Attribué à Georges Dayez (1907-1991) - Femme peignant dans son atelier (vendu sans prix de reserve )






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“Femme peignant dans son atelier” is a gouache on paper, attributed to Georges Dayez, from 1940–1950, in a Cubist style, measuring 31.8 × 40 cm and originating from France.
Description from the seller
We present this superb gouache on paper depicting an artist painting, attributed to Georges Dayez (1907–1991).
She is seated in front of her easel / canvas, paintbrush in hand, in her studio / interior.
Title: Woman Painting in Her Studio.
Medium: Gouache on paper.
Artist: Attributed to Georges Dayez (1907–1991).
Studio provenance.
Sheet size: 31.8 x 40 cm
Condition: excellent.
A highly colorful composition outlined in black, typical of the artist: greens, blues, oranges, and reds.
Georges Dayez (1907–1991)
French painter, engraver, and lithographer associated with the New School of Paris. The son of an intaglio printer, he trained at the Académie de la Grande Chaumière and the Académie Julian, then at the École des Beaux-Arts in Paris in Lucien Simon’s studio. He exhibited at the Salon d’Automne from 1928. Close to Édouard Pignon and influenced by Cubism and André Lhote, he painted between figuration and abstraction. He was a professor and head of the lithography studio at the École des Beaux-Arts in Paris from 1967 to 1975.
Seller's Story
We present this superb gouache on paper depicting an artist painting, attributed to Georges Dayez (1907–1991).
She is seated in front of her easel / canvas, paintbrush in hand, in her studio / interior.
Title: Woman Painting in Her Studio.
Medium: Gouache on paper.
Artist: Attributed to Georges Dayez (1907–1991).
Studio provenance.
Sheet size: 31.8 x 40 cm
Condition: excellent.
A highly colorful composition outlined in black, typical of the artist: greens, blues, oranges, and reds.
Georges Dayez (1907–1991)
French painter, engraver, and lithographer associated with the New School of Paris. The son of an intaglio printer, he trained at the Académie de la Grande Chaumière and the Académie Julian, then at the École des Beaux-Arts in Paris in Lucien Simon’s studio. He exhibited at the Salon d’Automne from 1928. Close to Édouard Pignon and influenced by Cubism and André Lhote, he painted between figuration and abstraction. He was a professor and head of the lithography studio at the École des Beaux-Arts in Paris from 1967 to 1975.
