M. Palumbo (XX) - San Michele Arcangelo

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M. Palumbo’s “San Michele Arcangelo” is an original tempera icon from the 2020s, depicting the Archangel Michael in the Byzantine tradition and originating in Italy.

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Description from the seller

This panel depicts the Archangel Michael, created in accordance with the Byzantine iconographic tradition.
NOTES ON THE ARTIST AND THE TECHNIQUE
Artist's Origin: Created by an artist and iconographer from Monte Sant'Angelo.
Training and Technique: The artist earned a certificate in iconography at the Abbey of Santa Maria di Pulsano, where the monks passed on the ancient and rigorous method of egg tempera, combining natural pigments and egg yolk according to canonical tradition.
Sacred Significance: The work has already been blessed inside the Celestial Cave of Monte Sant'Angelo, a place of worship historically consecrated to the presence of Saint Michael.
DESCRIPTION AND ICONOGRAPHIC SYMBOLISM
The icon follows the theological canons of Byzantine painting, in which every stylistic and chromatic element has a specific spiritual meaning:
Subject and Attributes: The Archangel Michael is depicted frontally and hieratically. In his right hand he holds a drawn sword, symbolizing the word of God, divine justice, and constant spiritual defense against the forces of evil. The ribbon in his hair (known as a torques or strophion) symbolizes attentive listening to God's will and readiness to carry out his commands.
The Halo and Gold Leaf: The large golden halo represents the inaccessible light of God and holiness. Imperishable gold symbolizes the kingdom of heaven and eternity.
The Inscriptions: At the top are the traditional abbreviations in Greek/Church Slavonic identifying the subject: Ó Ách. Michaíl (The Archangel Michael).
COLOR SYMBOLISM IN RELIGIOUS DOCTRINE
In the theology of the Byzantine icon, colors are not merely decorative; they constitute a true theological language:
Red / Purple (Robe and Wings): This is the color of divine fire, blood, royalty, and charitable love. The red garment and warm shades on the wings indicate the Archangel's spiritual fervor and his closeness to the divine throne as prince of the heavenly hosts.
Blue (Sleeves and Ribbons): Represents the mystery of the divine nature, heaven, and transcendence. Appearing on the sleeves of the garment and in the highlights, it symbolizes the heavenly origin and the grace of the Holy Spirit that envelops God's messenger.
Green (Background): The dark green background represents the earth, renewed life, and the action of God's grace upon creation.
Gold: A symbol of uncreated divine light. It surrounds the Saint's face to indicate that his figure shares in the glory of the Kingdom of God.

This panel depicts the Archangel Michael, created in accordance with the Byzantine iconographic tradition.
NOTES ON THE ARTIST AND THE TECHNIQUE
Artist's Origin: Created by an artist and iconographer from Monte Sant'Angelo.
Training and Technique: The artist earned a certificate in iconography at the Abbey of Santa Maria di Pulsano, where the monks passed on the ancient and rigorous method of egg tempera, combining natural pigments and egg yolk according to canonical tradition.
Sacred Significance: The work has already been blessed inside the Celestial Cave of Monte Sant'Angelo, a place of worship historically consecrated to the presence of Saint Michael.
DESCRIPTION AND ICONOGRAPHIC SYMBOLISM
The icon follows the theological canons of Byzantine painting, in which every stylistic and chromatic element has a specific spiritual meaning:
Subject and Attributes: The Archangel Michael is depicted frontally and hieratically. In his right hand he holds a drawn sword, symbolizing the word of God, divine justice, and constant spiritual defense against the forces of evil. The ribbon in his hair (known as a torques or strophion) symbolizes attentive listening to God's will and readiness to carry out his commands.
The Halo and Gold Leaf: The large golden halo represents the inaccessible light of God and holiness. Imperishable gold symbolizes the kingdom of heaven and eternity.
The Inscriptions: At the top are the traditional abbreviations in Greek/Church Slavonic identifying the subject: Ó Ách. Michaíl (The Archangel Michael).
COLOR SYMBOLISM IN RELIGIOUS DOCTRINE
In the theology of the Byzantine icon, colors are not merely decorative; they constitute a true theological language:
Red / Purple (Robe and Wings): This is the color of divine fire, blood, royalty, and charitable love. The red garment and warm shades on the wings indicate the Archangel's spiritual fervor and his closeness to the divine throne as prince of the heavenly hosts.
Blue (Sleeves and Ribbons): Represents the mystery of the divine nature, heaven, and transcendence. Appearing on the sleeves of the garment and in the highlights, it symbolizes the heavenly origin and the grace of the Holy Spirit that envelops God's messenger.
Green (Background): The dark green background represents the earth, renewed life, and the action of God's grace upon creation.
Gold: A symbol of uncreated divine light. It surrounds the Saint's face to indicate that his figure shares in the glory of the Kingdom of God.

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
M. Palumbo (XX)
Title of artwork
San Michele Arcangelo
Technique
Tempera
Signature
Hand signed
Country of origin
Italy
Year
2026
Condition
Excellent condition
Height
40 cm
Width
30 cm
Depiction/theme
Religion
Style
Classical
Period
2020+
ItalyVerified
31
Objects sold
66.67%
Private

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