Antonio Morato (1903–1989) - Natura morta con rose
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Antonio Morato’s *Natura morta con rose* is a hand-signed 1977 oil painting from Italy, from the 1970–1980 period, and is sold with its frame.
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Description from the seller
Antonio Morato (1903–1989) – Important still life with roses – Oil on canvas of 1977 – Signed and dated
Fascinating and refined oil painting on canvas from 1977, signed Antonio Morato (Este, 1903 – Padua, 1989), an important exponent of Veneto painting in the 20th century, a protagonist of a long and significant artistic career characterized by continuous expressive research and attention to the principal European artistic currents.
The work depicts a splendid floral still life with a lush bouquet of multicolored roses, realized with energetic painting, rich in matter and extraordinary chromatic liveliness.
Description of the work
In the center of the composition unfolds an elegant bouquet of roses in shades of pink, golden yellow and intense red, gathered inside a characteristic blue vase decorated with light motifs.
The flowers are rendered through broad, vigorous brushstrokes generously charged with color, which give the petals a remarkable sense of volume, movement, and depth.
Particularly suggestive is the strongly tactile painting technique, with evident reliefs of oil color that convey the spontaneity and expressive force of the artistic gesture.
The delicate pink shades of the roses dialogue harmoniously with the luminous yellow, the deep red and the intense greens of the foliage, creating a balanced yet dynamic composition.
The blue vase, placed in the lower part, constitutes an important element of chromatic contrast, while the drapery and the background, executed with warm and earthy tones, complete the whole with great naturalness.
The composition shows evident references to the post-impressionist tradition and to expressionist painting, interpreted through a personal sensitivity and an informal and immediate painting language.
The work is signed and dated ‘77 in the lower right corner.
Historical notes on the artist – Antonio Morato
Antonio Morato was born in Este, in the province of Padua, on March 17, 1903, and died in Padua on March 13, 1989.
He was an Italian painter and decorator of notable interest in the Veneto artistic landscape of the 20th century.
Although maintaining a particularly strong link with Padua, the city where he lived and worked for much of his life, Morato actively participated in the artistic debate of his time, confronting the new trends of Italian and European painting.
During his career he exhibited in important artistic events, including the Venice International Art Biennale and the Rome National Quadriennial of Art, taking part in the Italian cultural scene alongside many protagonists of 20th-century art.
His pictorial research traversed different stylistic experiences, from figurative painting of the 20th century to subsequent experiments influenced by European avant-gardes.
Particularly significant were the inspirations drawn from the painting of Pablo Picasso, Paul Cézanne and from the neo-Cubist researches, together with the interest in the plastic innovations of Arturo Martini.
Over the years Morato developed a personal language, in which color, the construction of forms, and expressive freedom assumed an increasingly important role.
Important artistic commissions
Among his most significant works are the decorations carried out in the 1930s for the Padua Chamber of Commerce, including two large compositions dedicated to Agriculture and Trade and Industry and Transportation, accompanied by four works depicting The Four Seasons.
He also carried out important decorative interventions and wall paintings in several Italian cities, including Padua, Venice and Bolzano.
Also of particular note are the works executed for the Hall of the Female Students of the Palazzo del Bo, the historic seat of the University of Padua, and the religious decorations of the Church of the Holy Family in Padua, including the Via Crucis of 1939 and the large apse fresco of 1940.
In 1987, in recognition of his long artistic activity, a major retrospective was dedicated to him at the Palazzo della Ragione in Padua, with works representing over sixty years of production.
Importance and characteristics of the painting
Created in 1977, this still life belongs to the mature phase of Antonio Morato’s artistic production.
The floral composition testifies to the artist’s interest in color and in a free, gestural painting where the paint material becomes protagonist.
The roses, represented with great energy and immediacy, assume a almost sculptural presence thanks to thick brushstrokes and vivid chromatic contrasts.
The painting constitutes an interesting example of Italian figurative painting of the second half of the 20th century, capable of uniting the tradition of still life with a modern expressive language.
The work is embellished by an important decorative frame with silvered finish and golden reflections, characterized by elegant classical moldings and a wide light passe-partout, which gives the painting a refined presence and notable visual impact.
Technical characteristics
* Artist: Antonio Morato (1903–1989)
* Artist origin: Este, Padua, Italy
* Descriptive title: Still life with roses
* Year of execution: 1977
* Technique: Oil on canvas
* Period: Italian art of the 20th century
* Subject: Floral still life
* Style: Figurative, with post-impressionist and expressionist echoes
* Signature: Bottom right, accompanied by the date ’77
* Canvas dimensions: 58 × 48 cm
* Overall dimensions with frame: 81 × 71 cm
* Frame: Important decorative frame with silvered and gilded finish
Final considerations
A painting of notable artistic and decorative charm, attributable to the mature production of a painter who traversed some of the most important experiences of 20th-century Italian art.
The richness of the painting material, the chromatic harmony and the expressive force of the composition make this work particularly interesting for enthusiasts and collectors of 20th-century Italian painting.
The frame is provided as a complimentary addition and does not constitute part of the economic valuation of the work.
