand out against a luminous sky and a landscape with ochre and purplish tones.
The execution, particularly free, reveals a true painter’s temperament. The quick, visible brushstrokes, the generously worked material and the synthetic rendering of the figures give this study a remarkable spontaneity, distant from the smooth finish of large academic compositions.
The depiction of this Oriental maternity thus combines the ethnographic interest inherent to 19th-century Orientalism with a more intimate sensibility, privileging the humanity of the characters and the expressive force of color.
Fernand Cormon (1845-1924)
Important figure in late 19th-century French painting, Fernand Cormon was notably a pupil of Alexandre Cabanel and Eugène Fromentin, the latter being one of the great representatives of French Orientalism.
Painter of history, portraitist and influential professor, Cormon developed a body of work marked by a taste for historical subjects, ancient civilizations and representations of exotic figures. His teaching exerted a considerable influence on several generations of artists.
History
The reverse of the panel preserves an old label from the Parisian auction house Binoche and Godeau, bearing the handwritten note “F. Cormon.”
This label constitutes an interesting element of the work’s history and testifies to its old attribution to the painter.
Technique and condition
Oil on panel of wood showing substantial old paneling on the back.
Details
Sold with frame
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Owner or reseller
Artist
Fernand Cormon (1845-1924)
Title of artwork
Scène orientaliste
Technique
Oil painting
Signature
Not signed
Country of origin
France
Condition
Fair condition
Height
35 cm
Width
22.5 cm
Weight
1 kg
Depiction/theme
Historical scene
Style
Symbolism
Period
19th century
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