École expressionniste espagnole (XX) - La Foule - NO RESERVE





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La Foule is an original Spanish Expressionist-school oil painting from 1970–1980, signed illegibly and supplied with a frame.
Description from the seller
Spanish Expressionist School – 20th Century
The Crowd
Oil painting. Signed; signature illegible.
An interesting figurative composition belonging to the Spanish Expressionist school of the 20th century, centered on the depiction of a large group of people gathered in an undefined space.
The scene is constructed through a deliberate simplification of the human figures. The characters have virtually no individual facial features and are defined through large areas of color, simplified outlines, and minimal gestures. This lack of identity transforms the individual into part of an anonymous crowd, giving the composition a more universal reading.
The use of color as the main expressive element is particularly striking. Intense reds, pinks, blues, yellows, greens, and blacks are arranged in broad masses that shape the different figures. The woman on the left, wearing dark clothing and carrying a yellow bag, and the large male figure dressed in blue are two of the composition’s main points of balance.
At the center is a small child figure, whose diminutive scale contrasts with the adults around them and reinforces the sense of human concentration and density.
Traditional perspective is virtually eliminated. The figures overlap and are compressed within a deliberately flat space, while the background is reduced to a large light-colored area bordered by an intense reddish line and, on the outside, a dark blue band. This device creates an image of great graphic force and focuses all attention on the figures.
The brushwork is direct and visible, with areas of paint applied spontaneously. The artist deliberately forgoes anatomical detail and academic modeling in favor of form, rhythm, and chromatic intensity.
Stylistically, the work belongs to the broad renewal of Spanish Expressionist figurative art in the 20th century, particularly the strands that used the human figure in a simplified and anti-naturalistic manner. In Spain, various figurative movements in the second half of the 20th century explored the simplification, distortion, and anonymity of the figure as expressive devices, alongside abstraction and Informalism.
The result is a painting with a distinctly modern character, in which the depiction of the crowd becomes essentially an exercise in color, rhythm, and formal synthesis.
The work is signed, although the signature is illegible, so no specific attribution is proposed.
The state of preservation should be carefully assessed using the photographs provided, which form an integral part of the description and show the piece’s current condition.
The work is currently presented framed.
IMPORTANT INFORMATION ABOUT THE FRAME
The frame shown in the photographs is included exclusively as a GIFT with the artwork. The frame is not part of the lot for valuation purposes, has no commercial value assigned to it, and is included solely as a courtesy to the buyer.
Accordingly, any possible defect, breakage, loss of molding, or damage suffered exclusively by the frame during transport cannot constitute grounds for a claim or affect the valuation of the purchased artwork.
The artwork will be carefully and professionally packed, using suitable materials to provide the greatest possible protection during transport.
IMPORTANT: Shipments to islands, territories outside mainland Spain, or destinations subject to customs procedures may incur additional transport, handling, and/or customs costs, which will be borne by the buyer.
Seller's Story
Spanish Expressionist School – 20th Century
The Crowd
Oil painting. Signed; signature illegible.
An interesting figurative composition belonging to the Spanish Expressionist school of the 20th century, centered on the depiction of a large group of people gathered in an undefined space.
The scene is constructed through a deliberate simplification of the human figures. The characters have virtually no individual facial features and are defined through large areas of color, simplified outlines, and minimal gestures. This lack of identity transforms the individual into part of an anonymous crowd, giving the composition a more universal reading.
The use of color as the main expressive element is particularly striking. Intense reds, pinks, blues, yellows, greens, and blacks are arranged in broad masses that shape the different figures. The woman on the left, wearing dark clothing and carrying a yellow bag, and the large male figure dressed in blue are two of the composition’s main points of balance.
At the center is a small child figure, whose diminutive scale contrasts with the adults around them and reinforces the sense of human concentration and density.
Traditional perspective is virtually eliminated. The figures overlap and are compressed within a deliberately flat space, while the background is reduced to a large light-colored area bordered by an intense reddish line and, on the outside, a dark blue band. This device creates an image of great graphic force and focuses all attention on the figures.
The brushwork is direct and visible, with areas of paint applied spontaneously. The artist deliberately forgoes anatomical detail and academic modeling in favor of form, rhythm, and chromatic intensity.
Stylistically, the work belongs to the broad renewal of Spanish Expressionist figurative art in the 20th century, particularly the strands that used the human figure in a simplified and anti-naturalistic manner. In Spain, various figurative movements in the second half of the 20th century explored the simplification, distortion, and anonymity of the figure as expressive devices, alongside abstraction and Informalism.
The result is a painting with a distinctly modern character, in which the depiction of the crowd becomes essentially an exercise in color, rhythm, and formal synthesis.
The work is signed, although the signature is illegible, so no specific attribution is proposed.
The state of preservation should be carefully assessed using the photographs provided, which form an integral part of the description and show the piece’s current condition.
The work is currently presented framed.
IMPORTANT INFORMATION ABOUT THE FRAME
The frame shown in the photographs is included exclusively as a GIFT with the artwork. The frame is not part of the lot for valuation purposes, has no commercial value assigned to it, and is included solely as a courtesy to the buyer.
Accordingly, any possible defect, breakage, loss of molding, or damage suffered exclusively by the frame during transport cannot constitute grounds for a claim or affect the valuation of the purchased artwork.
The artwork will be carefully and professionally packed, using suitable materials to provide the greatest possible protection during transport.
IMPORTANT: Shipments to islands, territories outside mainland Spain, or destinations subject to customs procedures may incur additional transport, handling, and/or customs costs, which will be borne by the buyer.

