Ella Suárez - Geometría del campo - XL (no reserve)

Field Geometry
from the series Inhabited Landscapes

The Inhabited Landscapes series explores the relationship between living beings and the landscape as an inseparable unity. People, animals, houses, villages and small settlements appear among mountains, forests, lakes and coastal environments, not as isolated elements, but as presences that are part of the territory and reveal different ways of inhabiting it. Each work builds an imagined place that evokes memory, refuge and belonging, inviting the viewer to wander through landscapes that exist more in experience and memory than in a specific location.

The compositions are articulated through a succession of planes that guide the gaze across the landscape, establishing a continuous visual rhythm between the relief, the vegetation, the water and the different forms of life. In some works, a construction acts as a reference point; in others, it is the animals that roam, cross, or remain in the territory, introducing movement, scale and a silent narrative. The shapes are simplified and connected by fluid lines that unify the space and generate a sense of balance among all its elements.

Color constitutes the main constructive resource of the series. Each plane has its own chromatic identity that dialogues with the others to create depth, atmosphere and light. The coexistence of warm and cool tones transforms the landscape into a pictorial interpretation that transcends literal representation and turns the territory into a space of contemplation.

In Inhabited Landscapes, inhabiting does not mean solely building or staying, but also roaming, traversing and becoming part of an environment. The human, animal or architectural presence integrates organically into nature, giving rise to timeless scenes where territory and life participate in the same visual structure. Each work thus offers a reflection on the landscape as a shared space of calm, memory and identity, constructed through the rhythm of forms, light and color.

Authenticity of the work:
Each piece is hand-signed on the back of the canvas, guaranteeing its authenticity and preserving the visual purity of the painting surface. The signature includes the title of the work, the year of creation and Ella Suárez’s signature. The piece is accompanied by a Certificate of Authenticity (COA), validating its provenance and authorship.

Clarification:
Reference images may show slight tonal variations from the original work due to lighting conditions in spaces, which can affect contrast or color temperature, as well as differences between viewing devices. The photographs have been produced with the greatest possible care.

Shipping details:
The work will be shipped rolled in a protective tube, a method that ensures its safety during transport and offers a more economical and sustainable option. The canvas includes an additional 5 cm margin on each side to facilitate re-stretching, which can be performed by the buyer or by a professional.