Ennio Finzi (1931) - Senza titolo





€45 | ||
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€40 | ||
€35 | ||
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Ennio Finzi’s untitled original from 2013 is a hand-signed pastel and mixed-media collage on black card, measuring 33 × 35 cm.
Description from the seller
Ennio Finzi
Rare mixed media pastel on cardboard
Black cardboard
Pastel and collage
Year 2013
Cm 33x35
Authentic on a photograph of the Master
Rare quality work; difficult to find
Ennio Finzi, artist recently deceased, considered a spatialist painter, but as he himself recalls, in 1947 he was only 16 and could not be registered with the Spatialism movement as Tancredi Parmegiani (1927 - 1964) did at the time, who was twenty years old[1].
From 1960 to 1978, also due to problems related to the difficulty of selling spatialist works in a historical moment that favored other types of research[1], he decided to fully embrace the principles more contemporary of the scientific and technological analysis typical of those years, not exactly like the artists of the Group N who actually used electronics and illumination technology[5], but trying to create the same premises with a Non-Painting of an analytical white-and-black type that deviated from the strong chromatisms of the past, focusing on automatism and the combination of rhythms[6], moving ever closer to Cinematism[1].
Ennio Finzi
Rare mixed media pastel on cardboard
Black cardboard
Pastel and collage
Year 2013
Cm 33x35
Authentic on a photograph of the Master
Rare quality work; difficult to find
Ennio Finzi, artist recently deceased, considered a spatialist painter, but as he himself recalls, in 1947 he was only 16 and could not be registered with the Spatialism movement as Tancredi Parmegiani (1927 - 1964) did at the time, who was twenty years old[1].
From 1960 to 1978, also due to problems related to the difficulty of selling spatialist works in a historical moment that favored other types of research[1], he decided to fully embrace the principles more contemporary of the scientific and technological analysis typical of those years, not exactly like the artists of the Group N who actually used electronics and illumination technology[5], but trying to create the same premises with a Non-Painting of an analytical white-and-black type that deviated from the strong chromatisms of the past, focusing on automatism and the combination of rhythms[6], moving ever closer to Cinematism[1].

