Slasky - Angelo
07
days
02
hours
24
minutes
36
seconds
Starting bid
€ 1
Reserve price not met
Expert
Selected by Anthony Chrisp
Over 10 years' experience in art trade and previously founded his own gallery.
Gallery Estimate € 1,500 - € 1,800
No bids placed
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 144581 reviews
Rated Excellent on Trustpilot.
Angelo is a hand-signed, limited-edition giclée print in a Baroque style, dated 2026 and numbered 3/5, measuring 40 × 50 cm, depicting an angel with Old School tattoos and Moschino lettering.
AI-assisted summary
Description from the seller
This work represents a sophisticated visual short circuit between the sacredness of Baroque painting and the profane and vernacular aesthetics of contemporary street culture. The central figure of the angel, borrowed from the great European painting tradition of the Seicento, loses its intangible celestial purity to become an anthropomorphic canvas.
The subject's skin is entirely redefined through the integration of Old School (or American Traditional) tattoos: ships, eagles with spread wings, panthers, and roses. These graphic elements are not merely overlaid, but are anatomically fused with the original painterly material, respecting the delicate chiaroscuro subtleties, the folds of flesh, and the texture of the underlying canvas.
To seal this trans-historic dialogue comes the eruption of pop, three-dimensional lettering signed Moschino, which transforms the work into a trans-avant-garde manifesto in which the high and the low, the sacred and the commercial, the classical past and the metropolitan present coexist in a perfect aesthetic synthesis. Framed in a sumptuous Baroque guild, the canvas invites the viewer to question the fluidity of art and the rewriting of visual codes in the 21st century.
2026
* CI-AO
30 April - 28 May 2026
Via Del Vantaggio 28, Rome
Piazza del Popolo
* FACE2FACE
Laundry Studios · 5 – 9 March 2026
⸻
2025
* Tokyo Open Art | Art on Loop Exhibition
Tokyo · 12 – 16 September 2025
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venezia, Italia
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
Mia Fair
The informazioni Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Swiss
Lang Leve Rembrandt
Rijks Museum Amsterdam
#salvagecollection
#BreakthroughArtCollection
Seller's Story
Slasky once again begins to crack open the barriers of time with a work that acts as a refined visual and conceptual short circuit. At the center of the composition emerges the magnetic and indissoluble gaze of a classical feminine portrait, imbued with the meticulous realism typical of the great northern European painting tradition of the Seventeenth Century. The austere dignity of the noblewoman, framed by a lavish frilled white lace collar, is however intercepted, severed, and partially concealed by a geometric pattern of white and black diagonal stripes.
This graphic intervention is not a mere aesthetic overlay, but a powerful statement of urban poetics. Slasky introduces a pattern that immediately evokes the visual codes of contemporary road signage, Optical Art, and modern street graphics. The geometric crossbar acts as a barrier or censoring filter that fragments the face: one half remains faithful to its museum and historical dimension, while the other half dissolves into the cold rationality of the abstract code.
The work thus interrogates the perception of identity in the digital age. The face of the past, guardian of an intimate and solemn historical memory, is reactivated and compelled to dialogue with the syncopated rhythms and the brazen geometries of contemporary culture. To underscore this dichotomy, the choice of frame is decisive: a sumptuous black Baroque profile in relief that envelops the work, transforming the jarring pop contrast into a sacred object of museum-design.
With his unmistakable technical and editorial deftness, Slasky does not destroy the antique, but re-encodes it, proving that classical art belongs not only to the past, but is a living matter, ready to be traversed and re-signified by the symbols of our present.
Translated by Google TranslateThis work represents a sophisticated visual short circuit between the sacredness of Baroque painting and the profane and vernacular aesthetics of contemporary street culture. The central figure of the angel, borrowed from the great European painting tradition of the Seicento, loses its intangible celestial purity to become an anthropomorphic canvas.
The subject's skin is entirely redefined through the integration of Old School (or American Traditional) tattoos: ships, eagles with spread wings, panthers, and roses. These graphic elements are not merely overlaid, but are anatomically fused with the original painterly material, respecting the delicate chiaroscuro subtleties, the folds of flesh, and the texture of the underlying canvas.
To seal this trans-historic dialogue comes the eruption of pop, three-dimensional lettering signed Moschino, which transforms the work into a trans-avant-garde manifesto in which the high and the low, the sacred and the commercial, the classical past and the metropolitan present coexist in a perfect aesthetic synthesis. Framed in a sumptuous Baroque guild, the canvas invites the viewer to question the fluidity of art and the rewriting of visual codes in the 21st century.
2026
* CI-AO
30 April - 28 May 2026
Via Del Vantaggio 28, Rome
Piazza del Popolo
* FACE2FACE
Laundry Studios · 5 – 9 March 2026
⸻
2025
* Tokyo Open Art | Art on Loop Exhibition
Tokyo · 12 – 16 September 2025
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venezia, Italia
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
Mia Fair
The informazioni Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Swiss
Lang Leve Rembrandt
Rijks Museum Amsterdam
#salvagecollection
#BreakthroughArtCollection
Seller's Story
Slasky once again begins to crack open the barriers of time with a work that acts as a refined visual and conceptual short circuit. At the center of the composition emerges the magnetic and indissoluble gaze of a classical feminine portrait, imbued with the meticulous realism typical of the great northern European painting tradition of the Seventeenth Century. The austere dignity of the noblewoman, framed by a lavish frilled white lace collar, is however intercepted, severed, and partially concealed by a geometric pattern of white and black diagonal stripes.
This graphic intervention is not a mere aesthetic overlay, but a powerful statement of urban poetics. Slasky introduces a pattern that immediately evokes the visual codes of contemporary road signage, Optical Art, and modern street graphics. The geometric crossbar acts as a barrier or censoring filter that fragments the face: one half remains faithful to its museum and historical dimension, while the other half dissolves into the cold rationality of the abstract code.
The work thus interrogates the perception of identity in the digital age. The face of the past, guardian of an intimate and solemn historical memory, is reactivated and compelled to dialogue with the syncopated rhythms and the brazen geometries of contemporary culture. To underscore this dichotomy, the choice of frame is decisive: a sumptuous black Baroque profile in relief that envelops the work, transforming the jarring pop contrast into a sacred object of museum-design.
With his unmistakable technical and editorial deftness, Slasky does not destroy the antique, but re-encodes it, proving that classical art belongs not only to the past, but is a living matter, ready to be traversed and re-signified by the symbols of our present.
Translated by Google TranslateDetails
Sold by
Agent
Edition
Limited edition
Edition number
3/5
Artist
Slasky
Title of artwork
Angelo
Technique
Giclée
Signature
Hand signed
Country of origin
Italy
Year
2026
Condition
Excellent condition
Height
50 cm
Width
40 cm
Style
Baroque
Sold with frame
No
Period
2020+
