Alessandro Padovan (1983) - 3D BERNARD AUBERTIN NEW! (con teca plexiglass)

The work stems from an ideal dialogue with the research of Bernard Aubertin, a Nouveau Réalisme artist who has made red, repetition, and matter central elements of his poetics. In his works, the seriality of simple, everyday elements becomes a language capable of evoking tension, energy, destruction, and transformation.

In this piece, however, tradition is reinterpreted through a characteristic element of my research: the screw.

Where Aubertin used nails, I use hundreds of screws, arranged according to a precise geometric structure on the red surface. The screw, an element normally associated with assembly, construction, and mechanics, is here transformed into an autonomous artistic element. Its repetition creates a three-dimensional surface in which light, shadow, and depth continuously alter the perception of the work.

The red envelops the composition like a surface charged with energy, while the screws emerge from the plane, creating a kind of visual vibration. From a frontal view the composition appears orderly and minimal; viewing it from the side, its true three-dimensional, material nature emerges.

The work does not aim to be a simple quotation of Aubertin, but a contemporary reinterpretation of his language, replacing the nail with the screw and turning an industrial object into an artistic sign.

The screw thus becomes a symbol of construction and destruction at the same time: what normally serves to join and fasten is used to create a restless, intense, and deeply tactile surface.

It is precisely in this tension between order and tension, construction and destruction, two-dimensionality and three-dimensionality that the identity of the work is born.

Artwork by Alessandro Padovan, famous worldwide for his Screw Art technique.
The piece is enhanced by a plexiglass display case.

The transparent case isolates and protects, turning the work into a contemporary relic.

The works of this contemporary artist sit within the currents of Pop Art, Screw Art, conceptual art, and urban art, recalling in visual language and cultural impact the work of major names such as Andy Warhol, Jean‑Michel Basquiat, Banksy, Jeff Koons, Keith Haring, Fontana, Imbue, obey, Padovan, Schifano, Nicole Lubbers, Bani, kev munday invader, murakami, and Damien Hirst.
At the same time, the artistic research engages with the imagery of luxury, iconic fashion, and global design, evoking sacred symbols and brands universally recognized such as Louis Vuitton, Gucci, Chanel, Hermès, Rolex, Ferrari, Porsche, Lamborghini.

The works are not replicas nor official collaborations with the artists or brands cited, but original creations, executed in a personal style that reflects a critique and reinterpretation of consumerism, the symbolic value of the brand, and art as a contemporary cultural object.

This approach makes the works particularly appreciated by collectors and enthusiasts of contemporary art, luxury Pop Art, conceptual street art, and art inspired by iconic brands, while maintaining a strong independent artistic identity.