The photographs are an integral part of the description and document the painting details, the signature, the date and the general characteristics of the painting
Tracked and insured shipment, with very careful packaging
Antonio Morato (1903–1989) – Important still life with roses – Oil on canvas of 1977 – Signed and dated
Fascinating and refined oil painting on canvas from 1977, signed Antonio Morato (Este, 1903 – Padua, 1989), an important exponent of Veneto painting in the 20th century, a protagonist of a long and significant artistic career characterized by continuous expressive research and attention to the principal European artistic currents.
The work depicts a splendid floral still life with a lush bouquet of multicolored roses, realized with energetic painting, rich in matter and extraordinary chromatic liveliness.
Description of the work
In the center of the composition unfolds an elegant bouquet of roses in shades of pink, golden yellow and intense red, gathered inside a characteristic blue vase decorated with light motifs.
The flowers are rendered through broad, vigorous brushstrokes generously charged with color, which give the petals a remarkable sense of volume, movement, and depth.
Particularly suggestive is the strongly tactile painting technique, with evident reliefs of oil color that convey the spontaneity and expressive force of the artistic gesture.
The delicate pink shades of the roses dialogue harmoniously with the luminous yellow, the deep red and the intense greens of the foliage, creating a balanced yet dynamic composition.
The blue vase, placed in the lower part, constitutes an important element of chromatic contrast, while the drapery and the background, executed with warm and earthy tones, complete the whole with great naturalness.
The composition shows evident references to the post-impressionist tradition and to expressionist painting, interpreted through a personal sensitivity and an informal and immediate painting language.
The work is signed and dated ‘77 in the lower right corner.
Historical notes on the artist – Antonio Morato
Antonio Morato was born in Este, in the province of Padua, on March 17, 1903, and died in Padua on March 13, 1989.
He was an Italian painter and decorator of notable interest in the Veneto artistic landscape of the 20th century.
Although maintaining a particularly strong link with Padua, the city where he lived and worked for much of his life, Morato actively participated in the artistic debate of his time, confronting the new trends of Italian and European painting.
During his career he exhibited in important artistic events, including the Venice International Art Biennale and the Rome National Quadriennial of Art, taking part in the Italian cultural scene alongside many protagonists of 20th-century art.
His pictorial research traversed different stylistic experiences, from figurative painting of the 20th century to subsequent experiments influenced by European avant-gardes.
Particularly significant were the inspirations drawn from the painting of Pablo Picasso, Paul Cézanne and from the neo-Cubist researches, together with the interest in the plastic innovations of Arturo Martini.
Over the years Morato developed a personal language, in which color, the construction of forms, and expressive freedom assumed an increasingly important role.
Important artistic commissions
Among his most significant works are the decorations carried out in the 1930s for the Padua Chamber of Commerce, including two large compositions dedicated to Agriculture and Trade and Industry and Transportation, accompanied by four works depicting The Four Seasons.
He also carried out important decorative interventions and wall paintings in several Italian cities, including Padua, Venice and Bolzano.
Also of particular note are the works executed for the Hall of the Female Students of the Palazzo del Bo, the historic seat of the University of Padua, and the religious decorations of the Church of the Holy Family in Padua, including the Via Crucis of 1939 and the large apse fresco of 1940.
In 1987, in recognition of his long artistic activity, a major retrospective was dedicated to him at the Palazzo della Ragione in Padua, with works representing over sixty years of production.
Importance and characteristics of the painting
Created in 1977, this still life belongs to the mature phase of Antonio Morato’s artistic production.
The floral composition testifies to the artist’s interest in color and in a free, gestural painting where the paint material becomes protagonist.
The roses, represented with great energy and immediacy, assume a almost sculptural presence thanks to thick brushstrokes and vivid chromatic contrasts.
The painting constitutes an interesting example of Italian figurative painting of the second half of the 20th century, capable of uniting the tradition of still life with a modern expressive language.
The work is embellished by an important decorative frame with silvered finish and golden reflections, characterized by elegant classical moldings and a wide light passe-partout, which gives the painting a refined presence and notable visual impact.
Technical characteristics
* Artist: Antonio Morato (1903–1989)
* Artist origin: Este, Padua, Italy
* Descriptive title: Still life with roses
* Year of execution: 1977
* Technique: Oil on canvas
* Period: Italian art of the 20th century
* Subject: Floral still life
* Style: Figurative, with post-impressionist and expressionist echoes
* Signature: Bottom right, accompanied by the date ’77
* Canvas dimensions: 58 × 48 cm
* Overall dimensions with frame: 81 × 71 cm
* Frame: Important decorative frame with silvered and gilded finish
Final considerations
A painting of notable artistic and decorative charm, attributable to the mature production of a painter who traversed some of the most important experiences of 20th-century Italian art.
The richness of the painting material, the chromatic harmony and the expressive force of the composition make this work particularly interesting for enthusiasts and collectors of 20th-century Italian painting.
The frame is provided as a complimentary addition and does not constitute part of the economic valuation of the work.
The photographs are an integral part of the description and document the painting details, the signature, the date and the general characteristics of the painting
Tracked and insured shipment, with very careful packaging
Details
Sold with frame
Yes
Sold by
Owner or reseller
Edition
Original
Artist
Antonio Morato (1903–1989)
Title of artwork
Natura morta con rose
Technique
Oil painting
Signature
Hand signed
Country of origin
Italy
Year
1977
Condition
Excellent condition
Height
71 cm
Width
81 cm
Depiction/theme
Still life
Style
Post-Impressionism
Period
1970-1980
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