ACA (Angelo Calabria) - Elaborazione 3105/3130 (Architecture I) XXL





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ACA (Angelo Calabria)’s original 2026 work, *Elaborazione 3105/3130 (Architecture I) XXL*, is an acrylic painting on two canvases measuring approximately 90 × 212 cm overall.
Description from the seller
ACA (ANGELO CALABRIA)
Italy (1973). Graduated from the Academy of Fine Arts of Urbino (PU, Italy).
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Information about the artworks:
The painting was made by hand using acrylic and enamel on canvas. The unique, original style of its forms and colors guides the eye along emotional sequences that deeply stir the soul. The painting invites viewers to immerse themselves in these journeys of inner discovery, leading to the boundaries between reality and imagination. Each painting transforms your wall with its vibrant personality, bringing new life to your home or professional space.
- - - - -
Reference prices from Singulart Gallery (France):
- Acrylic and enamel on canvas 40x30 cm = € 1,050.00
- Acrylic and enamel on canvas 60x80 cm = € 2,300.00
- Acrylic and enamel on canvas 112x100 cm = € 3,200.00
- Acrylic and enamel on canvas 150x100 cm = € 4,120.00
- - - - -
Selected for “The Independent”; the research project of MAXXI - National Museum of 21st Century Arts in Rome (Italy), dedicated to independent thought and practice.
More information: www.sequenzialismo.com
He has published numerous essays on Sequentialism in Art in “BTA - Bollettino Telematico dell’Arte” (Italy’s first online art journal, founded in 1994).
More information: www.bta.it
- - - - -
He has exhibited in numerous group and solo shows, some curated by Achille Bonito Oliva in Rome (Italy).
His works are held in private collections in Europe, the United States, and Asia. Four of his works are part of Maurizio Calvesi’s private collection in Rome (Italy).
- - - - -
He has published:
“SEQUENTIALISM IN ART. THE SPACE-TIME LANGUAGE OF THE SIGN.
The evolution of artistic communication in the Information Age”;
Gruppo Albatros Il Filo (series “Nuove Voci”); 2013.
“DEVELOPING A VISUAL LANGUAGE. At the origins of Sequentialism in Art”;
BTA - Bollettino Telematico dell’Arte; 2021-2025.
“Our era—the (technological) Information Age—is, in comparison with the Classicism of past centuries and the abstract art of the twentieth century, without its own codified linguistic system. This problematic lack of specific expressive-signifying values, independent of those of the past, prevents today’s space-time content from manifesting its full communicative potential.
By codifying, at the sequential level, the principle of ‘the number that is in all things,’ Sequentialism now allows us to develop this unprecedented, content-rich emotional space-time dimension linguistically, in a complete and in-depth manner.
The expressive-signifying code that governs this sequential-digital dimension is based on the cognitive process of ‘directional counting,’ and every artist—regardless of the traditional or technological medium they use—can draw on its advanced communicative resources with a renewed creative spirit.”
- - - - -
Many scholars and researchers have written about “Sequentialism in Art” by Angelo Calabria, aka ACA, including:
ACHILLE C. VARZI - Associate Professor of Philosophy at Columbia University in New York (USA);
STEFANO COLONNA - Associate Professor of Art History, Museology, Art Criticism, and Conservation at “La Sapienza” University of Rome (Italy);
MARIA FILIPPONE COLONNA - President of the Festina Lente C.I.R.S.A. Association (of art historians, archaeologists, and architects).
- - - - -
All works are archived and published at: www.sequenzialismo.com
> ARTWORK 1
Title: Space-Time Development: Structure 10052026
Archive No.: MMMCV-3105
> ARTWORK 2
Title: Space-Time Development: Structure 27052026
Archive No.: MMMCXXX-3130
Certificate of Authenticity sent by email, ready for printing (digital version, PDF file).
- - - - -
The canvases are each signed and dated and can be installed in different spaces.
Painting made with brilliant pigments on high-quality cotton canvas (300 g).
Canvas size without stretcher frame: approx. 90 x 212 cm (2 canvases, approx. 90 x 106 cm each).
Once stretched, the canvas will measure approx. 85 x 200 cm (2 canvases, approx. 85 x 100 cm each).
- - - - -
The canvas will be shipped rolled, without a stretcher frame, in a special tube, keeping costs affordable worldwide. Insurance coverage. Online tracking. Professional packaging in accordance with international regulations.
Shipping will be handled by a specialized agency, so costs are slightly higher than shipping through low-cost national postal services. This ensures greater security for your purchase throughout the entire shipping and delivery process.
N.B. For shipments outside the EU, I need a few extra days to prepare the export documentation.
IMPORTANT: If you have purchased two or more of my artworks in different auctions, please message me before paying so I can reduce the shipping costs.
