0xec6d0 (XX-XXI) - Ghosting - XXL






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
€120 | ||
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€110 | ||
€100 | ||
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Ghosting - XXL is a unique 2026 abstract work by the French artist 0xec6d0, made using mixed media and pastel and signed and dated on the reverse.
Description from the seller
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm when mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — Art Brut and the Machine
No face.
0xec6d0 is a French anonymous artist, founder of the Nouveau Brutalisme. His work explores the areas that contemporary art rarely faces: artificial intelligence, LLMs, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity, and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe in decline.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece is born from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- Over 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generación Botox, Sofia, 2024
- Referenced value Akoun / ArtMajeur, 2026
Seller's Story
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm when mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — Art Brut and the Machine
No face.
0xec6d0 is a French anonymous artist, founder of the Nouveau Brutalisme. His work explores the areas that contemporary art rarely faces: artificial intelligence, LLMs, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity, and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe in decline.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece is born from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- Over 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generación Botox, Sofia, 2024
- Referenced value Akoun / ArtMajeur, 2026
