Louis Apol (1850–1936), Follower of - La Barque à voile





€176 | ||
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€166 | ||
€156 | ||
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La Barque à voile is a 19th-century oil painting attributed to a follower of Louis Apol, originating in Spain and sold with a frame.
Description from the seller
Interesting oil painting signed Louis Apol (The Hague, 1850–1936), one of the representatives of the Hague School, a movement that played a fundamental role in the renewal of Dutch landscape painting during the second half of the 19th century.
The work depicts a tranquil riverside scene featuring a traditional sailing vessel gliding across calm waters. On the opposite bank, small rural buildings, trees and other boats can be made out, together forming a characteristic Dutch landscape.
The composition stands out for its delicate interpretation of light and atmosphere, using a palette of bluish greys, muted greens and soft earthy tones. The loose yet restrained brushwork conveys the dampness of the air and the serenity of the landscape.
The artist places particular emphasis on atmospheric effects, softening the elements along the horizon and creating a sense of depth and stillness.
The artist
Lodewijk Franciscus Hendrik Apol (1850–1936) was a distinguished Dutch landscape painter born in The Hague.
He trained under the painters Johannes Franciscus Hoppenbrouwers (1819–1866) and Pieter Stortenbeker (1828–1898), and also studied at the Royal Academy of Art in The Hague.
His work is closely associated with the Hague School, characterized by direct observation of nature, atmospheric sensitivity and the use of a nuanced palette.
Apol achieved recognition at an early age. In 1875, the Dutch state acquired one of his winter paintings for the Rijksmuseum in Amsterdam.
Although he is especially known for his snowy landscapes, his work also reflects his interest in natural settings and the effects of light.
In 1880, he took part in an expedition to the Arctic, an experience that deepened his understanding of landscapes and atmospheric phenomena.
Artistic context and influences
The painting is associated with 19th-century Dutch naturalist landscape painting, particularly the sensibility of the Hague School.
Its treatment of light, atmosphere and reflections on the water shows affinities with the paintings of Hendrik Willem Mesdag (1831–1915) and Jacob Maris (1837–1899), prominent representatives of this movement.
The work belongs to a pictorial tradition in which everyday landscapes take centre stage through a restrained, atmospheric interpretation.
Characteristics
Artist: Attributed to or from the circle of Louis Apol (1850–1936).
School: Dutch, Hague School.
Medium: Oil.
Genre: Riverscape.
Style: Naturalist landscape painting.
Subject: Traditional sailing vessel in a Dutch riverside landscape.
Signature: Signed “Louis Apol” in the lower left corner.
Presentation: Framed.
Frame and condition
The painting is presented in a wide moulded frame with an aged silver finish and classic lines, which harmonizes with the cool tones and atmosphere of the composition.
The frame is included as a gift, has no commercial value and is not included in the painting’s valuation.
The condition should be assessed based on the photographs provided, which form an integral part of the description.
Shipping
The work will be carefully and professionally packaged, using suitable protective materials to ensure its safety during transport.
Taxes, duties and customs charges arising from shipments outside the European Union are the buyer’s responsibility. Shipments to islands or remote areas may incur additional shipping charges.
Seller's Story
Interesting oil painting signed Louis Apol (The Hague, 1850–1936), one of the representatives of the Hague School, a movement that played a fundamental role in the renewal of Dutch landscape painting during the second half of the 19th century.
The work depicts a tranquil riverside scene featuring a traditional sailing vessel gliding across calm waters. On the opposite bank, small rural buildings, trees and other boats can be made out, together forming a characteristic Dutch landscape.
The composition stands out for its delicate interpretation of light and atmosphere, using a palette of bluish greys, muted greens and soft earthy tones. The loose yet restrained brushwork conveys the dampness of the air and the serenity of the landscape.
The artist places particular emphasis on atmospheric effects, softening the elements along the horizon and creating a sense of depth and stillness.
The artist
Lodewijk Franciscus Hendrik Apol (1850–1936) was a distinguished Dutch landscape painter born in The Hague.
He trained under the painters Johannes Franciscus Hoppenbrouwers (1819–1866) and Pieter Stortenbeker (1828–1898), and also studied at the Royal Academy of Art in The Hague.
His work is closely associated with the Hague School, characterized by direct observation of nature, atmospheric sensitivity and the use of a nuanced palette.
Apol achieved recognition at an early age. In 1875, the Dutch state acquired one of his winter paintings for the Rijksmuseum in Amsterdam.
Although he is especially known for his snowy landscapes, his work also reflects his interest in natural settings and the effects of light.
In 1880, he took part in an expedition to the Arctic, an experience that deepened his understanding of landscapes and atmospheric phenomena.
Artistic context and influences
The painting is associated with 19th-century Dutch naturalist landscape painting, particularly the sensibility of the Hague School.
Its treatment of light, atmosphere and reflections on the water shows affinities with the paintings of Hendrik Willem Mesdag (1831–1915) and Jacob Maris (1837–1899), prominent representatives of this movement.
The work belongs to a pictorial tradition in which everyday landscapes take centre stage through a restrained, atmospheric interpretation.
Characteristics
Artist: Attributed to or from the circle of Louis Apol (1850–1936).
School: Dutch, Hague School.
Medium: Oil.
Genre: Riverscape.
Style: Naturalist landscape painting.
Subject: Traditional sailing vessel in a Dutch riverside landscape.
Signature: Signed “Louis Apol” in the lower left corner.
Presentation: Framed.
Frame and condition
The painting is presented in a wide moulded frame with an aged silver finish and classic lines, which harmonizes with the cool tones and atmosphere of the composition.
The frame is included as a gift, has no commercial value and is not included in the painting’s valuation.
The condition should be assessed based on the photographs provided, which form an integral part of the description.
Shipping
The work will be carefully and professionally packaged, using suitable protective materials to ensure its safety during transport.
Taxes, duties and customs charges arising from shipments outside the European Union are the buyer’s responsibility. Shipments to islands or remote areas may incur additional shipping charges.