- - - - -
N.B. The actual colors of the artworks may differ slightly from the digital images due to the different display devices used (monitors, smartphones).
ACA (ANGELO CALABRIA)
Italy (1973). Graduated from the Academy of Fine Arts of Urbino (PU, Italy).
- - - - -
Information about the artworks:
The painting was made by hand using acrylic and enamel on canvas. The unique, original style of its forms and colors guides the eye along emotional sequences that deeply stir the soul. The painting invites viewers to immerse themselves in these journeys of inner discovery, leading to the boundaries between reality and imagination. Each painting transforms your wall with its vibrant personality, bringing new life to your home or professional space.
- - - - -
Reference prices from Singulart Gallery (France):
- Acrylic and enamel on canvas 40x30 cm = € 1,050.00
- Acrylic and enamel on canvas 60x80 cm = € 2,300.00
- Acrylic and enamel on canvas 112x100 cm = € 3,200.00
- Acrylic and enamel on canvas 150x100 cm = € 4,120.00
- - - - -
Selected for “The Independent”; the research project of MAXXI - National Museum of 21st Century Arts in Rome (Italy), dedicated to independent thought and practice.
More information: www.sequenzialismo.com
He has published numerous essays on Sequentialism in Art in “BTA - Bollettino Telematico dell’Arte” (Italy’s first online art journal, founded in 1994).
More information: www.bta.it
- - - - -
He has exhibited in numerous group and solo shows, some curated by Achille Bonito Oliva in Rome (Italy).
His works are held in private collections in Europe, the United States, and Asia. Four of his works are part of Maurizio Calvesi’s private collection in Rome (Italy).
- - - - -
He has published:
“SEQUENTIALISM IN ART. THE SPACE-TIME LANGUAGE OF THE SIGN.
The evolution of artistic communication in the Information Age”;
Gruppo Albatros Il Filo (series “Nuove Voci”); 2013.
“DEVELOPING A VISUAL LANGUAGE. At the origins of Sequentialism in Art”;
BTA - Bollettino Telematico dell’Arte; 2021-2025.
“Our era—the (technological) Information Age—is, in comparison with the Classicism of past centuries and the abstract art of the twentieth century, without its own codified linguistic system. This problematic lack of specific expressive-signifying values, independent of those of the past, prevents today’s space-time content from manifesting its full communicative potential.
By codifying, at the sequential level, the principle of ‘the number that is in all things,’ Sequentialism now allows us to develop this unprecedented, content-rich emotional space-time dimension linguistically, in a complete and in-depth manner.
The expressive-signifying code that governs this sequential-digital dimension is based on the cognitive process of ‘directional counting,’ and every artist—regardless of the traditional or technological medium they use—can draw on its advanced communicative resources with a renewed creative spirit.”
- - - - -
Many scholars and researchers have written about “Sequentialism in Art” by Angelo Calabria, aka ACA, including:
ACHILLE C. VARZI - Associate Professor of Philosophy at Columbia University in New York (USA);
STEFANO COLONNA - Associate Professor of Art History, Museology, Art Criticism, and Conservation at “La Sapienza” University of Rome (Italy);
MARIA FILIPPONE COLONNA - President of the Festina Lente C.I.R.S.A. Association (of art historians, archaeologists, and architects).
- - - - -
All works are archived and published at: www.sequenzialismo.com
> ARTWORK 1
Title: Space-Time Development: Structure 10052026
Archive No.: MMMCV-3105
> ARTWORK 2
Title: Space-Time Development: Structure 27052026
Archive No.: MMMCXXX-3130
Certificate of Authenticity sent by email, ready for printing (digital version, PDF file).
- - - - -
The canvases are each signed and dated and can be installed in different spaces.
Painting made with brilliant pigments on high-quality cotton canvas (300 g).
Canvas size without stretcher frame: approx. 90 x 212 cm (2 canvases, approx. 90 x 106 cm each).
Once stretched, the canvas will measure approx. 85 x 200 cm (2 canvases, approx. 85 x 100 cm each).
- - - - -
The canvas will be shipped rolled, without a stretcher frame, in a special tube, keeping costs affordable worldwide. Insurance coverage. Online tracking. Professional packaging in accordance with international regulations.
Shipping will be handled by a specialized agency, so costs are slightly higher than shipping through low-cost national postal services. This ensures greater security for your purchase throughout the entire shipping and delivery process.
N.B. For shipments outside the EU, I need a few extra days to prepare the export documentation.
IMPORTANT: If you have purchased two or more of my artworks in different auctions, please message me before paying so I can reduce the shipping costs.
- - - - -
N.B. The actual colors of the artworks may differ slightly from the digital images due to the different display devices used (monitors, smartphones).

