Attribué à Maurice Leloir (1853–1940) - Femme à la rose près d’un piédestal

Attributed to Maurice Leloir (1853–1940) — Woman with a Rose Beside a Pedestal

Technique: Graphite on paper.

Dimensions: 18 cm high × 11 cm wide.

Period: 1890–1900.

Signature / monogram: Unsigned / no monogram.

A woman in profile holds a rose beside a pedestal. The floral motifs on her dress echo the small plants drawn at her feet.

Style: Fashion study in graphite.

Movement: Academic tradition / late 19th-century French illustration.

Biography of Maurice Leloir
Maurice Leloir (1853–1940) was a French painter, watercolorist, draftsman, and illustrator. Born into a family of artists, he trained in particular under his mother, Héloïse Colin, and his brother, Louis Leloir. He exhibited at the Salon and was involved with the Société des aquarellistes français. From the 1880s onward, he illustrated works by Molière, Marivaux, Rousseau, and Alexandre Dumas. His compositions are distinguished by the care he devoted to costumes, poses, and settings. He specialized in historical reconstruction, particularly in the world of the 17th and 18th centuries. A painter of genre and historical scenes, he also worked in advertising and the decorative arts. In 1907, he founded the Société de l’histoire du costume, whose collections would contribute to the establishment of the Musée de la Mode in Paris. In 1928, he collaborated on the sets and costumes for the film The Iron Mask, starring Douglas Fairbanks. His research led to several publications on the history of costume, making him a leading authority in the field.

The condition of the sheet and its backing is shown in the photographs, which form part of the description.

Artwork sold unframed.

Condition: Good.