Lucía Lauren - XL - Aura de Marfil





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Lucía Lauren - XL’s original, hand-signed acrylic painting on canvas, titled Aura de Marfil, measures 90 × 120 cm and was created after 2020 in an Art Deco style.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with an essentially self-taught background in the visual arts, and a degree in Social Communication from the University of Havana.
Her relationship with imagery began long before she took up painting professionally. Photography was her first creative territory: through it, she developed a particular sensitivity to composition, visual balance, gesture, and the representation of the human figure. She later spent several years immersed in the world of tattooing, a formative period that helped her understand the importance of line, silhouette, simplified forms, and graphic clarity in her current painting.
She ultimately found a much broader space for expression in the visual arts. Painting allowed her to bring together those earlier experiences and transform them into an intimate, distinctive universe, created primarily with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with cats recurring as silent companions to her protagonists. These scenes rarely seek to depict extraordinary events. On the contrary, the artist seems drawn to small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting is grounded in a marked visual synthesis. Lucía removes much of the secondary information, retaining only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes create immediately legible images imbued with sensitivity.
Her visual language carries echoes of contemporary illustration and naïve painting, alongside decorative references close to Art Deco and Art Nouveau. These elements, however, are reinterpreted through a sensibility of her own—warmer, more everyday, and feminine.
One of the most interesting aspects of her work is her use of color. Dusty pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-greens, vivid reds, and crisp whites. In some compositions, the palette is delicate and almost domestic; in others, the color contrast takes on a distinctly graphic intensity.
Women are at the heart of practically her entire pictorial universe. They are not portrayed as heroic or distant figures, but through a calm, elegant, and introspective femininity. These are figures with serene gazes, unhurried poses, and restrained gestures. There is glamour, but it is intimate and quiet.
Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where a woman and an animal embrace, the curves of the human body and the shape of the cat almost merge, turning the composition into a representation of affection.
Flowers and vegetation serve a similar purpose. They surround the protagonists, appear on their dresses, or blend into the backgrounds, at times blurring the boundary between figure and nature. In this way, women, nature, and the animal world ultimately become part of a single sensibility.
In works such as the figure embracing a cat against a red background, Lucía radically reduces the palette, building the image through the contrast between black, white, and red. The stripes on the dress become more than a pattern: they serve as the main compositional device, encircling both figures and focusing the entire scene on the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting beside the cat and the glass of wine, the artist creates a composition closer to contemporary design. The terracotta of the dress converses with soft pinks, beige, and blue-green, creating a sophisticated image that never feels cold. The protagonist is not doing anything in particular; she simply exists within her space. It is precisely this lack of drama that accounts for much of the work’s charm.
Lucía Lauren thus creates paintings that appear simple but are carefully constructed. Her visual language does not rely on ostentatious technical virtuosity, but on the ability to pare a scene down until its essential emotion emerges.
Her world is feminine, botanical, domestic, and affectionate. It is inhabited by everyday beauty, bonds with animals, care, contemplation, and nature as a refuge. Her paintings have a particularly appealing quality: at first glance, they may seem decorative, but behind their beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary art scene where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in this simplicity that much of her work’s individuality lies.
Artwork by the artist Lucía Lauren, created using acrylic on a high-quality professional canvas.
Painting dimensions: 90 x 120 cm.
Original edition.
Shipping will be handled by United Parcel Service (UPS) to Spain and Europe, and by FedEx to the rest of the world.
The artwork will be shipped rolled, protected with several layers of packaging and bubble wrap, and placed in a sturdy tube.
Once the artwork has been paid for, three days are required for packing and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains AI-generated visualizations. Please consult the original photographs to verify the actual condition of the artwork.”
This mesmerizing work, masterfully executed in acrylic on canvas, immerses us in an atmosphere of sophistication, mystery, and refined aesthetic dynamism. The composition depicts an elegant female figure in profile, with short dark hair and a bare back, wearing an imposing, voluminous dress structured in bold diagonal lines of blue, white, and ivory that sweep downward with theatrical force. In her hands, subtly clasped behind her back, she delicately holds a small red flower that provides a color contrast rich in symbolism. The background is masterfully fragmented by architectural arches and geometric patterns in shades of gold, ochre, and red, evoking the decorative elegance of the historical avant-garde. The bold use of defined contours and color contrasts gives the piece a magnetic presence, making it an exceptional acquisition for collectors looking to bring personality, distinction, and a compelling visual narrative to their exhibition spaces.
