Ernest - XL - El Suspiro de las Profundidades





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€40 | ||
€35 | ||
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Ernest - XL, El Suspiro de las Profundidades, oil on canvas, original edition, created after 2020, 100 cm by 70 cm, hand-signed, origin Spain, sold directly from the artist.
Description from the seller
Ernest M. is a young Cuban artist trained in the city of Manzanillo, Granma, in the east of Cuba. He currently lives and works in Havana, where he continues developing a constant pictorial production and an artistic trajectory largely centered on the investigation of the human figure and its relationship with the aquatic environment.
During the last few years, the artist has developed a series dedicated to immersion, water, and the human figure, turning these elements into one of the most recognizable traits of his pictorial language. Women suspended beneath the surface, faces pierced by reflections, fish, hair in motion, optical distortions, bubbles and changes of light appear repeatedly in his compositions, not as mere decorative resources, but as part of an increasingly defined visual universe.
One of the most interesting aspects of his painting is precisely the treatment of water as a pictorial and psychological element. Ernest manages to represent the water surface, reflections, and the distortions produced by light through brushstrokes that oscillate between figuration, expressive realism, and moments close to hyperrealism. However, his intention does not seem to be limited to faithfully reproducing a scene: he uses those distortions to transform the face and the human body, creating images that lie between the real, the dreamlike, and the introspective.
His palette is clearly dominated by deep blues, turquoise, greens, and marine tones, which frequently contrast with reds, ochres, oranges, and warm tones applied to the skin, the fish, the flowers, or the reflections. This chromatic opposition gives the works a strong visual presence and makes the figure emerge from the underwater background even when it seems completely integrated into it.
Also characteristic is the way the artist works composition. In many of his paintings, the flotation line runs directly through the face or body of the character, dividing the image into two realities. In others, the viewer observes the scene completely submerged. That choice generates a feeling of silence, suspension, and isolation that repeatedly appears in his production. Water thus becomes a border, a refuge, and a space of transformation.
Within the series there are compositions of a more intimate and contemplative character, while others present a freer, gestural, and expressive painting. This variety allows us to observe the evolution of an artist who continually experiments within a recognizable theme without being limited to a single formula.
Another notable aspect is the materiality of the works. The photographs allow us to appreciate the overall structure of the compositions and their chromatic richness, but the painting acquires a considerably greater dimension when viewed physically, where the variations in brushwork, color superimpositions, texture, and small changes in light that build the sense of depth can be perceived more clearly.
The repetition of certain elements—the female figure, the fish, the face partially submerged, the floating hair, the surface reflections, and the intense blue of the water—helps to shape a recognizable artistic identity. In a young creator, this coherence is especially significant, as it demonstrates the will to build a sustained body of work and not merely isolated pieces.
Ernest currently maintains an active artistic production and continues developing his career through exhibitions and projects both in Cuba and in Spain and other international contexts. His works have progressively found buyers and collectors outside Cuba and are currently part of private collections and galleries in several European and Latin American countries.
His paintings are also regularly offered at auctions on Catawiki, where his work has received a good reception from the public and collectors.
To acquire a work by Ernest means drawing closer to the work of a young Cuban artist still in full growth, but who already possesses especially valuable elements within an emerging trajectory: a clearly identifiable theme, continuity in his pictorial research, growing mastery of color and representation of water, and above all, a search for his own visual identity.
His aquatic series currently represents one of the most personal strands of his production and constitutes a good example of how a seemingly everyday motif can be transformed, through painting, into a reflection on the body, identity, silence, beauty, and perception.
Water does not merely function as a setting in Ernest’s work: it acts as a second language that fragments, transforms, and reconstructs the human figure.
Artwork by the artist Ernest created in oil on high-quality professional canvas.
Dimensions: 100 x 70 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) to Spain and Europe, and via Fedex to the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
This lot contains AI-generated visuals. Check the original photographs to verify the actual condition of the work.
This dazzling oil-on-canvas work is framed within magical realism and contemporary figurative with marked impressionist tones, standing out for a virtuoso mastery of light and color in which the turquoise and cobalt shadows of the water contrast with the bright golden glints projected by the solar waves on the skin. The composition presents a close-up framing of a woman’s face immersed in the depths of the water, who covers part of her features with her hand while maintaining an intense gaze toward the viewer, surrounded by small floating bubbles and tropical fish in yellow and azure tones. Through this suggestive juxtaposition between caustic distortion of light and the warmth of the moistened face, the artist manages to convey an experience of intense introspection, secrecy, and sensual communion with nature, where immersion in the aquatic environment acts as an allegory of emotional refuge, timeless beauty, and inner renewal.
