Italian school (XVII) - La Anunciación





€375 | ||
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€335 | ||
€315 | ||
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La Annunciation is an unsigned 17th-century oil painting by the Italian School, originating in Italy, and is sold with a frame.
Description from the seller
• The Virgin Mary: She is located on the left side, kneeling in a posture of humble acceptance and awe. She wears a tunic in a deep red color and a dark blue mantle that falls over her legs. Her head is covered by a translucent veil and she fixes her gaze toward the angel, with one hand extended toward him in a receptive gesture.
• The Archangel Gabriel: He is positioned in the upper right, suspended above dark clouds. He wears floating robes in pinkish and reddish tones. His right hand points toward the sky, indicating the source of the divine message, while in his left hand he holds a staff or a lily (a traditional symbol of Mary’s purity). He has dark wings and a subtle halo around his head.
Symbolic Elements and Setting
• The Dove of the Holy Spirit: In the upper center, among the clouds, the silhouette of a dove is glimpseable from which beams of golden light emanate and fall directly onto Mary, symbolizing the divine conception.
• The Setting: The scene unfolds in a very softly suggested interior, with a piece of furniture or a reclining chair in front of Mary. The background is dominated by dense clouds and a sky in ocher and brown tones, characteristic of the use of chiaroscuro to emphasize the mystical illumination of the event.
• Color Palette: Warm, earthy, and dark tones predominate (browns, ochers, and shadows), which makes the colors of the garments—Mary’s red and blue, and the angel’s pink—stand out strongly, along with the glow of celestial light.
DIMENSIONS WITHOUT FRAME: 44 HIGH X 34 WIDE
• The Virgin Mary: She is located on the left side, kneeling in a posture of humble acceptance and awe. She wears a tunic in a deep red color and a dark blue mantle that falls over her legs. Her head is covered by a translucent veil and she fixes her gaze toward the angel, with one hand extended toward him in a receptive gesture.
• The Archangel Gabriel: He is positioned in the upper right, suspended above dark clouds. He wears floating robes in pinkish and reddish tones. His right hand points toward the sky, indicating the source of the divine message, while in his left hand he holds a staff or a lily (a traditional symbol of Mary’s purity). He has dark wings and a subtle halo around his head.
Symbolic Elements and Setting
• The Dove of the Holy Spirit: In the upper center, among the clouds, the silhouette of a dove is glimpseable from which beams of golden light emanate and fall directly onto Mary, symbolizing the divine conception.
• The Setting: The scene unfolds in a very softly suggested interior, with a piece of furniture or a reclining chair in front of Mary. The background is dominated by dense clouds and a sky in ocher and brown tones, characteristic of the use of chiaroscuro to emphasize the mystical illumination of the event.
• Color Palette: Warm, earthy, and dark tones predominate (browns, ochers, and shadows), which makes the colors of the garments—Mary’s red and blue, and the angel’s pink—stand out strongly, along with the glow of celestial light.
DIMENSIONS WITHOUT FRAME: 44 HIGH X 34 WIDE

