Miquel Torner de Semir (1938) - La mirada interior

Pictura Subastas presents this magnificent artwork by Miquel Torner de Semir, which depicts a feminine and dreamlike universe in which several faces and bodies intertwine over a maritime landscape, symbolizing the different facets of identity, memory, and the inner world. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions with frame: 44x37x3 cm.
· Dimensions without frame: 27x21 cm.
· Mixed media signed by hand by the artist on the lower right.
· The piece is in good condition.
· The work is sold with a lovely frame with protective glass (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos, GLS, or NACEX with tracking. International shipping available.

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This painting presents a deeply imaginative composition in which different female figures, profiles, gazes, and bodies intertwine to form a dreamlike and symbolic scene. The work is built from a sequence of silhouettes that seem to emerge from one another, as if each face contains a thought, a memory, or a different identity. The absence of a conventional setting allows all attention to focus on the human forms, their gestures, and the suggestive relationship they maintain with one another.

At the top, three female profiles face left. The first, smaller in size, shows a delicate face adorned with an updo and small ornamental elements that add elegance and refinement. Behind it emerges a second profile of larger size, with a firm and serene gaze, while a third figure leans from the upper area as if observing, protecting, or silently dialoguing with the others. This repetition of faces creates a sense of continuity, as if they were different ages, emotional states, or manifestations of the same woman.

The features are represented with clean, expressive outlines, giving special importance to the eyes, lips, and the curves of the faces. Although the figures hardly display exaggerated gestures, each gaze holds a particular intensity. Some seem focused on a distant point, while others convey introspection, melancholy, or mystery. The proximity of the profiles makes their identities blend and makes it difficult to determine where one figure ends and another begins.

In the center of the composition stands a large female profile oriented in a side view, whose open eye becomes one of the main visual focal points of the work. This wide, intense, almost watchful gaze seems to contemplate both the exterior space and an inner universe. A small floral element appears above the head, introducing a note of delicacy, while the lines of the face extend to other parts of the body, creating a continuous transformation between head, torso, and limbs. The anatomy thus stops conforming to a conventional representation and becomes a territory of associations and metaphors.

In the lower area unfolds a nude female figure, reclining and drawn into herself. Her body follows the general curves of the composition, forming a closed posture that can be interpreted as a gesture of rest, vulnerability, or protection. The presence of the nude adds an intimate and human dimension, while the integration of her body with the large upper face reinforces the idea that all the figures belong to the same emotional reality. The body is not an isolated element but a physical prolongation of memory, desire, and consciousness.

The background remains almost completely empty, though at the bottom a coastal landscape hints at rocks, water, and a small distant building. This tiny horizon contrasts with the monumental presence of the figures and places the scene in an ambiguous space, halfway between a real landscape and the dream world. The figures seem to float over the sea or emerge from it, like thoughts that take shape in a quiet, secluded place. The reduced scale of the architecture further emphasizes the dominant presence of the human figure and its inner universe.

The overlay of bodies and faces creates a visual game rich in double readings. Each profile can be viewed independently, but also as part of a large collective figure. This ambiguity makes the work a reflection on identity, femininity, and the multiple facets that coexist within a single person. The women represented could symbolize different generations, memories, states of mind, or inner voices, gathered within a composition that seems to unfold outside of time.

Overall, the work offers a poetic, intimate, and enigmatic view of the feminine universe, in which faces and bodies merge to build an image full of sensitivity and expressive strength. The relationship between the figures, the large central eye, the gathered nude, and the distant maritime landscape create an atmosphere of contemplation and mystery. Rather than telling a concrete story, the painting invites the viewer to explore their own interpretations and to discover, among the intertwined forms, a meditation on memory, identity, beauty, and the complexity of inner experience.