Ernest M. is a young Cuban artist trained in the city of Manzanillo, Granma, in the east of Cuba. He currently lives and works in Havana, where he continues developing a constant pictorial production and an artistic trajectory largely centered on the investigation of the human figure and its relationship with the aquatic environment.
During the last few years, the artist has developed a series dedicated to immersion, water, and the human figure, turning these elements into one of the most recognizable traits of his pictorial language. Women suspended beneath the surface, faces pierced by reflections, fish, hair in motion, optical distortions, bubbles and changes of light appear repeatedly in his compositions, not as mere decorative resources, but as part of an increasingly defined visual universe.
One of the most interesting aspects of his painting is precisely the treatment of water as a pictorial and psychological element. Ernest manages to represent the water surface, reflections, and the distortions produced by light through brushstrokes that oscillate between figuration, expressive realism, and moments close to hyperrealism. However, his intention does not seem to be limited to faithfully reproducing a scene: he uses those distortions to transform the face and the human body, creating images that lie between the real, the dreamlike, and the introspective.
His palette is clearly dominated by deep blues, turquoise, greens, and marine tones, which frequently contrast with reds, ochres, oranges, and warm tones applied to the skin, the fish, the flowers, or the reflections. This chromatic opposition gives the works a strong visual presence and makes the figure emerge from the underwater background even when it seems completely integrated into it.
Also characteristic is the way the artist works composition. In many of his paintings, the flotation line runs directly through the face or body of the character, dividing the image into two realities. In others, the viewer observes the scene completely submerged. That choice generates a feeling of silence, suspension, and isolation that repeatedly appears in his production. Water thus becomes a border, a refuge, and a space of transformation.
Within the series there are compositions of a more intimate and contemplative character, while others present a freer, gestural, and expressive painting. This variety allows us to observe the evolution of an artist who continually experiments within a recognizable theme without being limited to a single formula.
Another notable aspect is the materiality of the works. The photographs allow us to appreciate the overall structure of the compositions and their chromatic richness, but the painting acquires a considerably greater dimension when viewed physically, where the variations in brushwork, color superimpositions, texture, and small changes in light that build the sense of depth can be perceived more clearly.
The repetition of certain elements—the female figure, the fish, the face partially submerged, the floating hair, the surface reflections, and the intense blue of the water—helps to shape a recognizable artistic identity. In a young creator, this coherence is especially significant, as it demonstrates the will to build a sustained body of work and not merely isolated pieces.
Ernest currently maintains an active artistic production and continues developing his career through exhibitions and projects both in Cuba and in Spain and other international contexts. His works have progressively found buyers and collectors outside Cuba and are currently part of private collections and galleries in several European and Latin American countries.
His paintings are also regularly offered at auctions on Catawiki, where his work has received a good reception from the public and collectors.
To acquire a work by Ernest means drawing closer to the work of a young Cuban artist still in full growth, but who already possesses especially valuable elements within an emerging trajectory: a clearly identifiable theme, continuity in his pictorial research, growing mastery of color and representation of water, and above all, a search for his own visual identity.
His aquatic series currently represents one of the most personal strands of his production and constitutes a good example of how a seemingly everyday motif can be transformed, through painting, into a reflection on the body, identity, silence, beauty, and perception.
Water does not merely function as a setting in Ernest’s work: it acts as a second language that fragments, transforms, and reconstructs the human figure.
Artwork by the artist Ernest created in oil on high-quality professional canvas.
Dimensions: 100 x 70 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) to Spain and Europe, and via Fedex to the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
This lot contains AI-generated visuals. Check the original photographs to verify the actual condition of the work.
This dazzling oil-on-canvas work is framed within magical realism and contemporary figurative with marked impressionist tones, standing out for a virtuoso mastery of light and color in which the turquoise and cobalt shadows of the water contrast with the bright golden glints projected by the solar waves on the skin. The composition presents a close-up framing of a woman’s face immersed in the depths of the water, who covers part of her features with her hand while maintaining an intense gaze toward the viewer, surrounded by small floating bubbles and tropical fish in yellow and azure tones. Through this suggestive juxtaposition between caustic distortion of light and the warmth of the moistened face, the artist manages to convey an experience of intense introspection, secrecy, and sensual communion with nature, where immersion in the aquatic environment acts as an allegory of emotional refuge, timeless beauty, and inner renewal.

