Simone Pignone (1611/14-1698), Follower of - Heilige Margareta von Antiochia

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€ 450
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Caterina Maffeis
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Selected by Caterina Maffeis

Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.

Estimate  € 3,000 - € 3,600
IT
€450

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“Saint Margaret of Antioch” is an unsigned Baroque oil painting from 17th-century Italy, attributed to a follower of Simone Pignone.

AI-assisted summary

Description from the seller

Simone Pignoni (1611–1698), (Circle/_following), Saint Margaret of Antioch with the Dragon, Italian School of the 17th Century.

Oil on canvas, 68.5 x 55 cm, lined and stretched on canvas.

Condition: age-appropriate, but very good condition. Craquelure across the entire painting surface as well as a yellowed varnish, which gives the painting a certain mood. Photos are part of the condition description.

Provenance: Private collection, Berlin.

The present painting shows Saint Margaret of Antioch as a youthful half-figure in combat with the dragon, the emblem of conquered evil. The saint wears a deep red garment and a blue-gray mantle. Her lowered gaze and the gentle modeling of the face stand in a striking contrast to the raised hand and the cross-staff directed at the dragon.

The depiction shows an extraordinarily close compositional correspondence with Saint Margaret by Simone Pignoni (1611–1698) in the Bavarian State Painting Collections, Inv. No. 2374. Notable, however, are the differences in painting execution. While the Munich version features a more animated, decoratively worked hairstyle and a softer overall modeling, the present painting is characterized by a more compact head form, a more restrained treatment of the hair, and a contrast-rich, plastically emphasized depiction of the dragon.

These differences could point to an autonomous, possibly earlier version of the composition, arising within Italian painting of the 17th century. The possibility of a common older pictorial source is also to be considered in art history. A secure chronological sequence of the two versions cannot be established on the basis of current research.

The concentrated lighting, the strong colorfulness, and the inward conception of the Saint point to the visual language of the Italian Seicento. The close connection to Pignoni’s composition makes the painting an interesting variant of this Baroque saint image.

Comparison literature / reference work: Simone Pignoni, Saint Margaret, Bavarian State Painting Collections, Staatsgalerie at the New Palace in Schleissheim, Inv.-No. 2374.

Simone Pignoni (1611–1698), (Circle/_following), Saint Margaret of Antioch with the Dragon, Italian School of the 17th Century.

Oil on canvas, 68.5 x 55 cm, lined and stretched on canvas.

Condition: age-appropriate, but very good condition. Craquelure across the entire painting surface as well as a yellowed varnish, which gives the painting a certain mood. Photos are part of the condition description.

Provenance: Private collection, Berlin.

The present painting shows Saint Margaret of Antioch as a youthful half-figure in combat with the dragon, the emblem of conquered evil. The saint wears a deep red garment and a blue-gray mantle. Her lowered gaze and the gentle modeling of the face stand in a striking contrast to the raised hand and the cross-staff directed at the dragon.

The depiction shows an extraordinarily close compositional correspondence with Saint Margaret by Simone Pignoni (1611–1698) in the Bavarian State Painting Collections, Inv. No. 2374. Notable, however, are the differences in painting execution. While the Munich version features a more animated, decoratively worked hairstyle and a softer overall modeling, the present painting is characterized by a more compact head form, a more restrained treatment of the hair, and a contrast-rich, plastically emphasized depiction of the dragon.

These differences could point to an autonomous, possibly earlier version of the composition, arising within Italian painting of the 17th century. The possibility of a common older pictorial source is also to be considered in art history. A secure chronological sequence of the two versions cannot be established on the basis of current research.

The concentrated lighting, the strong colorfulness, and the inward conception of the Saint point to the visual language of the Italian Seicento. The close connection to Pignoni’s composition makes the painting an interesting variant of this Baroque saint image.

Comparison literature / reference work: Simone Pignoni, Saint Margaret, Bavarian State Painting Collections, Staatsgalerie at the New Palace in Schleissheim, Inv.-No. 2374.

Details

Sold with frame
No
Sold by
Owner or reseller
Artist
Simone Pignone (1611/14-1698), Follower of
Title of artwork
Heilige Margareta von Antiochia
Technique
Oil painting
Signature
Not signed
Country of origin
Italy
Condition
Fair condition
Height
68.5 cm
Width
55 cm
Depiction/theme
Mythology
Style
Baroque
Period
17th century
GermanyVerified
1410
Objects sold
100%
Privatetop

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