Hubert Duprilot - Exode (2026) acrylique sur papier 70x50cm





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Hubert Duprilot’s signed original painting « Exode (2026) » is made with acrylic on paper and measures 70 × 50 cm.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
(Exode), 2026, acrylic on paper 300 g (50x70 cm) "signed at the bottom right and on the back" the work will be sent rolled.
A neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a bit of hope in a universe sometimes dark and uncertain. His work interrogates our condition, our fears, but also our capacity to create connection and reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space becomes an open-air gallery where art invites itself into daily life, prompting questions, emotions and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
(Exode), 2026, acrylic on paper 300 g (50x70 cm) "signed at the bottom right and on the back" the work will be sent rolled.
A neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a bit of hope in a universe sometimes dark and uncertain. His work interrogates our condition, our fears, but also our capacity to create connection and reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space becomes an open-air gallery where art invites itself into daily life, prompting questions, emotions and encounters.

