Joan Miró, (after) - Sobreteixims I Escultures - Sala Gaspar ** ORIGINAL LITHOGRAPHIC PRINT 1972 **

Original lithographic poster by the Spanish artist Joan Miró (*).
This work was issued on the occasion of the artist’s solo exhibition “Sobreteixim I Escultures” in Barcelona, in May 1972.
Published by Polígrafa Barcelona, under the supervision of Joan Miró.
Limited edition of 1000 copies.

Specifications:

Dimensions: 84 x 56 cm
Year: 1972
Condition: Very Good (Shows light overall yellowing due to age. Nevertheless, this work has never been framed or exhibited, and has always been kept in a professional art folder, so it remains in very good condition).
Provenance: Private Collection.

The work will be carefully handled and packed in reinforced cardboard packaging. The shipment will be sent with tracked delivery.

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Joan Miró (1893-1983) was born in Barcelona, but his emotional landscapes, which shaped him as a person and as an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp region, would be the counterpoint to the intellectual agitation he experienced in Paris in the twenties alongside the surrealist poets, and to the influence of abstract expressionism he discovered in New York in the forties. Later, in the midst of World War II, Joan Miró would leave his exile in France and settle in Palma de Mallorca, a refuge and working space, where his friend Josep Lluís Sert designed the studio he had always dreamed of.
Rooted in the landscape of Mont-roig first and Mallorca later, this would prove decisive in his work. The bond with the land and the interest in everyday objects and the surrounding natural environment would be the backdrop for some of his technical and formal explorations. Miró fled academia, in search of a constant global and pure work, not affiliated with any particular movement. Content in form and in public manifestations, it is through the plastic act that Joan Miró shows his defiance and a great sensitivity to the political and social events surrounding him. This clash of forces would lead him to create a unique and highly personal language that places him among the most influential artists of the twentieth century.