Lucía Lauren - XL - Horizonte Asiático

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Nathalia Oliveira
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Gallery Estimate  € 500 - € 600
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Lucía Lauren - XL’s original, hand-signed Art Deco painting Horizonte Asiático is made in acrylic on canvas, measures 90 × 120 cm and dates from after 2020.

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Description from the seller

Lucía Lauren (LILI) is a Cuban artist with primarily self-taught plastic training, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she professionally devoted herself to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years delving into the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a space of much broader expression. Painting allowed her to gather those earlier experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman who holds her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet laden with sensitivity.

In her language we find echoes of contemporary illustration and naïf painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of almost her entire pictorial universe. She is not depicted as a heroic or distant character, but from a calm, elegant, introspective femininity. Figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation play a similar role. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works like the figure embracing the cat against a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a pattern and become the main structural resource: they encircle both characters and focus the entire scene on the embrace’s gesture. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman seated beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of melodrama constitutes a large part of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene to its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may appear decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies a large part of the personality of her work.

Artwork by the artist Lucía Lauren created in Acrylic on high-quality professional canvas.
Dimension of 90 x 120 cm painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The artwork will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains AI-generated visualizations. Please consult the original photographs to verify the actual condition of the work.”

This hypnotic work executed in acrylic on canvas intertwines with an unmistakable aesthetic boldness the sophistication of the classical portrait and the ornamental richness of symbolic vanguards. The composition presents a striking foreground of a female figure with a delicate face, penetrating gaze, and crimson lips, framed by a dynamic background of deep black and gold spirals dotted with reddish accents that envelop the scene in a whirlwind of rhythm and visual opulence. The mastery of acrylic handling highlights the sharpness of the contours, the cleanliness of the shapes, and the powerful chromatic harmony, endowing the piece with a striking graphic presence and an atmosphere of mystery and timeless elegance. An exceptional and magnetic creation, conceived for collectors who seek to infuse their spaces with a bold, expressive, and unmistakably avant-garde visual narrative.

Lucía Lauren (LILI) is a Cuban artist with primarily self-taught plastic training, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she professionally devoted herself to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years delving into the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a space of much broader expression. Painting allowed her to gather those earlier experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman who holds her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet laden with sensitivity.

In her language we find echoes of contemporary illustration and naïf painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of almost her entire pictorial universe. She is not depicted as a heroic or distant character, but from a calm, elegant, introspective femininity. Figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation play a similar role. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works like the figure embracing the cat against a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a pattern and become the main structural resource: they encircle both characters and focus the entire scene on the embrace’s gesture. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman seated beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of melodrama constitutes a large part of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene to its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may appear decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies a large part of the personality of her work.

Artwork by the artist Lucía Lauren created in Acrylic on high-quality professional canvas.
Dimension of 90 x 120 cm painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The artwork will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains AI-generated visualizations. Please consult the original photographs to verify the actual condition of the work.”

This hypnotic work executed in acrylic on canvas intertwines with an unmistakable aesthetic boldness the sophistication of the classical portrait and the ornamental richness of symbolic vanguards. The composition presents a striking foreground of a female figure with a delicate face, penetrating gaze, and crimson lips, framed by a dynamic background of deep black and gold spirals dotted with reddish accents that envelop the scene in a whirlwind of rhythm and visual opulence. The mastery of acrylic handling highlights the sharpness of the contours, the cleanliness of the shapes, and the powerful chromatic harmony, endowing the piece with a striking graphic presence and an atmosphere of mystery and timeless elegance. An exceptional and magnetic creation, conceived for collectors who seek to infuse their spaces with a bold, expressive, and unmistakably avant-garde visual narrative.

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
Lucía Lauren - XL
Title of artwork
Horizonte Asiático
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Colour
Multicolour
Condition
Excellent condition
Height
120 cm
Width
90 cm
Style
Art Deco
Period
2020+
Spain (Mainland & Balearic Islands)Verified
1807
Objects sold
100%
protop

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