Lucía Lauren - XL - Almapola





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Lucía Lauren - XL’s Almapola is an original, hand-signed acrylic painting on canvas in an Art Deco style, measuring 90 × 120 cm and dating from after 2020.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic training, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years delving into the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a space of expression that was much broader. Painting allowed her to bring together those previous experiences and transform them into an intimate and recognizable universe, built mainly with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of cats as the silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined outlines, and flat shapes build images that are immediately legible, yet full of sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpretated from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Dusty pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She does not appear as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress stop being merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene to find its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that a large part of the personality of her work resides.
Artwork by the artist Lucía Lauren created in Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), to Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled up and protected with several layers of packaging, bubble nylon, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Check the original photographs to verify the real condition of the work.”
This fascinating work executed in acrylic on canvas interweaves with an unmistakable aesthetic audacity the elegance of figurative forms and a lush surreal atmosphere with deep visual impact. The composition presents two female figures with light skin and delicate features whose profiles merge harmoniously on the same plane, crowned and enveloped by a dazzling display of poppies in intense red tones that spring forth strongly from a lower mantle structured in organic lines and light brown tones. The mastery in handling acrylic highlights the sharpness of the contours, the vibrant contrast between the darkness of the background and the liveliness of the crimson reds, giving the piece a powerful graphical presence and an atmosphere of enigmatic beauty. An exceptional and magnetic creation, conceived for collectors looking to infuse their spaces with a bold, poetic, and unmistakably contemporary avant-garde visual narrative.
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic training, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years delving into the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a space of expression that was much broader. Painting allowed her to bring together those previous experiences and transform them into an intimate and recognizable universe, built mainly with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of cats as the silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined outlines, and flat shapes build images that are immediately legible, yet full of sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpretated from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Dusty pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She does not appear as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress stop being merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene to find its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that a large part of the personality of her work resides.
Artwork by the artist Lucía Lauren created in Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), to Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled up and protected with several layers of packaging, bubble nylon, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Check the original photographs to verify the real condition of the work.”
This fascinating work executed in acrylic on canvas interweaves with an unmistakable aesthetic audacity the elegance of figurative forms and a lush surreal atmosphere with deep visual impact. The composition presents two female figures with light skin and delicate features whose profiles merge harmoniously on the same plane, crowned and enveloped by a dazzling display of poppies in intense red tones that spring forth strongly from a lower mantle structured in organic lines and light brown tones. The mastery in handling acrylic highlights the sharpness of the contours, the vibrant contrast between the darkness of the background and the liveliness of the crimson reds, giving the piece a powerful graphical presence and an atmosphere of enigmatic beauty. An exceptional and magnetic creation, conceived for collectors looking to infuse their spaces with a bold, poetic, and unmistakably contemporary avant-garde visual narrative.