Lucía Lauren (LILI) is a Cuban artist with an essentially self-taught background in the visual arts, and a degree in Social Communication from the University of Havana.
Her relationship with imagery began long before she took up painting professionally. Photography was her first creative territory: through it, she developed a particular sensitivity to composition, visual balance, gesture, and the representation of the human figure. She later spent several years immersed in the world of tattooing, a formative period that helped her understand the importance of line, silhouette, simplified forms, and graphic clarity in her current painting.
She ultimately found a much broader space for expression in the visual arts. Painting allowed her to bring together those earlier experiences and transform them into an intimate, distinctive universe, created primarily with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with cats recurring as silent companions to her protagonists. These scenes rarely seek to depict extraordinary events. On the contrary, the artist seems drawn to small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting is grounded in a marked visual synthesis. Lucía removes much of the secondary information, retaining only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes create immediately legible images imbued with sensitivity.
Her visual language carries echoes of contemporary illustration and naïve painting, alongside decorative references close to Art Deco and Art Nouveau. These elements, however, are reinterpreted through a sensibility of her own—warmer, more everyday, and feminine.
One of the most interesting aspects of her work is her use of color. Dusty pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-greens, vivid reds, and crisp whites. In some compositions, the palette is delicate and almost domestic; in others, the color contrast takes on a distinctly graphic intensity.
Women are at the heart of practically her entire pictorial universe. They are not portrayed as heroic or distant figures, but through a calm, elegant, and introspective femininity. These are figures with serene gazes, unhurried poses, and restrained gestures. There is glamour, but it is intimate and quiet.
Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where a woman and an animal embrace, the curves of the human body and the shape of the cat almost merge, turning the composition into a representation of affection.
Flowers and vegetation serve a similar purpose. They surround the protagonists, appear on their dresses, or blend into the backgrounds, at times blurring the boundary between figure and nature. In this way, women, nature, and the animal world ultimately become part of a single sensibility.
In works such as the figure embracing a cat against a red background, Lucía radically reduces the palette, building the image through the contrast between black, white, and red. The stripes on the dress become more than a pattern: they serve as the main compositional device, encircling both figures and focusing the entire scene on the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting beside the cat and the glass of wine, the artist creates a composition closer to contemporary design. The terracotta of the dress converses with soft pinks, beige, and blue-green, creating a sophisticated image that never feels cold. The protagonist is not doing anything in particular; she simply exists within her space. It is precisely this lack of drama that accounts for much of the work’s charm.
Lucía Lauren thus creates paintings that appear simple but are carefully constructed. Her visual language does not rely on ostentatious technical virtuosity, but on the ability to pare a scene down until its essential emotion emerges.
Her world is feminine, botanical, domestic, and affectionate. It is inhabited by everyday beauty, bonds with animals, care, contemplation, and nature as a refuge. Her paintings have a particularly appealing quality: at first glance, they may seem decorative, but behind their beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary art scene where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in this simplicity that much of her work’s individuality lies.
Artwork by the artist Lucía Lauren, created using acrylic on a high-quality professional canvas.
Painting dimensions: 90 x 120 cm.
Original edition.
Shipping will be handled by United Parcel Service (UPS) to Spain and Europe, and by FedEx to the rest of the world.
The artwork will be shipped rolled, protected with several layers of packaging and bubble wrap, and placed in a sturdy tube.
Once the artwork has been paid for, three days are required for packing and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains AI-generated visualizations. Please consult the original photographs to verify the actual condition of the artwork.”
This mesmerizing work, masterfully executed in acrylic on canvas, immerses us in an atmosphere of sophistication, mystery, and refined aesthetic dynamism. The composition depicts an elegant female figure in profile, with short dark hair and a bare back, wearing an imposing, voluminous dress structured in bold diagonal lines of blue, white, and ivory that sweep downward with theatrical force. In her hands, subtly clasped behind her back, she delicately holds a small red flower that provides a color contrast rich in symbolism. The background is masterfully fragmented by architectural arches and geometric patterns in shades of gold, ochre, and red, evoking the decorative elegance of the historical avant-garde. The bold use of defined contours and color contrasts gives the piece a magnetic presence, making it an exceptional acquisition for collectors looking to bring personality, distinction, and a compelling visual narrative to their exhibition spaces.

