según Clodion - Sculpture, Niño con cabrita - 18 cm - Patinated bronze






He accumulated 18 years' experience, worked as junior specialist at Sotheby’s and managed Kunsthandel Jacques Fijnaut.
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Description from the seller
Exquisite bronze figure signed CLODION (Claude Michel). It depicts a child playing with a little goat.
• Born in Nancy in 1738 into the celebrated Adam family dynasty of sculptors.
• Early training: He moved to Paris in 1755 to study with his uncle Lambert-Sigisbert Adam and later with the renowned sculptor Jean-Baptiste Pigalle.
• Recognition: His talent was quickly established when he won the Académie Royale’s grand prize for sculpture in 1759.
Success in Rome (1762–1771)
• Time in Italy: He won the coveted Prix de Rome and moved to Italy in 1762, where he remained for nearly a decade.
• International clientele: His studio in Rome was extremely busy, receiving commissions from local nobility and collectors throughout Europe (including Catherine the Great of Russia).
Maturity and the French Revolution (1771–1814)
• Return to Paris: He returned to France in 1771, where he became one of the most sought-after decorative sculptors of the Rococo and early Neoclassical styles.
• Political impact: The outbreak of the French Revolution in 1789 temporarily brought demand for his aristocratic and sensual-themed works to a halt.
• Later years: He adapted to the changing times by creating monumental reliefs for the Arc de Triomphe du Carrousel and died in Paris in 1814.
Exquisite bronze figure signed CLODION (Claude Michel). It depicts a child playing with a little goat.
• Born in Nancy in 1738 into the celebrated Adam family dynasty of sculptors.
• Early training: He moved to Paris in 1755 to study with his uncle Lambert-Sigisbert Adam and later with the renowned sculptor Jean-Baptiste Pigalle.
• Recognition: His talent was quickly established when he won the Académie Royale’s grand prize for sculpture in 1759.
Success in Rome (1762–1771)
• Time in Italy: He won the coveted Prix de Rome and moved to Italy in 1762, where he remained for nearly a decade.
• International clientele: His studio in Rome was extremely busy, receiving commissions from local nobility and collectors throughout Europe (including Catherine the Great of Russia).
Maturity and the French Revolution (1771–1814)
• Return to Paris: He returned to France in 1771, where he became one of the most sought-after decorative sculptors of the Rococo and early Neoclassical styles.
• Political impact: The outbreak of the French Revolution in 1789 temporarily brought demand for his aristocratic and sensual-themed works to a halt.
• Later years: He adapted to the changing times by creating monumental reliefs for the Arc de Triomphe du Carrousel and died in Paris in 1814.
