French school (XX) - Zonnig Provençaals landschap met cipressen





€45 | ||
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€40 | ||
€35 | ||
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“Zonnig Provençaals landschap met cipressen” is an unsigned oil painting by the French school, dating from 1950–1960 and depicting a landscape in an Impressionist style.
Description from the seller
Sunny Provençal landscape with cypress trees. Expressive oil painting. Oil on canvas. Size 40x60 centimeters. The painting is in good condition with signs of aging.
A particularly atmospheric and colorful landscape painting, executed in a powerful, post-impressionist style, with a beautiful light effect and a strikingly rich brushwork. The painting depicts an idyllic, Southern French–looking landscape, where majestic cypress trees rise between green fields, characteristic white houses with terracotta-colored roofs, and rolling, purple-blue mountains. High in the sky, an intensely yellow sun shines, surrounded by a lively interplay of soft green, turquoise, cream-yellow, and light-blue brushstrokes. The composition and expressive use of color show clear stylistic kinship with post-impressionism, particularly with Vincent van Gogh’s famous Southern French landscapes.
Sunny Provençal landscape with cypress trees. Expressive oil painting. Oil on canvas. Size 40x60 centimeters. The painting is in good condition with signs of aging.
A particularly atmospheric and colorful landscape painting, executed in a powerful, post-impressionist style, with a beautiful light effect and a strikingly rich brushwork. The painting depicts an idyllic, Southern French–looking landscape, where majestic cypress trees rise between green fields, characteristic white houses with terracotta-colored roofs, and rolling, purple-blue mountains. High in the sky, an intensely yellow sun shines, surrounded by a lively interplay of soft green, turquoise, cream-yellow, and light-blue brushstrokes. The composition and expressive use of color show clear stylistic kinship with post-impressionism, particularly with Vincent van Gogh’s famous Southern French landscapes.

